Link Roundup

NYT Dan Kois profiles 'the loose screw rattling around inside the Marvel machine,' director Taika Waititi as Thor Ragnarok approaches
Film Stage Murtada interviews the director of Senegal's Oscar submission Félicité
TFE ...which you may recall he raved about right here.
Variety Jamie Foxx and Anthony Mackie will star in a Johnny Cochran biopic (Mackie as Cochran) with Taylor Hackford directing
Guardian can Michael Fassbender survive his string of flops?

Coming Soon The Seagull starring The Bening and Saoirse Ronan will be distributed by Sony Pictures Classic next year
ScriptNotes John and Craig welcome female screenwriters Daley Haggar and Dara Resnik to discuss the possible Post-Weinstein era in Hollywood
The New Yorker Harvey Weinstein's cameo in a 2005 animated movie for Mattel
My New Plaid Pants five photos of rising French actor Rabah Nait Oufella
My New Plaid Pants 'do, dump, or marry' on Greg McLean's Jungle with Daniel Radcliffe
Streamline on William Wyler's now-underdiscussed Wuthering Heights (1939)
Awards Daily Still no Best Picture frontrunner this late in season? (I personally love the more unpredictable years)
Tracking Board Netflix trailer for a western series Godless starring Jeff Daniels and Jack O'Connell and a mysterious town of all women
Variety Ben Mendelsohn eyeing the villain role in Marvel's Captain Marvel

LGBT
Towleroad a step-by-step sculpture of Freddie Mercury
Metro John Boyega is still being asked questions about whether Poe and Finn are gay for each other in Star Wars
Gr8er Days There's a documentary coming about the gay actor who starred in A Nightmare on Elm Street 2: Freddy's Revenge

RIP
EW Actor Robert Guillaume, best known for his classic "Soap" character Benson (so popular he spun off into an even more popular series "Benson") but whose career hit all three acting mediums has died at 90.
Browbeat Legendary musician Fats Domino has died

Soundtracking: "The Rocky Horror Picture Show"

Happy Halloween! Chris Feil's look at music in the movies takes on the genre-bending musical classic...

The Rocky Horror Show is a peculiar kind of musical. Quickly dismissed on the stage, it will always be more at home in the cinema, adding Picture to the title and thus embodying its B-movie inspirations. With its notorious run from flop to cult sensation to now subdued midnight ritual, this musical belongs to the masses in a way unlike any other. But weirdly the music itself feels tangential to the cultdom - isn’t it strange that one of the most famous musicals is seldom celebrated for the music itself?

Or maybe if any of the songs themselves are cherished, it’s the worst number in the lineup. Come now, you know that “The Time Warp” is Rocky Horror’s worst song. I know it, you know it, we all know it (The banister knows it!)...

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This Is Halloween

By Salim Garami

What's Good? We're less than a week away from the spookiest time of the year so let's talk about what the holiday means in the cinematic sense. These are personal impressions and I hope you'll share your own as well.

We start with the actual season in itself: the autumn colors are there in a very muted way that signify the beginning of the end of the year in all its resigned reds and oranges. The palette chases away the greens and blues that took over the summer, although one could certainly see faint glimmers of those colors to remind us of the months past. Such as in Spielberg's E.T. the Extra-Terrestrial and its Halloween scene, glowing with yellowish twilight and orange rays in the sun that reflect on the suburban homes and streets Elliot and his friends walk...

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Joan Fontaine Centennial: The Witches (1966)

by Jason Adams

Tell me if you've heard this plot before: a closed-minded outsider with a sordid spiritual history comes to a rural UK village where they slowly unravel a plot involving each and every member of the town being in on the ritual sacrifice of a virginal young woman, with a twist. You're thinking The Wicker Man, right? Well seven years before Christopher Lee did his exuberant little dance beside that infamous flaming totem Joan Fontaine got there first in 1966's The Witches, an actual Hammer production (I always think The Wicker Man is from Hammer, but it ain't) that really doesn't get the love it earns...

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