The Furniture: Comedy by Design in Come Blow Your Horn
Monday, September 5, 2016 at 11:45AM 1963 is our "Year of the Month" for September. So we'll be celebrating its films randomly throughout the month. Here's Daniel Walber...
Once upon a time, there were two production design categories at the Oscars. From 1945 through 1956, and again from 1959 through 1966, color films and black and white films competed separately. The Academy nominated ten films every year after 1950, creating a whole lot more room for variety.
This especially benefited comedy, a genre that has since fallen out of favor with Oscar. And while Come Blow Your Horn might not be the funniest of the 1960s, it is certainly one of the most deserving nominees of the era. Adapted by Norman Lear from a Neil Simon play, this Frank Sinatra vehicle stages most of its antics in one of cinema’s most luxurious apartments, the work of art directors Roland Anderson (Breakfast at Tiffany’s) and Hal Pereira (Vertigo) and set decorators Sam Comer (Rear Window) and James W. Payne (The Sting).
Sinatra plays Alan Baker, a salesman for his family’s plastic fruit business. His boss and father, Harry (Lee J. Cobb), is perpetually enraged by his son’s libertine Manhattan lifestyle. Harry and his wife Sophie, played by Yiddish theater legend Molly Picon, live a quiet life in Yonkers with their much younger son, Buddy (Tony Bill). But when Buddy runs away from home to live large with Alan, all hell breaks loose.
Alan's apartment in question is a spotless and opulent apotheosis of mid-century design. The open living room makes the place seem enormous...
