Box Office: Elle Fanning Ascends and 8 More Notes on "Super 8"

It was a debutante ball or a "Sweet 13", if you will, for Elle Fanning at the Box Office this weekend. J.J. Abrams Super 8, an attempt to recapture Spielbergian 80s sci-fi glory, opened larger than expected, and Elle's star continues to rise. Are you newly won over?

"SuperElle" © Nathaniel R
A HUGE week in the Fanning household this has been, eh? Dakota graduated from high school, became the new face of "Oh Lola" and younger sister Elle starred in a #1 hit, following in big sister's footsteps still (Dakota's already done the #1 weekends with Twilight: New Moon and War of the Worlds... which Super 8 bears more than a little resemblance too with its sinister alien antics, great build up and then strangely lame final act. "Uh, we have to wrap this up now so... THIS"

I meant to write a proper review - sorries! -- but instead you get list/notes. MINOR SPOILERS

• first 45 minutes pretty wonderful, fun period work, enjoyable inside-moviemaking jokes for nerds.
• Elle Fanning's "acting" scene in the movie within the movie (an amateur zombie film) before the cargo crash is awesome. The extra, out of focus in the background, totally forgetting his business to stare at her ? Hilarious/perfect.
• That EPIC cargo crash is the first sign of trouble. The explosions and destructions go on and on and on and on (overkill!) and not one of the kids gets a scratch despite running through fireballs and 10 ton debris falling all around them. It looks like a war zone thereafter but their car is also indestructable.
• All the "what's going on?" withholding is wonderful...until it's not. At some point the audience is supposed to catch up to the story.
• I used to think J.J. Abrams "lens flare" issues were cute and I didn't understand why they bugged people but MY GOD. Stop with the electric blue horizontal lines ruining so many otherwise pleasant images.
• The scene where the sheriff tells his deputy to go home and hug his son. Kyle Chandler (Friday Night Lights) can convey so much with so little. He's one of those actors who understands the less is more truism. The deputy knows that this is good advice, but he also knows he's not going to do it.
• Elle Fanning is positioned to receive the most praise (this happens to obsessed over "love object/muse" roles) and she's quite good in it but the real find here is 15 year old Joel Courtney in the lead role: Such an expressive face, so natural on camera, entirely absent any child-actor showboating tricks and gimmicks.
• An extended race sequence with massive explosions and tanks and destructive nonsense near the end is entirely useless to the narrative and a sign that the movie is in trouble.
• The overt sentiment works well when it's calm and focused in the first half but starts to feel like an uncomfortable skin graft toward the finale.
• As in War of the Worlds, it just falls apart at the end, as the heroes essentially do too little that's heroic other than survive and the storyline just kind of resolves itself lazily. The end.
• But bonus points for including the amateur zombie movie over the end credits!

Oops. That was way more than 8 notes.
Grade? I'm still mulling that over. It's very uneven.

U.S. Box-Office (Estimates)

01 SUPER 8 new $37
02 X-MEN FIRST CLASS $25 [review] (cumulative $98.8)
03 THE HANGOVER PT. 2  $18.5 (cumulative $216.5)
04 KUNG FU PANDA 2 $16.6 (cumulative $126.9)
05 PIRATES OF THE CARIBBEAN: ON STRANGER TIDES $10.8 (cumulative $208.7) [review]
06 BRIDESMAIDS $10.1 (cumulative $123.9) ♥
07 JUDY MOODY AND THE NOT BUMMER SUMMER new $6.2 
08 MIDNIGHT IN PARIS $6.1 (cumulative $14.2) ♥
09 THOR $2.3 (cumulative $173) [review]
10 FAST FIVE $1.7 (cumulative $205)

What did you see over the weekend?
And if you caught it, how did you feel about Super 8?

Linkland: Thelma & Louise, Marion & Melanie, Regina & Shawn

Movie|Line "what the box office skeptics are missing about Super 8"?
In Contention does not like Super 8. "Super h8ted it" Uh oh.
Just Jared Dakota Fanning's High School Graduation. Congrats Dakota!
Mister Hipp "sometimes you can still catch me dancing in it" - just lovely. Still my favorite Tim Burton film.
Kenneth in the (212) Thelma & Louise, 20 years later (in Toronto.) Awwww I ♥. Sadly, Brad Pitt was not there.
Tom Shone loves Melanie Laurent in Beginners. As do I.
The Critical Condition has a really interesting question/thought about Marion Cotillard in Midnight in Paris. NOTE: Don't read it until after you've seen the movie!
Splash Page talks to Chris Evans about working on The Avengers.

X-Men "Born This Way" Parody.

Teehee. Fun lyrics although some may quibble about Magneto not being... that other way.

Finally, Scott Feinberg shares the nominees for the 1st annual BTJA "Critics Choice" Awards. Mad Men cleans up but the interesting part is the Emmy-diversion details: Glee is nominated but Jane Lynch is the only cast member with a nomination; they're absolutely nuts for all AMC shows; and Southland got a nomination for Shawn Hatosy (yes!) but not for Regina King (boo!). If you watch Southland you'll know that Hatosy's role got crazy intense this past season as his screen partner Kevin Alejandro was killed (so that he could sex up Lafayette on True Blood... or was that a post-job-loss career get?) and Hatosy's character broke down hard. But the MVP of this show is still Regina King. Go Regina!

