Finger-Linking Good

No Screen
Indie Wire Patricia Arquette will pen a memoir on her career and single motherhood  
EW A chocolate sculpture of Benedict Cumberbatch. eek.
Tony Awards what's eligible? We'll be revving up more theater posts for Tony Season (everything is about to open... April being the theater's December if you will)
NY Times profiles the "Hand to God" playwright Robert Askins. ("Hand to God" is the latest risque puppet comedy post Avenue Q -- though not really like it otherwise -- and it's very funny)

Big Screen
IndieWire Manoel de Oliveira RIP (1908-2015)

Small Screen
Buzzfeed the greatest article ever written about the Starz series Outlander Season 1
Melanie Lynskey teases a second season of Togetherness. Did you watch it? So funny-sad and endearing
AV Club the 7 defining pitches of Mad Men

Computer Screen
Dartboard Patton Oswalt goes on an epic twitter rant about comedy and our delicate sensibilities in 2015
Variety thinks Marvel & Netflix have nothing to worry about with the impending launch Daredevil though correct me if I'm wrong... this review of 5 episodes (no spoilers) doesn't really say if it's any good or not, does it? 

Today's Must Watch
MISSI PYLE WANTS TO F*** YOU UP. Watch this amusing commercial and then help Missi raise funds to shoot her music video (multiple celebrity cameos promised) for her awesome revenge anthem "I Wanna Fuck You Up" -- Consider your donation a thank you for her awesomely generous guest blogging day right here at TFE. Yes, I am donating. Although I haven't decided who I want to fuck up the most. You can name your target in her video!

Women's Pictures - Jane Campion's Sweetie

Welcome to Jane Campion month! When I asked you all to vote for our next Female Filmmaker, I was surprised when the New Zealand native won nearly half of the vote. In retrospect, I should have seen it coming. Jane Campion is one of the most honored ladies on our list! She’s been nominated for two Academy Awards (one of which she won) and two Golden Globes for The Piano in 1994, garnered three Emmy nominations for Top of the Lake two years ago, and she won the Palm d’Or in 1986, before our story with her even starts! We pick up with her three years after her prestigious win, with a sad, strange, sometimes silly story of one weird woman’s even weirder family.

If taken at face value, Sweetie is a cautionary about how a daughter's untreated mental illness can cause an already unstable family to disintegrate. But nothing in Campion's surreal story is meant to be taken at face value. With the help of (lady!) cinematographer Sally Bongers, Campion shows a gift for making the mundane malevolent. When cast under shadows and seen through a wide angle lens, plastic furniture, dappled rugs, and the brightly-colored trappings of middle class suburbia suddenly suggest something rotten in the state of New Zealand. Campion refuses to shy away from the ugliness of her characters, instead covering them with candy colors that make them all the more grotesque.

Jane Campion's twisted family story after the jump

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The Smackdowns. A History

Yes, it's true. The Smackdowns will return. StinkyLulu was gracious enough to let us reboot the series here. In our one bifurcated season thus far (Aug 2013 thru Sept 2014) we covered 1941, 1952, 1964 (which special guest Melanie Lynskey) 1968, 1973 (with special guest Dana Delany) 1980, 1989, and 2003. So... where to now?

Let's look at our options after the jump...

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Best Shot Visual Index: Mommie Dearest (1981)

For our April Fools tradition of celebrating 'bad movies we love' (last year it was Can't Stop the Music) we opted for Frank Perry's ill-fated but extremely memorable Mommie Dearest (1981). The film, which was quickly adapted from Christina Crawford's 1978 best-selling memoir (published just a year after her famous mother's death), starred Faye Dunaway as the great movie star and Mara Hobel and Diana Scarwid as Christina, Steve Forrest as Crawford's longtime boyfriend Gregg Savitt and Rutanya Alda as Crawford's loyal assistant Carol Ann. The book was controversial in its day, with many stars defending their former co-star but the stories stuck in the public consciousness and the movie lives on in infamy. It was greeted with much derision, winning multiple Razzies (the entire principle cast just listed was nominated in their individual acting categories) but Dunaway's work, oft-quoted and beloved to this day in certain communites (ahem), has always had its share of valiant defenders.

Paul Lohmannn (Nashville, High Anxiety) was the director of photography and here are the films most memorable or "best" shots, according to participants around the web.

MOMMIE DEAREST BEST SHOTS
13 images chosen by 14 blogs
Click on the images to read the corresponding articles 

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What Becomes a Legend Most? On "Mommie Dearest"

Hit Me With Your Best Shot: Mommie Dearest (1981)
Directed by Frank Perry. Cinematography by Paul Lohmann (who also shot Robert Altman's Nashville!)

As a practicing film buff ever since adolescence I've spent a lot of time thinking about two different questions. The first, what is it that makes some stars last in the public imagination beyond their own lifetimes while other giants fade? The second, entirely unrelated, what is the difference between a great movie and a terrible movie, and by extension this -- are 'bad movies we love' ever truly terrible or are they actually funhouse mirrors of greatness, very nearly the same but for the random comic distortions?

In Mommie Dearest (1981), the infamous movie based on an infamous tell-all about an infamous movie star -- that's a lot of infamy -- these questions collide...

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