A Second Look At "Still Alice"

Michael C. here to sort out a few mixed feelings at the prospect of the impending Julianne Moore juggernaut. Let me cut to right to the matter on everyone’s mind and say that any Academy voter who checks a box for Julianne Moore for Best Actress next year will have no reason to feel anything but pride in his or her choice. Her performance as Alice Howland, a 50-year-old linguistics professor suffering from early onset Alzheimer’s is every bit as good as billed. But let us also acknowledge the plain truth that Moore’s work here is all the more impressive because she is doing the heavy lifting for a script and direction that are not operating at anywhere near her level. 

To point out that there is little exceptional or even all that much better than competent in Still Alice outside of Julianne Moore’s performance is to risk coming off like some sort of stone-hearted gargoyle. Who doesn’t feel the urge to pull some punches when presented with such an earnestly good intentioned film? And that is to say nothing of the reluctance to rain sour disapproval down on the Best Actress parade currently gaining steam on its march toward the Oscar podium. Who wants to spoil a perfectly good Julianne Moore coronation? Not this critic. [More...]

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Who Would You Vote For as "Best Young Actor/Actress"?

Each year when my BFCA ballot arrives I stop in my tracks, stumped, when I get to "Young Performer". Categories that aren't Oscar correlative are often trickier.

Oh dear. How uneasy I feel..."

That's not because you're free of predicting (anyone trying to predict with their own ballot really ought to find a new profession -- criticism: ur not doing it right) but because it's a subsection of acting you probably haven't been discussing at all. You suddenly remember that you need to have been considering it with as much seriousness as you have made your other selections.

I imagine that Ellar Coltrane, the now 20 year old star of Boyhood, will be tough to beat since this category is for the 21 and under set. But even if the category were adjusted downward to 17 and younger (which we strongly support as a rule change -because it's always weird when an adult wins like least year when the prize went to the very explicit Blue is the Warmest Color... in a kid's category!) he'd surely be considered an exemption since he spent 12 years in front of the camera in his childhood for that movie. But who will the other nominees be? Who should they be?

As a BFCA member I'm often frustrated by the choices made in this category since they don't feel carefully considered but "which big ticket movies have prominent teenage or child roles?" or, barring that, which movies did famous teen actors make? Fame ≠ Best so each year moving forward I will try to help my fellow critics by reminding them who is actually eligible... and not just from the Oscar seeking pictures. 

I hope you'll FYC your favorites in the comments and give voters some options to truly consider:

ELIGIBLE "YOUNG PERFORMERS" IN 2014 FILMS
(if we've missed any key players - make sure to shout them out in the comments)

GIRLS
Chloë Grace Moretz (17) in Equalizer, If I Stay, Muppets Most Wanted or Laggies
Elle Fanning (16) as "Aurora" in Maleficent
Hailee Steinfeld (18) in Begin Again or The Homesman
Joey King (15) as "Grace" in Wish You Were Here Gotham Nominee
Kaitlyn Dever (17) in Men Women and Children or Laggies
Lilla Crawford (13) as "Red Riding Hood" in Into the Woods
Lorelei Linklater (20) as "Samantha in Boyhood 
Mackenzie Foy (14) as "Murph" in Interstellar WAFCA Nominee
Odeya Rush (17) as "Fiona" in The Giver
Saoirse Ronan (20) as "Agatha" in Grand Budapest Hotel 
Quvenzhané Wallis (11) is Annie 

John D'Leo, Jordan Scott, and Mackenzie Foy are among several eligible candidates who play "younger" versions of key characters

BOYS
Alex Lawther (19) as "Young Alan Turing" in The Imitation Game
Ansel Elgort (20) in Divergent, The Fault in Our Stars or Men Women and Children
Antoine-Olivier Pilon (17) as "Steve" in Mommy
Blake Cooper (13) as "Chuck" in The Maze Runner
Charlie Tahan (?) as "Joey" in Love is Strange
CJ Adams (14) as "Young Ford" in Godzilla
C.J. Valleroy (?) as "Young Louis" in Unbroken
Connor Corum (7) as "Colton" in Heaven is For Real
Daniel Huttlestone (15) as "Jack" in Into the Woods 
Ellar Coltrane (20) as "Mason" in Boyhood  Gotham Nominee, WAFCA "Youth" Winner
Emjay Anthony (11) as "Percy" in Chef
Ghilherme Lobo (19) as "Leonardo" in The Way He Looks 
Jacob Latimore (18) as "Jeff" in The Maze Runner
Jaeden Lieberher (11) as "Oliver" in St. Vincent WAFCA Nominee
Jamarion Scott and Jordan Scott (?) as "Little James Brown" in Get On Up
John D'Leo (19) as "Young Pete" in Unbroken 
Kodi Smit-McPhee (18) as "Alexander" in Dawn of the Planet of the Apes
Noah Wiseman (7) "Samuel" in The Babadook WAFCA Nominee
Pierce Gagnon (9) as "Tucker" in Wish I Was Here 
Samuel Lange Zambrano (?) as "Junior" in Bad Hair 
Tony Revolori (18) as "Zero" in Grand Budapest Hotel  WAFCA Nominee

Noah Wiseman, Tony Revolori, and the Boyhood kids have huge roles. Will they make it?

