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Friday
Mar302018

"Orangey"

by Nathaniel R

This week I accidently learned that Breakfast in Tiffany's famous "Cat"  was also "Butch the Cat" who terrorized the title character in The Incredible Shrinking Man. The brilliant feline actor, who went by "Orangey," also cozied up to Eartha Kitt's Catwoman in the Batman TV series!

What stories that ginger tabby could have told if he deigned to speak our language.

Friday
Mar302018

New Mantra: "Miranda July Heist Movie"

Chris here. If that headline didn't already give you a moment of chrystalline mental clarity, perhaps the fact that it's not just fantasy will. That's right, the multi-hyphenate artist Miranda July will be returning to cinemas for her yet untitled third feature, this time with a genre bent. Those unfamiliar with the indie darling would do well to research her performance art and writing, but her filmography is as good a start as any of her other works. Her first two idiosyncratic films were 2005's whimsically sad Me and You and Everyone We Know ("... forever.") and 2011's The Future, which was narrated by a stray cat. Both films are touching and deeply original, so don't expect standard heist fare.

But maybe this could be her most mainstream film yet given the enticing cast she's already assembled: Evan Rachel Wood, Debra Winger, Gina Rodriguez, and Richard Jenkins. Wood will play Old Dolio (!), whose scheming parents (Winger and Jenkins) bring an outsider into their major heist plans, with big ramifications for Old Dolio. Expect something oddly moving and unlike anything else released that year.

Friday
Mar302018

Roseanne's Return. And Other Stories

Time for a link roundup so recent news doesn't entirely escape us...

movies
AV Club Phantom Thread deleted scene -- an actual food fight between Cyril and Reynolds! Daniel and Lesley are clearly enjoying themselves
• IndieWire March Madness movie brackets. This A24 one is a nightmare. How to vote against so many great movies?
THR Hugh Jackman's next two projects are The Front Runner and Bad Education (despite the familiar famously queer titles I'm disappointed to say that neither of those are adaptations of famous gay love stories or drag Almodovar movies.)

More after the jump including Cameron Diaz, Roseanne, Broadway movie adaptations, Ben Affleck, and more...

Click to read more ...

Thursday
Mar292018

Months of Meryl: Heartburn (1986)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

#13 — Rachel Samstad, a New York food writer who is seduced and betrayed by a tomcat D.C. columnist.

MATTHEW: The celebrated run of 80s-era films that cemented Meryl Streep as a master among screen actors is so overwhelmingly remembered for its cadre of self-sacrificing period heroines that it was only inevitable that Streep’s two comedic outings would recede into the background. Based on its critical reception alone, Streep’s 1989 Roseanne Barr match-up She-Devil, which we’ll get around to discussing soon, may very well deserve to be remembered as a curious career outlier — that is, if it deserves to be remembered at all. But what about Heartburn, the all-around more prestigious comic vehicle? The project marked Streep’s first reunion with her Silkwood director Mike Nichols and that film’s co-writer Nora Ephron, from whose thinly-veiled best-seller the film was adapted...

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Thursday
Mar292018

Blueprints: "Moonrise Kingdom"

With the release of Isle of Dogs, Jorge looks into an earlier Wes Anderson film...

While Wes Anderson’s characteristic and by now immediately recognizable cinematic style evokes mainly the images of perfectly centered frames, bright-color palettes, and characters covered in quirks and oddities, not everything about him is visual. The patterns of speech from his characters are almost lyrical, and his stories are filled with strong undercurrents of nostalgia, melancholy, and growing pains. 

All of his worlds evoke a kind of diorama construction. Though the production design on most movies only happens just before principal photography, Anderson paints an image of what he wants his frames to look like right from the first pages of each script. Let’s take a look at a highly stylized (yes, even more than usual) sequence from Moonrise Kingdom too see how painstakingly meticulous the details are from the very start...

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