Best Director Fun. What a Category This Year!

How cute is this? Here's Adapted Screenplay nominee Barry Jenkins (If Beale Street Could Talk) celebrating Spike Lee's Best Director nomination for BlacKkKlansman:

And the biggest congrats to the 🐐 — ran into this portrait last night in Paris, couldn’t help but grab a selfie; no words necessary. And by every measure, this man — so necessary 👌🏿🙌🏿🙏🏿 pic.twitter.com/YXuzAwNdk3

— Barry Jenkins (@BarryJenkins) January 22, 2019

In related news: the Best Director Chart is updated and ready for your votes (who should win? vote every day!) and commentary. We've added trivia, stats, as well as speculated on "How'd they get nominated?" as is our annual habit. Let's take Spike Lee as an example. This is how'd we'd wager Spike got his nomination...

35% Reputation and do-over. An iconic director who'd never been so honored. Sorry about Do The Right Thing!
30% His biggest hit and best film in several years. Critically adored and guild supported, too. 
16% Timely themes - plus the world has caught up to him.
12% Cannes gave him an early boost and his movie instant highbrow cred.
7% Had the summer all to itself to percolate as Best Picture worthy

Find out how the others got nominated on the chart. Agree? Disagree? Are we forgetting a key factor? Do tell in the comments.

Beauty vs Beast: Queen Anne's Choice

Happy Oscar Nominations Eve, everybody! Jason from MNPP here with this week's "Beauty vs Beast" which this week shall tackle one of the probable juggernauts nomination-wise tomorrow, or so we hope -- Yorgos Lanthimos' giddily profane The Favourite boasts a triumverate for the ages, with Queen Anne (Olivia Colman) sitting astride two wars, the more interesting one between her comely, craven subjects Lady Sarah (Rachel Weisz) and cousin Abagail (Emma Stone). Everybody's predicting richkly deserved nominations for all three (while simultaneously bickering about their Lead vs Supporting placement) but we're more interested where you'd come down from Queen Anne's place...

bike trail guide

PREVIOUSLY Last week you guys wisely took Joan's advice and didn't fuck with her, fellas - Faye Dunaway's stark-raving turn in Mommie Dearest trampled through the roses to a win of just under 80%. Said Roger:

"I love MOMMIE DEAREST. In terms of Oscar eligibility, Faye Dunaway absolutely should have won the Oscar. Her performance is incredible and almost experimental. I think this is a rare example where the overused remark of losing one’s self in a role is warranted. The line between Faye Dunaway and Joan Crawford is blurred beyond distinction. Both actresses are so enthralling that seeing one as the other, Dunaway as Crawford, is so electrifying it borders on hyperreality."

Final Best Director predictions: Will Lanthimos score?

Will the Academy's 512 wide director's branch go their own way this week while balloting for their nominations, or will they just co-sign what the Globes and the DGA said (i.e. Cooper, Cuarón, Farrelly, Lee, and McKay)? BAFTA, for all its myriad problems of trying to be part of the Oscar race rather than keep its own uniquely British identity, actually gave us a possibly best case scenario (i.e. Cooper, Cuarón, Lee, Pawlikowski, and Lanthimos)...

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DGA nominees match the Globe lineup *exactly*

by Nathaniel R

This awards season keeps throwing us unpleasant curveballs. First Bohemian Rhapsody took the top prize at the Globes and now, the Director's Guild of America has decided to up and agree with the Globes exactly on the Best Director list.

Their nominations and statistical hand-wringing after the jump...

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NYFF: Olivia, Rachel, and Emma in "The Favourite"

Nathaniel reporting from the New York Film Festival

"Bunnies aren't just cute like everyone supposes," the vengeance demon Anya famously sang on Buffy the Vampire Slayer and you should know straightaway that she would absolutely recoil at The Favourite, which is filled with bunnies, even as she might well relate to the brutal practicalities of the social maneuvering between the servant Abigail (Emma Stone) and her cousin Lady Sarah (Rachel Weisz) for the Queen's affections. Yet the two things, bunnies and favouritism, are inextricably linked.

Queen Anne's (Olivia Colman) chambers are filled with bunnies, seventeen to be precise, each named after one of her miscarried or stillborn babies. She would very much like her favourite Lady, whoever it is, to fawn on them...

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