WHICH YOUNG THESPIANS WOULD MAKE YOUR BALLOT?
I hope you'll FYC your favorites in the comments and give the Broadcast Film Critic voters some options to truly consider rather than making this the annual Chloe Moretz Shortlist. Which younger actors do you think have big things in their futures as they grow into young adult roles?

BSFC, LAFCA, and NYFCO: Their 2014 Winners

My apologies to Boston, Los Angeles and the online contingency of New York City for their shared billing but what can you do? When they all announce on the same weekend they share column space. The DC Film Critics also announced nominations today but in the interest of sanity, TFE only covers actual awards from critics groups, not their nomination rounds (which give performers and films no real juice publicity wise anyway); we have 30+ critics organizations in the US alone so any requested  coverage other than wins for the non-institutions feels ego-driven.

It was another good day for Birdman and Boyhood or "Boyman" as Sasha likes to call it. Particularly Boyhood which no films seem to be able to squirm around for top billing. Grand Budapest Hotel probably came close in L.A., Birdman looked like a distant second in Boston, but NYFCO seemed very committed. Is it now the Oscar frontrunner for Best Picture? It probably always was so yes. 

BOSTON SOCIETY OF FILM CRITICS (BSFC)
The BSFC was formed in 1981 and were once known for scrappy idiosyncratic choices. They were among the first awards group to rubber stamp Steven Soderbergh and David O. Russell (before their prime Oscar years). In the past ten years they've become far more conservative usually awarding their top prize to the Oscar frontrunner or its presumed challenger. Like NYC, Boston now has a second younger "online" group which already announced this year.

Film: Boyhood (runner up: Birdman)
Director: Richard Linklater, Boyhood (runner up: Clint Eastwood, American Sniper)
Actor: Michael Keaton, Birdman (runner up: Timothy Spall, Mr Turner)
Actress: Marion Cotillard, Two Days One Night AND The Immigrant (runner up: Hilary Swank, The Homesman)
Supporting Actor: J.K. Simmons, Whiplash (runner up: Edward Norton, Birdman)
Supporting Actress: Emma Stone, Birdman (runner up: Laura Dern, Wild)
Screenplay [TIE]: Birdman & Boyhood (runner up: Mr Turner)
Cinematography: Emmanuel Lubezki, Birdman (runner up: Dick Pope, Mr Turner)
Editing: Sandra Adair, Boyhood (runner up: Joel Cox & Gary Roach, American Sniper)
Foreign Film: Two Days One Night (runner up: Ida)
Animated Film: The Tale of Princess Kaguya (runner up: The Lego Movie)
New Filmmaker: Dan Gilroy, Nightcrawler (runner up: Gillian Robespierre, Obvious Child)
Documentary: Citizen Four (runner up: Jodorowsky's Dune)
Use of Music: Inherent Vice (runner up: Whiplash)

 

LOS ANGELES FILM CRITICS ASSOCIATION (LAFCA)
Founded in 1975, the LAFCA is one of the twin (coastal) towers of film critics associations alongside NYFCC which announced their prizes on December 1st. Last year the LAFCA had a very hard tie figuring out their prizes and the day ended with ties in three headline categories: Best Picture, Best Actress and Best Supporting Actor. These days they are perhaps best known for daring choices in Best Actress and Best Picture. 

Film Boyhood (runner up: The Grand Budapest Hotel)
Director Richard Linklater, Boyhood (runner up: Wes Anderson, Grand Budapest Hotel)
Actress Patricia Arquette, Boyhood (runner up: Julianne Moore, Still Alice)
Actor Tom Hardy, Locke (runner up: Michael Keaton, Birdman)
Supporting Actress: Agata Kulesza, Ida (runner up: Rene Russo, Nightcrawler)
Supporting Actor: J.K. Simmons, Whiplash (runner up: Edward Norton, Birdman)

New Generation: Ava DuVernay, Selma
Screenplay: Grand Budapest Hotel (runner up: Birdman)
Animated Film: The Tale of Princess Kaguya (runner up: The LEGO Movie)
Foreign Film: Ida (runner up: Winter Sleep)
Documentary: Citizen Four (runner up: Life Itself)
Cinematography: Emmanuel Lubeszki, Birdman (runner up: Dick Pope, Mr Turner)
Editing: Sandra Adair, Boyhood (runner up: Barney Piling, Grand Budapest Hotel)
Score: TIE Jonny Green, Inherent Vice and Mica Levi, Under the Skin
Production Design: Adam Stockhausen, Grand Budapest Hotel (runner up: Ondrej Nekvasil Snowpiercer)
Experimental Film: Walter Reuben, The David Whiting Story
Career Achievement: Gena Rowlands

The LAFCA seem to have bought into their own myth about their iconoclastic Best Actress behavior. They weirdly switched categories for Patricia Arquette from supporting to lead despite backing J.K. Simmons as supporting from his far leadier work as half of a two-hander relationship drama between two men in a film with basically only two major characters.

