John and Matthew are watching every single live-action film starring Meryl Streep.
#33 —Yolanda Johnson, a Midwestern songstress and longtime staple of the titular radio show.
MATTHEW: Two of the most revered artists in American cinema history, Robert Altman and Meryl Streep each built their lauded careers by probing into characters from countless corners of the world, driven by an ardent and undiminished interest in the micro — but never minor — idiosyncrasies of collective human behavior. For those who believe in the supernatural forces of fate, there is something undeniably kismetic in Streep and Altman’s first collaboration, which would turn out to be this mighty auteur’s valedictory effort. A Prairie Home Companion, Altman’s final film, is a moving backstage comedy that sketches out the (fictional) final broadcast of the historic and beloved Minnesota radio variety show of the title, created and hosted by Garrison Keillor, who also scripted the picture. (Keillor was fired from his program in November of last year over allegations of sexual misconduct.) Brimming, like all of Altman’s work, with an abundance of people and all their peculiarities, A Prairie Home Companion relies on the character-inhabiting talents of an irresistible and excitingly-paired ensemble, whose every member gets ample opportunity to ingest spirit and specificity into a wide array of oddballs and straight-men, from Woody Harrelson and John C. Reilly’s ribald cowboys to Maya Rudolph’s quietly panicked and heavily pregnant stage manager to the pair of aging songbirds brought to fanciful, rueful life by Streep and Lily Tomlin.
As Yolanda and Rhonda Johnson, the two surviving members of a four-sister singing act, Streep and Tomlin are, quite simply, a match made in acting heaven...
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Thursday, August 16, 2018 at 6:00PM 
