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Tuesday
Dec232014

"Extra" FYCs? Your Last Chance

OPEN THREAD
We hope you're the Year in Review thus far.  We've already suggested stocking stuffers, gawked at great fashion, stroked furry friends, and named the year's MVP. I'm still madly cramming movies into my eyeballs but have begun drafting the FiLM BiTCH AWARDS this site's long running Oscar alternative. I'm willing to listen to FYCs for any of the special categories and aiming for Monday December 29th to kick things off.

Any 2014 "Best" suggestions for... Line Reading? Action Sequence? Cameo? Kiss? Musical Sequence in a Non-Musical?  Sex Scene? Credits/Title? Scene of the Year? 

P.S. If you're heading out early for Christmas festivities have a happy holiday. There wlll be many blog post presents under this tree to catch up with when you get back. 

Tuesday
Dec232014

Crazy Cat Lady Yearbook

Year in review. Two yummy look backs each day.

People often get my name wrong in the comments. I do not answer to "Nate" or "Nathan". "Nat" or "Nathaniel" will do.  I also answer to "Crazy Cat Lady".

Cats do not get enough screen time if you ask me but they're not pack animals so there's no cat union to promote their representation in the movies. I actually felt a bit betrayed this summer when Toothless, one of my all time favorite screen cats suddenly seemed almost doggish in How To Train Your Dragon 2. If Dreamworks wants to know why they struggled a bit at the box office there I can only point to Toothless. There was  A) Not nearly enough of him in the movie and B) He seemed to have gone to the dog side. 

So herewith the four cats from the film year I couldn't love more...

BEST SCREEN CATS 2014

04 Hairy Baby (Big Hero Six)
If Baymax weren't already off-the-charts adorable, it turns out he's also a cat person robot? (Though he probably shouldn't be petting a happy kitty who might well start kneading him since he's already sprung a leak at this point in the movie. 

03 Ghibli Cat (The Kingdom of Dreams and Madness)
From my review of the Studio Ghibli documentary... 

Particularly wonderful are the many shots of a black and white short tailed cat that wanders freely around Studio Ghibli demanding doors be open for it. This cat, who almost seems like an animated character, strangely never ventures into Miyazaki's workspace as if blocked, staring, by some invisible wall. Still, Miya-san likes him. They share a brief funny moment at a picnic table outside late in the film, the cat sleeping, the filmmaker looking on with envy; Miyazaki has since retired 

02 Felix (St. Vincent)
A veritable cloud of comfort in a sea of smelly clutter, cantankarous moods, and unhappy peoples. Felix is so fluffy, docile, well fed and people-loving that even the most misanthropic or lonely of film characters -- that'd be Bill Murray, natch -- can't remotely pretend to not worship him. (Vulture also couldn't pretend indifference, devoting a whole photo spread to him.)

01 The Cat (Gone Girl)
Every single shot of the orange tabby* in Gone Girl is perfection. He's the perfectly detached observer of all things Mr & Mrs Dunne. Even when he's allowing Nick to be comforted by him, not desperately waiting for food, or staring at the throngs of police and press circling his home, he never seems less than cool and in control. His allegiances also beautifully shift with the opposing chapters. For so long he seems to be Nick's man, until suddenly he's not. Note the way, in the film's best shot (yeah, I couldn't wait) he stares Nick down, a perfect unknowable mirror of Amy, standing just behind him, once they're all back in the kitchen. Is this tabby an "emotional marker" for Gone Girl as some claim or is he something more? An omniscient observer, perhaps? Or David Fincher in feline form, prowling around his own movie preternaturally aware of every shadowy corner, shared space, hiding place, and neutral ground. 

*the cat is never explicitly named in Gone Girl though Nick calls him "Buddy." In the novel I understand his name is "Bleecker".

Tuesday
Dec232014

Podcast: Wild Catcher

In this new episode of The Film Experience, Nick, Joe, and Nathaniel go wandering with Witherspoon and wrestling with Tatum to try to make sense of it all. And by 'all' we mean the directorial styles of Jean-Marc Vallée and Bennett Miller, our complicated and divided personal reactions to the films and the performances, and a light sprinkling of Oscar talk. 

Breakdown
00:01-15:32 Wild 
15:33-41:57 Foxcatcher

Recommended Supplemental Material: 
"The Making of Foxcatcher" - by Mark Harris

You can listen at the bottom of the post or download from iTunes. Continue the conversation in the comments. 

