More Kudos for The Grandmaster

The awards journey of Wong Kar Wai's long-gestating martial arts history epic continues. Though The Grandmaster didn't win a Best Foreign Language Film Oscar nomination, it nevertheless became one of those rare subtitled pictures to become a multiple Oscar nominee even without that honor. Though it's not likely to win either of its Oscar nominations, more trophies might be coming its way. It lost the Golden Horse for Best Picture, Asia's most prestigious film trophy, but now it leads the Hong Kong Film Award nominations with 14 nominations. Its nearest rival is Unbeatable, a fight tournament movie with 11 nominations which is really much closer to a Hollywood style inspirational sports drama like Warrior. (I reviewed the latter at TIFF last year.) 

Eddie Peng and Nick Cheung in UNBEATABLE

For those who, like me, are confused at the amount of different film awards for the Chinese film industry, I have asked and it works out something like so. There are three major regions (Taiwan, China, Hong Kong) and they each have film awards; The Golden Horse are from Taiwan and are considered the most prestigious because they have the widest open playing field (all three major regions are eligible for prizes plus places like Singapore -- which took Best Picture for Ilo Ilo if you'll recall) and they are the oldest and thus an institution; the Hong Kong Film Awards concentrate on Hong Kong cinema and China's Golden Rooster concentrates on mainland China... though in all three cases certain films work around the rules. It was ever so in film awards from anywhere, yes?

The nominee list, with more commentary, is after the jump

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Sundance: Horror Comedies Shine with 'Cooties' and 'In the Shadows'

Our Sundance Film Festival coverage continues with Glenn Dunks on two of the festival's midnight movies.

Horror comedies can be so tricky sometimes. Is the film a horror movie with comedy or a comedy with horror elements? It might sound like semantics, but I feel it’s the difference, for instance, between Scream and Shaun of the Dead, both of which are excellent examples of the tight rope act that is the horror comedy genre mash-up. They knew exactly what they were doing and ultimately work as both a horror and a comedy without forgoing one half or the other. Cabin in the Woods, on the other hand, by all rights should have been a smart and scary horror movie, but instead lacked the tension that its jokes should have been buffering. It’s a tricky minefield to manoeuvre, but when it goes right the results can be fantastic. 

ravenous pre-teens and vampires after the jump...

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Sundance: This Girl Walks Alone Into Greatness

From the Sundance Film Festival here is Glenn on 'A Girl Walks Home Alone at Night'

Despite the high profile of vampire movies in the past decade, very few of them have been strong enough to justify their budgets and mainstream success, let alone done enough to warrant any sort of long-term attention. Buffy the Vampire Slayer concluded in 2003 and since then TV series True Blood and The Vampire Diaries have attempted to pick up where Joss Whedon left off. On the big screen, however, the only vampire property to strike any form of sustained reverence is Tomas Alfredson’s Swedish take on vampire lore, Let the Right One In – and, depending on who you ask, the American remake, Let Me In, too – although I did enjoy the Spierig Brothers’ high-concept Daybreakers as well (I didn’t care for Stake Land, but I hear people like that one, too). So it’s not only a surprise, but an genuine delight to report that Ana Lily Amirpour’s stark beauty, A Girl Walks Home Alone at Night, is not just great movie, but should be considered an instant entry into the cannon of vampires on cinema.

With perhaps the most literal title of the festival, Amirpour’s American-made yet Iran-set film takes place in the fictional town of Bad City. A lawless wasteland of a location where a local pit is home to the rising number of dumped, abandoned corpses, and where thugs and pimps undertake their criminal enterprises is broad daylight. Oil drills chug and churn on the city outskirts sucking the land's resources even more than Bad City's low life residents, and a teenage boy takes advantage of a local drug dealer’s death by stealing his stash and moving in on his territory. Bad City, undoubtedly inspired at least in part by Sin City, is a town that both literally and figuratively is being drained of blood; where people don’t so much live and merely exist. It exists in a seemingly parallel world, a twilight zone of evil and it's the perfect place to go unnoticed. 

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Jessica + Cate, Mary Music, and Other Linkables

Awards Circuit I guest starred on their podcast Power Hour this week. We talk Oscar's actress categories and Ben Affleck
Film School Rejects Diana gets a November release date
HuffPo interviews Eric Bana (Closed Circuit) who does not like Hulk
Final Girl lists the 5 best vampires of all time. This list LOL'ed me up good
Gothamist Patton Oswalt and Joss Whedon defend Ben Affleck's casting as Batman
Bad Ass Digest chooses the 11 best movies of the summer. Amidst all the fanboy titles are Short Term 12 and Blue Jasmine so well done. 

Jessica Chastain ♥ Cate Blanchett 
This was posted on the Actress's facebook page yesterday.

Sweet. And generous. And culturally aware just as we've come to expect from Chastain who by all accounts is a lovely person and real film enthusiast as well as one of the most important actors to emerge this decade.

Exit Music
Since we've been on a Mary Poppins kick this year what with that Best Shot steppin' time party and Saving Mr Banks coming out here's a music videdo that uses only sounds from Mary Poppins for its beats and melodies... 

"The Newest Hottest Spike Lee Joint" Begins Filming

I've bitched about millionaires crowdfunding their projects already but I do want to say that of the three most egregious recent examples on Kickstarter, I'm most interested in Spike Lee's. I like that he's taken to social media with such enthusiasm, which negates some of the ickiness of crowdfunding by focusing on the its first syllable.

The film already has a promotional poster...

...and is about human addicted to blood because the vampire genre is so woefully underrepresented in current cinema.

Anyway, Lee reached his $1.25 million fundraising goal two days ago (a few days early) and by the time people were blogging about its success, the director had already started shooting and that kind of enthusiasm and commitment is as infectious as bloodlust in the movies!

Today he instagrammed this photo with the caption: "Shooting Opening Credit Sequence For The Newest Hottest Spike Lee Joint."

anyone know who these guys are? None are Spike's regular DP Barry Alexander Brown

Spike Lee makes great opening credit sequences -- Do the Right Thing did the right thing. And that's the truth, Ruth -- but this shot cracks me up because of the years I've spent searching for First & Last images. That series taught me that the biggest filmmaking cliche for opening shots is non-descript images of the sky or sea. 

Still... we can probably trust Spike Lee & team to mix it up. He makes fine title sequences and that's the truth, Ruth. Remember Do The Right Thing? 

I (will always) ♥ Rosie Perez.