Beauty vs Beast: Sisterly Sensibilities

Jason from MNPP here using this week's "Beauty vs Beast" to wish a happy birthday to one of our favorite directors, the great Ang Lee. In a strange coincidence I spent some of this weekend talking Ang on Twitter even though I hadn't realized it was about to be his birthday today, so I'd say Fate chose this week's contest. And because more than anything a battle between actresses livens you folks up, let's face down the Sisters Dashwood of Ang's 1995 classic Sense & Sensibility.

And no before anyone asks I don't think Kate Winslet or Emma Thompson to be beastly in any manner. But seeing as the film itself pits their two ways of existing at odds with one another for the majority of its run-time (only to eventually decide, with fine wisdom, that the sisters could clearly stand to learn a little from one another) it doesn't seem completely far-fetched to pitch them against one another here. They are, for all their adoration of one another, each other's main antagonists once the who's who of romance falls away.

PREVIOUSLY Even though Angela Lansbury's original Manchurian Candidate performance won somewhat decisively over Meryl Streep's in the remake (she took 74% of the vote) it was a real battle in the comments. Said Jono:

"I am surprised this never came up before. I voted for Meryl because Angela will get more votes, and I love both performances. The Demme version is kind of underrated - everyone in it is uniformly great. But the original with Angela is impeccable."

Yes No Maybe So: "Phantom Thread"

by Ben Miller

Paul Thomas Anderson's latest joint, Phantom Thread, has him collaborating for a second time Daniel Day-Lewis (who is reportedly retiring following this film). The Christmas release follows the true story of 1950s London fashion designer Reynolds Woodcock.  Tagging along are his muse Alma (Vicky Krieps) and his sister (Lesley Manville).

After a long long wait, the first poster and the trailer have arrived. See them after the jump as we nail down the Yes, No, and Maybe So of it all…

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The Furniture: Camelot, a Silly and Furry Place

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.

Back in August, I wrote about two dramatically different ways of portraying Arthurian Legend on screen. To recap: the bright silliness of Knights of the Round Table (1953) looks like psychedelic compared to the bland grit of King Arthur (2004) and the gruff, imperial fantasia of King Arthur: Legend of the Sword (2017). But even these at least share a mild interest in engaging with English historical design. Camelot (1967), on the other hand, is a flighty fantasy of utter nonsense.

Of course, this is why it’s such a delight to watch. It’s a furry, oversexed epic that sends its glamorous cast out into magical forests to sing Lerner and Loewe songs at the top of their extravagantly-adorned lungs. The film won Oscars for production designer John Truscott, art director Edward Carrere and set decorator John Brown, with Truscott taking home a second statuette for the costumes. Lavishly made and lavishly awarded, it’s a classic of committed inspiration.

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Kneel Before Your Queen

Today’s #MondayMotivation. #ThorRagnarok #Helaween pic.twitter.com/VaRy8Sbuto

— Marvel Entertainment (@Marvel) October 23, 2017

I mean... technically she didn't need to ask. We've long since assumed the position.

Middleburg: Maggie Betts' "Novitiate"

Continuing our Middleburg Film Festival adventures. Here's Lynn Lee

Middleburg is the kind of idyllic Virginia town that makes me wish I had enough independent means to spend regular fall weekends there lodging at a cushy spa, riding horses, visiting local wineries, and binging once a year on Oscar-baity films before they get released in theaters.  As it is, I was happy to get a taste of the latter on a press pass to this year’s festival.  On Day 3, I joined Nathaniel in town (albeit at different events) and took in Maggie Betts’ Novitiate, Todd Haynes’ Wonderstruck, and Dee Rees’ Mudbound.

Of the three, the one I knew the least about beforehand turned out to be the one I liked best.  Set at a convent in the 1960s around the time of Vatican II, Novitiate centers on the struggles and yearnings of young postulant Cathleen (Margaret Qualley of “The Leftovers” and The Nice Guys) and the fellow nun-aspirants and nuns around her.  That may sound like niche fare at best, but I hope Sony Pictures figures out how to market it because it’s an astoundingly assured, riveting debut feature...

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