Yes No Maybe So: "Silence"

Each and every year I pray that we will have ample time to CONSIDER each Oscar nominee. But one film always wants to emerge so late in the game that the world (i.e. Oscar fanatics, critics, list-makers, and awards voters) will be rushed to judgment.

I pray but I'm lost. Am I just praying to silence?"

It worked out well for the late arrivals last year (The Force Awakens and The Revenant which between them nabbed 17 Oscar nominations and 3 wins) so will it be as successful for Rogue One and Silence this year which we believe will be the last two movies to screen and which will dutifully fill the exact same slots of Star Wars Movie and Brutal All Male Historical Epic.

The Silence trailer is here so we may now finally judge for ourselves based on 2 minutes and 13 seconds instead of all of the rumors. The Trailer and our Yes No Maybe So™ breakdown after the jump...

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Manuel Gives Thanks!

Manuel here. This is now my third year giving thanks as part of the TFE team and it really is a gift to be part of such a wonderful group of writers and commenters. One should always give thanks in front of food, so be sure to order some Cuban food from the hot Miami cook in the back.

This year, I'm thankful for...

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Best Director Chart Revisions

by Nathaniel R

This morning's update - the Best Director chart. And just as I'd finished those chart updates the Silence trailer arrived so we'll discuss that later today. So much happens all at once.

Speaking of. You don't want to see the way my doorman looks at me whenever I walk into the building - there's always a new stack of packages from the studios to sign for. Today alone there have been 4 deliveries of multiple packages. Why must campaign teams wait until the day before Thanksgiving to send everything? It's overwhelming really. It's the same as the studios waiting until the second half of December to release all movies ever. 

But back to the topic at hand - Best Director Hopefuls. We'll divvy them up into 3 categories after the jump...

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'If Ever I Would Leave You,' List-Making... It wouldn't be in November

On this day in history as it relates to the movies...

1859 Billy the Kid, future legendary outlaw, is born. He's been played in movies and TV by actors like Buster Crabbe, Hugh O'Brian, Paul Newman, Clu Galager, Val Kilmer, and perhaps most famously by Kris Kristofferson, BAFTA nominated for Pat Garret and Billy the Kid (1973)
1887 Boris Karloff, villainous movie icon (Frankenstein, The Mask of Fu Manchu, Scarface, etcetera) is born
1888 Harpo Marx is born

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Judy by the Numbers: "Moon River"

 Anne Marie has been chronicling Judy Garland's career chronologically through musical numbers...

This Thanksgiving, I’m thankful for the simple things. This series (like TFE as a whole) has been a classic cinephile sanctuary for me this year. As the outside world has spun out, sped up, slammed down, and generally tossed us around, I’ve really enjoyed sharing music and tidbits of trivia with you all this week, and reading your reactions/stories/controversies – even when I haven’t been able to reply myself. So briefly, before we get to this beautiful solo number, I just want to thank Nathaniel & you, the TFE readers, for continuing to create a lively, loving community.

The Show: The Judy Garland Show Episode 12
The Songwriters: Johnny Mercer (lyrics), Henry Mancini (music)
The Cast: Judy Garland, Vic Damone, Zina Bethune, George Jessel directed by Norman Jewison

The Story: I just realized that this is the first solo from The Judy Garland Show that I’ve featured on the series! Judy actually did several per show, but usually the highlight of the show was her duets and collaborations with odd guests, musical legends and nascent superstars. However, this version of “Moon River” is a good reminder of what made the show so good.

It’s not just the trivia or the name-that-guest throwback; it’s the genuine skill andoccasional artistry overlaid with real emotion. The number is comprised of two long takes, as the camera moves in and pulls away from Judy. The scene actually resembles the long take of “The Man That Got Away” from just a decade before. The camera dances through a shadowy set. Garland, bathed in spotlight, alternately moves with the camera and stands getting lost in the song, and adding wry humor to sweetly sad lyrics. Her quiet sweetness the emotional and cinematic complexity of her song.