"Girl, you'll be a woman soon... Soon, you'll need a man 🎵"

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The Furniture: Get Out's Beige House of Colonial Horrors

"The Furniture" is our weekly series on Production Design. You can click on the images to see them in magnified detail.

by Daniel Walber 

Get Out is both horror and comedy, an allegory that doesn’t reduce its own impact by getting too granular about its message. It is a success of both subtlety and its opposites. This balance not only characterizes Jordan Peele’s script, but the whole craft of the film. The design is both vague and specific, pointed parody without a precise key. 

It ostensibly takes place somewhere within driving distance of New York City, at the remote family manse to which Rose (Alison Williams) has lured Chris (Daniel Kaluuya). But there’s nothing quite that specific about this nightmare.

For starters, it’s not really clear where this actually is. 

The initial drive passes down an empty road through an endless forest, a journey into the enlightening mysteries of the Twilight Zone. The house and grounds look like Westchester possessed by Alabama, which is where the film was actually shot...

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Kidman in Cannes. Part 4.

Jose here. Before leaving Cannes, Nicole Kidman schooled starlets in the proper way to wear Chanel by showing up at the amfAR gala looking like a million bucks. But little did we know that Nicole would make one last Kidmanifestation at the French riviera even as her holy physical presence was across the ocean...

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What are you up to this weekend?

This Memorial Day Weekend isn't on fire at the movies. Nobody much cares about Baywatch (which is neither exciting like an action movie or funny like a comedy, but can still be amply defined as an "action comedy") and a new Pirates of the Caribbean is getting only the usual flock of lemming moviegoers for an established franchise and no one else. This is, by a very wide margin, the worst opening for a Pirates sequels. Elsewhere in sequel land the news isn't much better. Alien Covenant is the least popular Alien film yet if you adjust for inflation (and dont count those Predator crossovers because why would you?). Will Wonder Woman turn things around next week for audience interest or is counterprogramming that Big Hollywood rarely does anymore what they actually needed to do this very summer?

In limited release, slightly better news. Two unconventional romcoms are performing pretty well: Israel's 'wedding without a groom' film The Wedding Plan and the unfaithful ole marrieds of The Lovers are still expanding to decent business.

Weekend Box Office (May 26-28)
W I D E	L I M I T E D
1.🔺 PIRATES (5) $62.1  NEW	1. 🔺 THE LOVERS $665K (cum. $1.3) (443 screens)  REVIEW
2. GUARDIANS (2) $19.8  (cum. $333.2) REVIEW	2. LOWRIDERS $539K (cum. $5.1) (334 screens)
3.🔺 BAYWATCH $18.1 NEW (cum. $22.7)	3. NORMAN $503k (cum. $3.0) (324 screens)
4. ALIEN (6)  $10.5 (cum. $57.3)  REVIEW | FRANCHISE	4.🔺 PARIS CAN WAIT $456k (cum. $860k) (70 screens)
5. EVERYTHING EVERYTHING $6.1 (cum. $21.5) REVIEW	5.🔺 THE WEDDING PLAN $311k (cum. $595K | 91 screens)
🔺 = new or added screens numbers from box office mojo

What did you see this weekend? 

Cannes Awards & Closing Ceremony

We've reached la fin.

The 70th annual Cannes Film Festival opened 11 days ago and today the jurors and a smattering of the leading lights of this year's edition of the prestigious festival are walking the red carpet one last time in the South of France to name the winners of the Palme d'Or, Best Actress, Camera d'Or (for new directors) and more. If you've fallen behind in Cannes-watching, here's our surely inaccurate predictions to one of the world's most unpredictable awards, the first round of awardage including the Palme Dog, reasons to be excited about the Queer Palme winner and of course a few rounds of fashion (with one massive fashiongasm to follow).

Opening ceremony highlights, Oscar hints, and a winners list after the jump...

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