Review: "Infinite" on Paramount+

By Abe Friedtanzer

There are those who believe in reincarnation, the idea that, when people die, they return eventually in another life. If, somehow, those who had lived before were able to recall what they had been through, they might be able to take lessons from it and create a better world. Yet it’s just as likely that, given the opportunity to dwell on centuries or millennia of knowledge about how society functions, many would attempt to exploit or destroy it for their own aims. That’s the setup of Infinite, a film with a bold concept that relies very little on logic to play out its all-too-familiar story.

To explain the premise of this film shouldn’t be all that difficult, but I’m not sure I can offer a coherent breakdown of how it’s all supposed to work. Basically, people called Infinites are able to recall their past lives, but they have to be reminded of everything they’ve experienced before...

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Why everyone should know and cherish Lois Weber

by Cláudio Alves

In such works as his Story of Film and Women Make Film, Mark Cousins has put forward the idea that film history is sexist by omission. That's undeniable when one considers the case of the many women film pioneers who saw their achievements overshadowed by and even misattributed to their male colleagues. Lois Weber, who's currently being celebrated on the Criterion Channel, is one of those filmmakers whose legacy has been usurped, forgotten, despite both its quality and importance. The fact most of her 140 films are lost doesn't help matters. However, the few that have survived speak of an accomplished visual storyteller, political artist, and fearless provocateur. I think every cinephile should know about Lois Weber, and here's why… 

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Streaming Roulette, June: Streets of Fire, Primary Colors, and The World to Come

Yes it's time for another round of streaming roulette where we point out titles that are new(ish) to streaming and just for fun, freeze frame them at totally random places in the scroll bar and whatever comes up we share. Let's go...

I think 'Oh, if I'm self aware about being a douchebag, it... it... it... will somehow make me less of a douchebag.' But it doesn't. Self awareness does not absolve anyone of anything. Am I balding?

Bo Burhnam Inside
A new comedy special from the writer/director of Eighth Grade and the co-star of Promising Young Woman. We've heard good things but haven't yet screened...

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Satyajit Ray on Criterion

by Cláudio Alves

Better late than never, I suppose. This month - May 2nd, to be precise - was the centennial of Bengali director Satyajit Ray. While this piece was supposed to be ready then, many factors contributed to its delay. One of which was how intimidating the legacy of this master of cinema is. In any case, before June dawns on us, let's celebrate the great Satyajit Ray and the outstanding collection the Criterion Channel curated for the occasion. Right now, you can find 17 of the director's features plus a 1984 documentary about his work streaming on the platform. For any cinephile with access to the Criterion Channel, this is a treasure trove that shouldn't be missed or ignored…

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The Tony Awards will be on Paramount+ this year

Aaron Tveit and Karen Olivo in "Moulin Rouge: The Musical"

Here's a twist we didn't see coming: the long delayed Tony Awards will be on Paramount+ streaming service this September 26th at 7 PM EST followed by a starry Broadway-celebrating concert on CBS (the usual home of the Tony Awards) at 9 PM EST (both shows are two hours long). That's great timing since the shows begin to return on September 2nd (as previously discussed).

All of the awards but three will be handed out on the Paramount portion of the evening...

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