Stage Door: An Ode to S. Epatha Merkerson

Editor's Note: I've been away at the National Critics Institute in CT but will be back in a few days to regular blogging right here at The Film Experience. In the meantime please enjoy this review of one of the shows I saw in my absence, starring two of television's best actresses. The Roommate is playing through July 16th at the Williamstown Theater Festival and you should expect a transfer to NYC stages. - Nathaniel R

S. Epatha Merkerson in rehearsals. Photo by Daniel Rader

She wanted to be a spy… or a baker if espionage didn’t work out. It’s tough to square these  interchangeably silly abandoned dreams with timid Iowa retiree Sharon, standing right there in her well-stocked suburban kitchen. Sharon dreamt of being a spy? — Sharon!?!  Her new roommate doesn’t seem trustworthy but is right about at least one thing: Sharon shouldn’t “mummify” herself this early and needs to get out there and live.

I’m speaking like you know Sharon because I do. Sharon is fictional, you see, but the glorious actress S Epatha Merkerson and the playwright Jen Silverman have breathed such life into this rich idiosyncratic character in the new play The Roommate that for two hours I was convinced otherwise...

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Wakanda Forever!

Chris here. Everything for Ryan Coogler's Black Panther just continues to look better and better. We got a pretty rousing trailer a while back, and now EW has a whole slew of photos to tease next year's first Marvel extravaganza.

The photo set gives us a closer look at this star-packed ensemble and promises unique character design. Coogler is apparently drawing on both The Godfather and the James Bond series for his narrative inspiration, but these aesthetics take my mind closer to 80s and early 90s fantasy epics for their gorgeous genre craftsmanship. The go-for-broke oppulence of Ruth E. Carter's costume design looks to be a hybrid of sci-fi tropes and African influences, certainly the most eye-popping Marvel has delivered. If you've been begging Marvel to break its mold, it looks like Black Panther could be a superhero oasis of originality.

Some favorites after the jump...

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Soundtracking: "Blue Velvet"

This week, Chris Feil's soundtrack series covers a David Lynch classic...

David Lynch has used music to genius effect over his career, particularly drawing from 50s and 60s crooners to create a cinematic world displaced in time. But Lynch’s most definitive use of preexisting songs is in one of his most narratively focused masterpieces, Blue Velvet. This is the best example of how he distorts the wholesomeness of the sound to reveal darker tones beneath performative American culture.

Music is as much a piece of this suburban facade as any of Lynch’s hellscapes, announcing as much when it fades from Angelo Badalamenti’s operatic overture to Bobby Vinton’s title classic. A placid sky descends upon a thorny rose bush, gorgeously staining the picked fence’s rigid sterility like how Lynch poisons our relationship to the music. Vinton’s voice is tinny in its soulfulness, a swingy sanitized ode that matches Lynch’s picturesque neighborhood for quaintness. Musically, it feels as manufactured as this idyllic vision before us until it fades and morphs into something beastly beneath the manicured, bland exterior.

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More Tarantino Bloodshed Coming

Chris here. Quentin Tarantino has begun to lineup his next film to shoot next year, and it could be even bloodier than his divisive Hateful Eight if the subject matter is any indication. Hold on to your stomachs, the provacateur will next be tackling the Manson murders.

While this seemingly won't appease anyone put off by Hateful's gruesome antics, the potential for something great is there and Tarantino reportedly does have a unique take on the material yet to be revealed. Per his previous comments, this looks to be his penultimate film, but I'm guessing that that's actually as likely as that "unique take" being a tamer vision regarding onscreen bloodshed. My first guess is that like Inglourious Basterds before it, Tarantino will be doing a bit of revisionist history with the details of Charles Manson's enacted violence.

Casting is already promising some major talent, with reportedly approached stars including Brad Pitt, Jennifer Lawrence, Samuel L. Jackson, and Margot Robbie. Details are sparse on what roles could be attached to each star, aside from Robbie possibly playing Sharon Tate. We'll see what Tarantino's take is on the story and what the ensemble might actually shape up like - but (should it come to be) doesn't Pitt as Manson already sound like a fascinating choice?

TIFF Launches $3m Campaign for Female Filmmakers

by Seán McGovern

Connie Nielsen on set with "Wonder Woman" director Patty Jenkins.

Instead of just lamenting the lack of female filmmakers helming projects today, TIFF is spearheading a $3m campaign to put more female talent behind the camera. Female directors accounted for just 7% of the highest grossing films worldwide in 2016. And that figure is down on the equally dismal 9% in 2015.

Dubbed "Share Her Journey", the campaign will include a three-month residency for female filmmakers, educational resources and gender diversity panels that aim to guide new and talented filmmakers into the industry...

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