YNMS: Tomb Raider

Seán here. Another day, another reboot, another Academy Award Winning Supporting Actress. And not unlike Angelina Jolie at the time, Alicia Vikander is aiming to capitalise on an Oscar with a leading role in a big star making vehicle. Vikander has an advantage compared to Jolie at this time, with some notable credits like Ex Machina and A Royal Affair to upsell her Oscar. Angelina Jolie has had one of the patchiest filmographies for anyone supposedly a mega-famous superstar. The two Tomb Raider films Jolie starred in were snoozefests, making the 2018 reboot something no one is going to be precious about, while raising the important question "why bother?"

The reason is that - at least on paper - Lara Croft is a perfect action heroine.

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NYFF: Kiyoshi Kurosawa's "Before We Vanish"

by Jason Adams

I want you to close your eyes. I want you to close your eyes, and picture Love. Not Valentine's Day Heart Cards or little sugary candies that say Eat Me, and not the faces of the people you've held hands with on cold afternoon walks, although the latter will probably help you on your way of getting there. I want you to picture the entire concept of Love. The warmth and the palpable agony of it - the electricity of fingertips and further parts intertwining and entangling, and the aftershock of separation - the whole dang lot.

Now I want you to imagine the violence of all of that being torn out of your body...

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Review: Kirsten Dunst in "Woodshock"

by Chris Feil

“Remember when we used to play in the woods together?” Woodshock begins in dreamy, creepy breathiness. That breathy quality carries throughout the entire film, a curious debut from Kate and Laura Mulleavy (otherwise known as fashion wunderkinds Rodarte). The film itself plays in the woods, a little bit touched with mystical wonder and a little bit okay with getting lost. It’s kind of like having Alice recount her trip down the rabbit hole while coming down from some serious Wonderland substances, but without getting to witness the magical land yourself.

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The Martyr Mothers of Darren Aronofsky

by Jorge Molina

With his latest film mother!, Darren Aronosfky immerses us in a hellish landscape of biblical allegories, nightmarish house parties, and scenery-chewing performances. It's his most polarizing film so far, and he takes the audience to emotional and visceral places he hasn’t before (hello, newborn baby).

And yet, something remains hauntingly familiar about it. Aronofsky has mommy issues. Throughout his filmography, mothers are figures of unflinching and painful devotion. Women who lose themselves in the love they have to give, a trait which ultimately becomes their doom. They are designed to bestow upon...

 

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