ASC Nominations for Best Cinematography & Adjacent Oscar Histories

John Seale and George Miller on the set of Mad Max Fury Road. Two 70somethings showing everyone how its done. The American Society of Cinemotagraphers have voted on the best of 2015's theatrical features. It's a year that can only be described as a filthy rich in terms of this artform. One only has to peruse the work of lower profile contenders that didn't make it to feel staggered by the abundance of worthy creative work being done in the field. 

But the rising talents -- and even some of the older giants -- in this arguable new golden age of the artform will have to wait another year for ASC and possibly Oscar honors. The guild went with a murderer's row of international legends this year. The ASC Nominees hail from five different countries (UK, Poland, Mexico, their average age is 62½  and between them they've amassed 31 Oscar nominations, 5 Oscar statues, 8 BAFTAs, and 5 Spirit Awards. That's a whole lotta statuary honoring their influential careers. 

Cinematography history and more on the nominees after the jump...  

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BAFTA Preview: Who might surprise Friday?

Here's Murtada with many questions about this year's possible BAFTA nominations.

The first indication that the BAFTA nominations are upon us - besides Awards announcements every two seconds - is the nominations for the Rising Star Award. This year’s crop include two 2015 British breakthroughs in Bel Powley (Diary of A Teenage Girl) and Taron Egerton (Kingsman), two stars of major blockbusters in John Boyega (Star Wars:The Force Awakens) and Dakota Johnson (50 Shades of Grey) and one Oscar front runner in Brie Larson (Room). Their usual eclectic mix for this voted by the public award. Vote now if you are a UK resident.

But more importantly let's look at what Friday morning may bring by examining some trends from the last few years of BAFTA and what they could mean after the jump......

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Interview: Phyllis Nagy on Patricia Highsmith, Sunset Blvd, and "Carol"

Phyllis Nagy in Palm Springs with Cate BlanchettMonday night through Tuesday evening was a special 24 hours in the lives of Team Experience. At the NYFCC awards gala, Alec Baldwin, presenting the Best Director prize to Todd Haynes (Carol), quoted a Film Comment piece by our dear friend and podcast mate Nick Davis. That same night Phyllis Nagy was honored for Best Screenplay by the Pulitzer winning playwright/screenwriter Tony Kushner (Angels in America, Lincoln) himself. Though I was not in attendance for the Carol-heavy NYFCC gala on Monday night where the film also took Best Cinematography and Best Film), I had the opportunity to congratulate Nagy the next evening on her fine work adapting the year's best film from the original 1952 Patricia Highsmith novel "The Price of Salt." The occassion was a cocktail event for the movie hosted by former and future Todd Haynes muse Julianne Moore (here are a few photos of that reunion.)

It was our second chat with the sharp and talented Phyllis Nagy, who up until Carol had been best known for her stage plays and the HBO film Mrs Harris (2006) which she wrote and directed.

Here's our original conversation which we hope you'll enjoy...

NATHANIEL: So Phyllis I started this  as kind of a joke to myself but then decided to commit to it and have literally asked every person I interviewed from Carol ... How come you're such a genius? 

PHYLLIS NAGY: Well, practice. [Laughs] In this case, yeah, practice, many years of it. Which ultimately aided it, it didn’t hurt it, it may have felt like that from time to time...

NATHANIEL: You mean the long gestation period?

PHYLLIS NAGY: Yeah, when no one wants to [make a film], it gives you the opportunity to obsessively go over it again and again on your own time, at least make it a document that you’re proud of. So, luckily...

[Patricia Highsmith's interiority, great actors, and tough rewrites after the jump...]

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WGA Nominations - Amy Schumer Twice Over and More...

Don't cry Sadness -- you weren't eligible. You can still dream of OscarOf the guild nominations each year the Writer's Guild, which should be the most fascinating to we writers, is often the least. That's no mark on their taste but on their guilds bizarre exclusionary practices. More than any other guild they eliminated many cherished films each year for "not a member" reasons. So it's worth noting that "snubs" are not ever snubs so much as "probably weren't eligible." situations. And when you really love a film that wasn't nominated you can just tell yourself that even if it isn't true. Why trouble yourself?

If you're just joining us, we previously interviewed Phyllis Nagy who is nominated today for her Patricia Highsmith adaptation Carol. We'll also be sharing an interview with the nominated screenwriter of Spotlight sometime soon. Amy Schumer is the big winner this year nominated for both TV and Film efforts. You can see the WGA nominees in 3 film categories, and 25 other categories (television/newmedia/radio) after the jump...

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Judy by the Numbers: "The Land of Let's Pretend"

Judy at 8. In just ten years time she'll have a mini "Juvenile" Oscar!Editor's Note: With Anne-Marie in grad school we're taking it easier on her for 2016. After her invaluable deep dives into Katharine Hepburn with "A Year With Kate" and female directors in "Women's Pictures" something much shorter but reliably tuneful for you each Wednesday morning in '16: Judy Garland numbers! 

Anne Marie returning to you. Welcome to a new series exploring Judy Garland through the music she made famous and the songs that made her a star. Before she was Judy Garland, Frances "Baby" Gumm was the youngest of a three sister Vaudeville act. The child of Vaudeville performers, a family story states that she made her stage debut at 30 months singing "Jingle Bells." She was so entranced by the footlights that her father had to remove her after she sang the song - 7 times.

The Movie: "Bubbles" (Vitaphone Short, 1929 or 1930)
The Songwriters: Harry Akst (Music) and Grant Clark (Lyrics)
The Players: The Gumm Sisters, directed by Roy Mack

The Story: "Bubbles" is close to Frances Gumm's film debut; she and her sisters made a series of Vitaphone shorts for Warner Brothers. Though she's just 8 years old, it's already clear that there's something about young Frances - the short one on the right who mugs to a spot right of camera during her brief closeup. At the moment, that "something" is a big smile and an equally big (if tinny) voice. But such small stuff is what stars are moulded from.