TIFF ‘23: A Humorous Look at Activism in ‘A Difficult Year’

By Abe Friedtanzer

Courtesy of TIFF

There are many things to be angry about in today’s world, including the inaction by governments around crucial issues. Activism takes many forms and often has specific aims, but the goals of a protest movement can also be wildly unattainable. The very funny A Difficult Year pokes fun at that notion with its story of two opportunists who become involved with an anti-commercialization group for all the wrong reasons...

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TIFF ‘23: A Political Love Story in ‘Shoshana’

By Abe Friedtanzer

Courtesy of TIFF

Those who are confused by the current situation in the Middle East have a long, even more complicated history to consider that explains some of the roots of today’s issues. Shoshana takes place in 1938, when the British control Mandatory Palestine and the Nazis are beginning to conquer Europe. Two separate Jewish underground armies exist, the Haganah and the Irgun, each fighting for their vision of the future Israel, and tolerated and vilified to different degrees by the British forces trying to keep the peace. At the center is Shoshana (Irina Starshenbaum), a Jewish woman romantically involved with English police officer Thomas Wilkin (Douglas Booth)…

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TIFF '23: A Dozen of Festival Highlights

by Cláudio Alves

The 48th Toronto International Film Festival ended last Sunday, but this coverage continues. Even so, it's time to bring things to a close, so here's the last batch of reviews, all capsules because we're running out of time. They span five continents and a dozen nationalities, comprising a trip around the world through the vehicle borderless vehicle of cinema. Directorial approaches are as distinct as the cultures depicted, from meta-cinematic musings to modern noir, from magical realism with a spring on its step to the slowest of slow cinema. Still, all the works deserve your attention. They are shining gems that prove how, despite assertions to the contrary, cinema isn't dying. At TIFF, it's alive and thriving…

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TIFF '23: Getting into the Christmas Spirit with ‘El Sabor de la Navidad’

By Abe Friedtanzer

It always feels a little strange to watch a Christmas movie long before the holiday season, but that just means getting into that wintry mindset ahead of time! El Sabor de la Navidad, a Spanish-language comedy from Mexico, is notable because it’s produced by Salma Hayek Pinault and stars Mariana Treviño, who is the best reason to watch last year’s A Man Called Otto. It’s a lighthearted portrait of an extended family and others connected to them trying to get through a holiday that brings far too many conflicting personalities together…

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TIFF '23: The Best International Film Oscar Race

by Cláudio Alves

The Toronto International Film Festival represents an excellent opportunity to get in touch with cinema from all over the world. For Oscar obsessives, it provides a great chance to catch up with Best International Film submissions, especially as they're announced throughout the festival. I already covered some of them – Australia's Shayda, Bhutan's The Monk and the Gun, Brazil's Pictures of Ghosts, Chile's The Settlers, Finland's Fallen Leaves, Germany's The Teachers' Lounge, Romania's Do Not Expect Too Much from the End of the World, South Korea's Concrete Utopia, and Turkey's About Dry Grasses. However, there are still some more TIFF titles to review.

They are the Netherlands's Sweet Dreams, Tunisia's Four Daughters, and Morocco's The Mother of All Lies. Though they haven't been officially selected, I also saw two of Norway's three finalists, A Happy Day and Songs of Earth…

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