LifeRide Celebrities Are ♥️

While there are surely terrible things about being famous one of the things that is not terrible at all (unless you're just a negative person who can always find a dark cloud) is that fame gives you such massive platform to do good in the world. With a built in audience charitable appearances, fundraising ability, and fighting for pet causes are all so much easier!

Actor Gilles Marini, riding for charity. Photo Credit: Travis Shinn

Currently there are a bunch of celebrities doing the multi-city Kiehl's LifeRide for AmfAR, The Foundations for AIDS Research (which started August 3rd and runs through August 14th, ending in Philadelphia) including actors Jay Ellis (The Game), JR Bourne and Ian Bohen (Teen Wolf), Kurt Yaeger (new series Quarry), Scott Patterson (Gilmore Girls), and three... uh... longtime personal favorites of mine:  Gilles Marini (Sex & The City), Teddy Sears (Masters of Sex, The Flash, Dollhouse) and Michiel Huisman (Black Book, Wild, Game of Thrones). More photos after the jump...

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The Furniture: The Paper Opulence of Amadeus

1984 is our "Year of the Month" for August. So we'll be celebrating its films randomly throughout the month. Here's Daniel Walber...

Simon Callow as PapagenoAmadeus is not a biopic, it’s a myth. Milos Forman’s adaptation of Peter Shaffer’s play is an utterly absurd portrayal of a long ago, unknown relationship. Antonio Salieri may not have had any negative feelings toward Wolfgang Amadeus Mozart, but that hardly matters. The legend, a story of deep faith that twists into jealousy, is a whole lot more interesting than the truth.

The film’s production design mimics the delicious falseness of its narrative. The Vienna of Emperor Joseph II is opulent, to be sure, but it is a strange opulence. Rather than focus on the grandeur of the palaces, Forman keeps much of the drama in drawing rooms. Production designer Patrizia von Brandenstein and art director Karel Cerny keep away from too much gold and silver, instead creating bizarre tableaux of a miniature society.

Even more striking are the recreations of the opera theater. For these, Forman called on Joseph Svoboda, the founder of Prague’s Laterna Magika and an internationally renowned opera director. He produced scenes from four of Mozart’s operas for the film, as well as one by Salieri.

They are all both extravagant and shabby, in line with both the presumed wealth of Emperor Joseph II’s court and the theatrical limitations of the 18th century...

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Boyega, Mackie & More Join Bigelow's Next Project

Manuel here with some casting news. Kathryn Bigelow is readying her follow-up to Zero Dark Thirty. As we learned back in January, her next project will be centered on the Detroit riots of 1967. For the timely drama, the Oscar winner will be reteaming with Mark Boal (who also penned The Hurt Locker and Zero Dark Thirty). Well, now that the film is set to start shooting, we’re finally getting more details on the film’s cast (if little info on the actual narrative of the feature).

In addition to Star Wars standout John Boyega, the Bigelow-Boal “Untitled Detroit Project” as it’s being described has recruited a bevy of young up and coming stars...

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Posterized: Woody Allen's Filmography

Will Cafe Society win Oscar attention? It certainly looks handsome.Woody Allen's Cafe Society is the prolific auteur's 46th full length theatrical feature. He's been so regular a presence at the movie theaters he even makes speedy Clint Eastwood look like a slacker. In fact, though he's got his first television series due in September starring himself, Miley Cyrus and Elaine May (the six episode season will be called Crisis in Six Scenes and debut on September 30th), it won't be slowing down his theatrical output since he's already working on the 47th feature as well (which will star Kate Winslet and Justin Timberlake as previously noted).

It's too early in Cafe Society's run to know where it will stack up in terms of success, but it appears to be tracking to be one of his mid-range pictures, the kind that do fine but are neither true hits nor flops. We shall see. But for now let's look back at that highly prolific theatrical career. His pictures have earned a total of 52 Oscar nominations and 12 wins and they were once so popular they finished in the top ten hits of the year (can you imagine? Ah the 1970s when moviegoers were far crazier about what they'd turn out for)

How many of his 47 films have you seen (we're including the omnibus film New York Stories because why not)? All the posters and waves of his career are after the jump...

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Box Office Special: When Films are Bigger Abroad...

What did you see this weekend?

Let's ignore Suicide Squad's big box office weekend (read Lynn's review here) as that story is overworked already given the months of hoopla on the internet and the expected fact of a very big weekend (that's what happens with much-hyped superhero films). Instead for the weekend box office column, let's talk about a situation that occurs each year in terms of different preferences in blockbusters around the globe. Those differences sometimes go a long way in explaining why some franchises never die (Hello, Ice Age) even long past their natural expiration dates. Though Finding Dory has easily topped the domestic charts in the US to become 2016's champ, it couldn't reach the global power of Captain America: Civil War (#1), Zootopia (#2) or The Jungle Book (#3) worldwide. Taste and success do vary across borders.

Stephen Chow's "The Mermaid" is the 7th biggest hit of 2016... but it did only $3 million in the US

After the jump let's look at the titles from 2016 with less than a third of their treasure chests coming from the US (currently the biggest film market though China will reportedly surpass us soon). What can we learn from this list?

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