Oscar's International Race Pt 5 - The Eye Candy

by Nathaniel R

Now that we've covered female directors, returning auteurs, trivia, and half of the trailers, and updated all the charts, let's do something lighter... and sexier... before we wrap up with the rest of the movie trailers.

We've selected 9 hunks for you to gawk at from the 93 films submitted. In the comments we trust that you'll let us know whose, uh, native tongue you'd most like to learn.

For educational purposes.

After the jump, beautiful men from Argentina, Norway, Pakistan, Thailand, and more...

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NYFF Review: Marriage Story

by Murtada Elfadl

What happens to the love once a marriage ends? In his latest film Marriage Story, Noah Baumbach charts the dissolution of a marriage from the time it starts to falter to the breaking point when the couple in question Nicole (Scarlett Johansson) and Charlie (Adam Driver) are actively wishing death upon each other. The title is a clever play on divorce as we are supposed to find out what they once loved about each other by the end.

The film builds the memory of intimacy in throwaway moments....

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Three Little Links

• The Guardian - an excellent profile of Pedro Almodóvar by Xan Brooks
• /Film Daveed Diggs to play Sebastian in the live-action Little Mermaid. But Sebastian is a crab so this is probably not fully live-action but half and half style.
• Vulture - 15 essential Judy Garland performances. Solid list with some strong points made, though I think dead wrong about why Zellweger is awards worthy in Judy (as noted on the podcast I liked her performance quite a bit but what’s missing is exactly what’s cited here as the chief strength, the capturing of Judy’s once in a century kind of talent.

Got a question for the podcast?

Tomorrow Murtada and I will be discussing Parasite and another random goodie perhaps but we'll have time for listener questions. So have at it in the comments, won't you?

Over & Overs: Marie Antoinette (2006)

In this new-ish series members of Team Experience share movies they've watched way too often and why...

By Cláudio Alves 

I don’t think I was a very ‘normal’ 12-year-old. Whatever that word might mean, I doubt it encompasses nerdy pre-teens obsessed with The French Revolution. Looking back, I’m not even sure why I was so enthralled. Maybe it was the tragedy of it all, how its horrors were as undeniable as the social changes they brought upon were necessary. Maybe it was the moral ambivalence, the complexity of its historical narrative. Maybe it was just the prettiness of the fashions. 

One thing’s for sure, I was very excited by the prospect of watching Sofia Coppola’s Marie Antoinette...

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