Predix: Supporting Actor and The Matter of Young Leads

Jim Broadbent as Dennis ThatcherWhen it comes to blindfolded Oscar predictions, almost nothing beats the supporting categories. I have this vague fantasy of time travel and returning to propose all 10 supporting acting nominees correctly one April to reams of laughter from the internet. They can be so hard to see coming for so many reasons including: adaptations sometimes lean on different characters than the novels or plays that birthed them, ensembles are tricky because you don't know who will win "best in show" reviews, one lead films are tricky because the huge role at the center (The Iron Lady, J. Edgar) sometimes end up sucking up all the oxygen and other times have coattails. Then there's the small matter of Oscar being more diverse aesthetically when it comes to supporting work. Here is where comedy, horror, sci-fi, fantasy  and even comic book movies (Dick Tracy, The Dark Knight) can show up even though they rarely if ever get play in lead categories.

Kenneth Branagh? Christoph Waltz? Philip Seymour Hoffman x 2? Viggo Mortensen x 2? Armie Hammer or Josh Lucas? Ben Kingsley? Christopher Plummer? Jim Broadbent -- his Iron Lady performance already has tongues (and fingers) wagging -- Richard E Grant or Anthony Head? Nick Nolte? Brad Pitt? You can drive yourself crazy thinking about all the possibilities. Maybe you have?

The first predictions for 2011

NEW TOPIC: This is as good a year as any, I assume, to prove my frequent statements about Oscar's double standards with gender. There are at least three very high profile films with young male leads this year: HUGO CABRET (Asa Butterfield is 14 years old), WAR HORSE (Jeremy Irvine is ??? years old), and SUPER 8 (Joel Courtney is ??? years old).

Asa Butterfield, Jeremy Irvine and Joel Courtney

If you've ever doubted my assertion about this double standard -- some people have objected to the statements -- watch how these performances are treated this year while keeping in mind how Hailee Steinfeld's work was greeted in True Grit as if the heavens or the red sea had parted. The media, critics and Oscar voters are quick to shove aside experience and accomplishment in women when a "fresh player" enters but not so with male actors. My prediction: at least one of these three does work on par or better than Hailee's and doesn't get anything like her traction. Watch and see.

Obviously there are exceptions, as there are to every rule: There was no denying Haley Joel Osment's gift in The Sixth Sense (1999) although he did get demoted to Supporting and lost to somebody who already had an Oscar, and Justin Henry won a nomination at 8 (!) for Kramer Vs. Kramer. In both cases the films were absolute sensations at the box office. Dramas no longer explode with audiences like Kramer vs. Kramer did but in today's dollars its box office haul was truly insane. We're talking a domestic haul closer to the latest Harry Potter than a True Grit or King's Speech. In other words, even Oscar doesn't ignore the zeitgeist.

Yes, No, Maybe So: "Super 8"

We already did this once during the Superbowl but here's the full trailer to J.J. Abrams Super 8, a clear attempt to recapture 80s Spielbergania. Disturbingly hypey things are flying cross the internet like 'a Best Picture nomination is all sewn up!' uh... from 2 minutes of footage? It's not like its a Holocaust drama or a biopic and looks particularly fetching. History is littered with trailers that looked awesome, the movies proving less so. We shall see. The other disturbing thing I read was that the internet had 'a collective boner'. Call me old fashioned but the only way I'd ever be interested in a collective boner was if I could handpick the orgy members. Ewww. But those caveats aside the trailer IS good. I'm a "yes." But let's play our game anyway.

Yes It certainly looks intriguing... and all the things that worked in the 30 second version (the mystery, the borrowed music, the "gee whiz it's 80s scifi!" feel) are expanded and gain in oomph at 2 minutes. Surely a good sign for the next (two hour) expansion, right?

No Sometimes when people (J.J. Abrams) try to be someone else (Steven Spielberg) they feel like jpgs that have been saved at lower resolutions. Or they miss the mark and end up like some weird amalgam (Spielberg + Shyamalan ÷ Abrams = ?) The proof, one way or the other, will be in the full 2 hours.

Maybe So I know that this is about the kids but wouldn't it be appropriately wondrous if Coach Taylor knocked a plum supporting role out of the park and had a big screen career and/or an awesome TV offer to follow his Friday Night Lights perfection since that stellar show has filmed its last scenes.

Here's the new trailer

Yes No or Maybe So people?
Okay okay, I'll bite on the overhype. Let's discuss Oscar prospects, too. A few techs or much more?

Podcast: Oscar Switches, Summer Dreams

See?

We are trying to get weekly. We recorded the new podcast early this week (included at the end of this post) as today I knew I would be all wrapped up in a wedding. Well, attending one that is. But you know how time consuming they are. It was a lovely snowy Connecticut wedding and I'm just back. So here is the new podcast. There's a bit of a lull in Oscar happenings as we wait for the big night, so this week, Joe and Katey and I go a little more Off-Gold than usual. 

Topics include:

• Chris Nolan (Inception and a brief Memento cameo)
• The Jesse Eisenberg Show 
• Spirit Award Best Actress ballot. Could there be a Natalie Portman upset?
• The success of the Best Picture field at the box office
• Our individual least favorite Best Picture nominees (surprising results!)
• Toy Story 3. Is it a great movie or just a great 15 year narrative?
• Oscar Narratives. Reading purpose.
• Super 8 and Superbowl trailers
• Crushing on Michael Fassbender
• Nostalgia for Harrison Ford
• Reese Witherspoon: "Think about your choices, lady!"
• Meryl Streep as Margaret Thatcher

Join the conversation in the comments.

Podcast: Oscar Switches, Summer Dreams