Agata Kulesza is a worthy fascinating choice but she's really very obviously more of a lead than Patricia Arquette. But what can you do? I suppose you could make a better case for her in supporting than you could for Arquette as a lead but it's all rather baffling. 

 

NEW YORK FILM CRITICS ONLINE
Said to have been formed in 2000 the internet only has records dating back to 2003 for their prizes. They are not to be confused with the ancient and highly important NYFCC which already announced on December 1st and were Boyhood & Immigrant focused this year.

Picture: Boyhood
Director: Richard Linklater, Boyhood
Actress: Marion Cotillard, Two Days One Night
Actor: Eddie Redmayne, The Theory of Everything
Supporting Actor: J.K. Simmons, Whiplash
Supporting Actress: Patricia Arquette, Boyhood
Ensemble Cast: Birdman
Screenplay: Birdman
Cinematography: Birdman
Use of Music: Get On Up
Debut Director: Dan Gilroy, Nightcrawler
Breakthrough: Jack O'Connel for Unbroken AND Starred Up
Documentary: Life Itself
Animated Feature: The LEGO Movie 

Marion Cotillard is perhaps the other big story of the day having won NYFCC, BSFC, and NYFCO already. Her Oscar chances still seem debatable though for a number of reasons including two separate films and the lack of any real campaigning beyond a screener for Two Days One Night.

J.K. Simmons, Richard Linklater, and Citizen Four continues to be steamrollers in Supporting Actor, Director, and Documentary respectively. Meanwhile Birdman marches along as a strong contender for basically everything if not, yet, a dependable film to bank any actual golden statues on. More unfortunately (especially given my change of heart about the film) critics have optioned not to really back Grand Budapest Hotel beyond the category that Oscar would have awarded it any way, Best Screenplay, which is the only category in which Wes Anderson films ever find any traction, sadly, despite often being sheer wonders in terms of Production Design, Costuming and weirdly expressive stylized performances. 

Team FYC: Enemy for Production Design

Editor's Note: We're featuring individually chosen FYC's for various longshots in the Oscar race. We'll never repeat a film or a category so we hope you enjoy the variety of picks. And if you're lucky enough to be an AMPAS, HFPA, or Critics Group voter, take note! Here's Jason on Enemy.

Toronto is a city always standing in for other places; I grew up about two hours from it and I've visited many times (I love that I saw David Cronenberg's Crash, filmed in that city, on a downtown screen there since it wasn't playing anywhere closer to me) and I've always described the town as "New York City, but clean." It is a bit sterile, a lot cold (I refer you to Cronenberg again - where else could he possibly call home?), a bit personality-free. So what better place to set Denis Villenueve's Enemy, a dark nightmare of doubles, then?

Jose Saramago's novel The Double, on which the film is based, is of course set in Portugal but more importantly it spends big chunks carrying its characters off to the countryside; Enemy however never makes it out of downtown Toronto -- there is no "out of Toronto." The city seen from far above floats between the Great Lake on one side and tundra or mist or maybe just the edge of the known world on the other; meanwhile the streets are webbed with trolley-wires and the buildings all seem like computer renderings half-finished. We see people walking the streets but they have all the presence of the ghosts haunting The Matrix, and the expressways seem to endlessly circle around in a Truman Show like loop.

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The Not Grammys Experience

John Waters, Grammy Nominee !This isn't The Music Experience but we should glance toward the Grammy nominees. Among the "record" and "song" of the year categories, which are kind of like the actress and actor to "album of the year"'s best picture --it's a tortured analogy, just go with it --  my votes would go to... no, I can't do it. No preferences. I like most of them but, frankly, they all remind me of other better songs especially "Chandelier" which is like "Umbrella: The Sequel" and "Fancy" which is like a weaker and more annoying Stefani track. Plus I thought "All About the Bass" was a two-for-one Novelty Song download deal with Nicki Minaj's "Anaconda" -- I had no idea it was respectable music! What would the Best Picture equivalent be at the Oscars?  I can't even imagine... 

But, again, not a music guy. Outside of movie music as an extension of a my cinephilia and musical theater as an extension of my inner soul (Proud Show Queen and I don't care who knows it... Haters gonna hate hate hate. Shake it off!) I don't think about music that much except to think "What should i put on my gym playlist to help motivate the exercize that I'm not going to do no matter how great the playlist is?!?"

Actors or Directors among the Grammy-nominated this year

• James Franco (Spoken Word nominee for "Actors Anonymous")
  I think it's worth noting that Franco has yet to win a major prize beyond a Golden Globe but he has now been nominated for the Oscar, the Emmy, and the Grammy Clearly has his sights set on a Tony at some point, too.  
• Cheyenne Jackson (Principal Soloist for San Francisco Symphony's version of "West Side Story" nominated for Musical Theater Album)_
• Neil Patrick Harris (Principal Soloist for "Hedwig" revival nominated for Musical Theater Album)
• John Waters (Spoken Word nominee for "Carsick: John Waters Hitchhikes Across America")

MOVIE RELATED CATEGORIES which are always a curious mix of Oscar years given differing eligiblity periods are after the jump...

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