Emmy FYC: Best Comedy Series - Girls

Emmy nomination voting begins Monday. For the next week or two we'll be sharing FYCs of some kind. Here's Chris...

Once a series falls out of Emmy's favor, it's rare for a show to bounce back into competition when up against unwavering favorites and shiny new toys. No show on television deserves to be welcomed back as much as HBO's Girls.

This year's fifth season was the show at its most character-driven, putting aside its zeitgeist grabbing self-referential devices in favor of a more laid back pace. Though its downshift in cultural focus arguably took it out of the headlines, there's now more breathing room to keep the antics organic and the progressions satisfying. Each episode is a self-contained gem with the story lines flowing coherently between them while it takes characters to emotionally rewarding places. It's the kind of payoff you only get from a incisively directed show in its prime. It's the kind of payoff that only comes from a show that knows its characters to the core. [More...]

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Must Read Noah Galvin Interview

If you haven't yet read Vulture's interview with Noah Galvin do that immediately.

 The Real O'Neals star is candid, cocky, and catty. Though the big 3 networks have a tough time making headway in Emmy categories these days, that show would be a wonderful addition to the comedy lineups in several categories. Though Noah is the lead he's campaigning as supporting actor and he 1000% deserves a nod for his clever, heartfelt, nuanced but hilarious work as out gay teen Kenny O'Neal dealing with his Irish Catholic family and new confidence.

Still, I'm guessing Noah Galvin's scorched earth interview style, talking Hollywood's closeted gays for filth (yas queen!) and trashing Bryan Singer, Colton Haynes, Modern Family etcetera ... is not going to win him much favor in Tinsel Town though we're totally for it here at TFE. Hollywood needs to get woke on so many levels but especially in regards to ethnic and sexual diversity, both of which they're hopelessly behind with.

Here's an excerpt:

Are you trying to get me to throw somebody under the bus right now? Because I've thrown Eric Stonestreet under the bus a solid seven times this week. No, I think as wonderful of an actor as Eric Stonestreet is — I've never met him, I assume he's a wonderful guy — he's playing a caricature of a caricature of a stereotype of stereotype on Modern Family. And he's a straight man in real life. And as hilarious as that character is, there's a lack of authenticity. I think people — especially young gay kids — they can laugh at it, and they can see it as a source of comedy, but like, nothing more than that. And I want Kenny to be more than the funny gay kid.

UPDATE: Noah Galvin has retracted his comment on Bryan Singer and issued an apology to those he offended with the interview saying:

 I am new to this and will certainly commit to being more thoughtful and wiser as I navigate all of this moving forward.

 UPDATE #2 Colton Haynes has responded on Instagram

Stage Door: Tony Predictions

We've already talked Tony Presenters & Performances so let's delve into predictions for the show this Sunday night on CBS.

Best Musical
Bright Star (REVIEWED) 
Hamilton
School of Rock
Shuffle Along
Waitress

Will Win: Hamilton in a cakewalk though Shuffle Along has ardent fans so it probably would have won in a year without a juggernaut like Hamilton. 

Best Play
Eclipsed by Danai Gurira -- closes June 19th
King Charles III by Mike Bartlett - already closed
The Father by Florian Zeller (REVIEWED) 
The Humans by Stephen Karam

Will Win: The Humans has been nabbing all the precursor prizes so it's got the momentum.
Possible Spoiler: ...if there's a surprise look to Eclipsed

more after the jump...

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From the Vaults: Meryl Streep in "A Prairie Home Companion"

Since today marks the 10th anniversary of the release of Robert Altman's swan song A Prairie Home Companion (2006), a gem excavated from that year's Oscar blogging for those who were not around in 2006. Though I know I've cooled on Meryl in the years since I wrote this (2006 was a major peak for Meryl but too many performances that didn't thrill followed and were automatically exalted and Oscar nominated anyway) I consider her past decade a valley rather than a downward trend. All performers have their peaks and valleys. I'm waiting for the next transcendent performance -- Impatiently, but I promise I'm hopeful.

It didn't take Meryl Streep long. By 1987 at the very latest, just ten years into her career, we knew that she could do everything. We'd already heard the accents, seen the funny, witnessed the sexy, fallen in love, had our hearts broken and heard the magnificent singing voice. If she were less endearing and emotionally attentive as a performer her technical range would be just hateful, a thing to curse as she popped up again and again in films. But this woman has it all. She is, put simply, the most consistent versatile actor in the movies.

So what is there left for Meryl Streep to do? It turns out quite a lot...

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Emmy FYC: Ten Nominees?

Emmy nomination voting begins Monday. For the next week or two we'll be sharing FYCs of some kind. Here's Daniel...

If you haven’t had a chance yet to read Debra Birnbaum’s shake-up Emmys proposal in Variety, I highly recommend you do. Her argument seems tailor made for feedback from passionate awards watchers (i.e. TFE readers) who have cultivated reams of opinions for how various awards bodies do business, nomination-wise, in an ever-changing marketplace of taste and broader appeal. Living in this age of television where high quality programs are on an infinity loop, she wonders whether the Emmys should consider expanding their Outstanding Drama and Comedy Series categories to ten nominees.

Sound familiar?

While there’s a certain integrity in maintaining a tradition of exclusive acclaim – after all, not every deserving piece of art can statistically make the cut – one wonders how a taboo-busting, conversation-elevating, and surprising comedy like the aptly named Broad City can so consistently take bong hits off the zeitgeist without seeing a few gold men women along the way. That aren’t hallucinations, mind you. Same goes for The Americans, which has been uniformly accepted by critics as one of the all-time greats and yet fails time and time again to nudge out a longstanding favorite like Downton Abbey. The Emmys notoriously pick their favorites and bitterly cling to them so could this be an inclusive measure to better reflect populist and critical tastes?

On the flipside, for every District 9 or A Serious Man, there’s a Blind Side amongst expanded groups. On the movie side, AMPAS has struggled to find clarity on this issue – abandoning the hard ten for a jostle between seven and nine. That's made some yearn for a time when five was fine. There's no guarantee that bigger sized envelopes equal 'pushing the envelope' in awards selections. After expanding their roster to seven nominees last year, perhaps the Emmys are better served to wait and see how their fresh shuffle deals in the long game. As Birnbaum touches upon, mainstays like Mad Men and Nurse Jackie have ended their runs and opened up space for new nominees. And, yet, the juggernaut that is Modern Family journeys on unchecked, save a Veep.

Should the Emmys take a page from the 2009-2010 Oscar playbook and expand their nominations in hopes of new players? Or will their fresh groceries go stale? How do you adjust an influx of quality with such limited quantity?