WILD & FOXCATCHER

Tuesday
Dec232014

some say the blog will end in fire, some say in ice

GeekRex on great sounding movies of 2014. So glad they included Wild but I don't understand the defense of Interstellar's sound mix given how difficult it sometimes was to hear the dialogue
Gurus of Gold I believe there's an update today but look at where things stand now in the big Oscar categories
AV Club Sarah Jessica Parker may be returning to HBO sitcom glory via Divorce (no, not from Matthew Broderick. On the show!)
In Contention Antonio Sanchez is not happy about his disqualification from Best Original Score for Birdman and why shouldn't he be. Their rules are so arbitratily enforced. Remember when Gustavo Santaolla won his second consecutive Oscar for a film FILLED with pre-existing music (Babel) and his score only being a small percentage of it.

The Dissolve Robert Rodriguez to helm a live action remake of Ralph Bakshi's Fire & Ice. I used to love that rotoscoped sword & sorcery movie so much but Rodriguez seems like he'll amplify what was already turned up to 11
MNPP I love this review of Mommy by Jason
Newsweek Maggie Gyllenhaal working all the actor mediums
VF Selfie hijinx with Ellen DeGeneres, Meryl Streep, The Baker's Wife and Cinderella
The Atlantic on the year's best trailers
Carpet Bagger looks at the costumes of The Homesman
Playboy Matt Patches goes looking for Martin Brest (Beverly Hills Cop, Midnight Run, Scent of a Woman) in this cinematic true life detective story 
Comics Alliance Mike Coulter will play Luke Cage (Power Man) for Netflix's Marvel Series. No word yet on Iron Fist but now would be the perfect time to do that reverse white washing and cast an Asian man in a lead role, since he's white in the comics but his origin story involves growing up in an Asian mystical city in the Himalayas, you know? Please money and Marvel people -- Come correct!  It's a whole new world than it was was in 1974.

Happy (?) Christmas

Yikes.

Sorry about that.

Binge Watch Worthy?
I enjoy being an Opinion-Maker but I'll admit I am usually happy to cede that responsibility to others when it comes to TV. There's just too much product to keep up with.  So whoever is binge-watching Mozart in the Jungle let me know, will you? The cast includes two of my all time favorites (Gael García Bernal and Bernadette Peters) but this is my single busiest two-month stretch of the year so I need someone else to do such scouting. Report back!

Top Ten Film Critic Frenzy
If you love reading top ten lists, pick an article any article... 'tis the season!

Richard Brody (The Grand Budapest Hotel to Butter on a Latch) | Justin Chang (Boyhood to Interstellar) | Manohla Dargis (Beyond the Lights to well mostly Beyond the Lights) | Peter Debruge (Calvary to Class Enemy) |  David Denby (Ida...well, mostly Ida) | Scott Foundas (Goodbye to Language to American Sniper) | Stephen Holden (Boyhood to Only Lovers Left Alive) | Lou Lumenick (Boyhood to Into the Woods) | Omar PL Moore (The Grand Budapest Hotel to The LEGO Movie) | Wesley Morris (Norte the End of History to Stranger by the Lake) |  A.O. Scott (Boyhood to The Babadook) | Dana Stevens (The Babadook to We Are the Best) | Stephanie Zacharek (Under the Skin to Top Five)

Tuesday
Dec232014

Scarlett Johansson, 2014's MVP

Year in Review. Two yummy look backs each day

Tim here. Among its many charms and disappointments, 2014 was an extraordinarily good year to be a fan of Scarlett Johansson.

No, I can go bigger than that: 2014 was a year that could make somebody a fan of Scarlett Johansson in the first place, or in my case, knock the dust off a fandom that had been growing stale over the last several years.

What makes it such a particularly interesting year to have watched the actress is the way that three of her four performances released in the United States in ’14 are variations on each other (the outlier is what amounts to cameo in Chef, more of a favor done for director Jon Favreau than a real part). Let’s take a quick look at each of them:

Under the Skin
In a holdover from the 2013 festival season Johansson played a non-human being in the human form of a gorgeous woman under the guiding hand of director Jonathan Glazer. Icy good looks married to a deliberately unknowable inner life pretty neatly describes the opinion that tends to be held on Johansson’s acting skills by people who don’t like her, which makes this, on the one hand, an easy casting decision. [More...]

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