Say What? Moses
Thursday, January 2, 2014 at 12:00PM Amuse us by adding a line of dialogue or a caption to this image of Christian Bale as Moses in Ridley Scott's Exodus coming soon in 11 months!

Christian Bale,
Exodus,
Oscars (14),
Say What? The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
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Thursday, January 2, 2014 at 12:00PM Amuse us by adding a line of dialogue or a caption to this image of Christian Bale as Moses in Ridley Scott's Exodus coming soon in 11 months!

Wednesday, January 1, 2014 at 10:39PM
One of the most delightful surprises of the season was the Golden Globe Supporting Actress nomination for Sally Hawkins in Woody Allen's latest hit Blue Jasmine. While Cate Blanchett rages through the movie like a force of nature as Jasmine (née Jeanette) and has won dozens of prizes, Hawkins has the less showy but difficult task of keeping the movie grounded and the mood breezy while navigating her screen sister's stormiest weathers. Blue Jasmine, which comes to DVD and BluRay on January 21st, is yet another reminder, that Hawkins is one of the stealth MVPs of current cinema.
Sally and I had spoken once before (at length) during the Happy-Go-Lucky (2008) press tour and getting reacquainted was unusually good fun; I've rarely laughed so much during an interview. To give you a sense of the easy rapport and how delightful Sally is in person, I've included a little audio segment of my favorite bit of our conversation, when we were talking about her key directors: Woody Allen (2 films together) or Mike Leigh (3 films together) again.

Nathaniel: So anyway… Blue Jasmine. When I first saw it I thought ‘this is good’ But then it just wouldn't leave my head. So it’s moved up in my estimation.
SALLY HAWKINS: Those films that sit and resonate with you, that you keep thinking about, are really interesting.
Do you experience that when you're reading a script? Or is that something you don’t discover until you’re on set. Like ‘oh, this one is going to be good.’ [more...]

Wednesday, January 1, 2014 at 2:00PM In which two ingénues are introduced...

A girlish debutante in a white gown floats down the stairs and into her waiting beau's arms. Gracefully, they glide around the dance floor sharing quips and quiet smiles. Thus is the world introduced to Katharine Hepburn in A Bill of Divorcement in 1932. It's a pretty enough entrance, but somehow inauspicious for Kate the Great. It is just so entirely Movie Ingénue Ordinary. The girl floating down the stairs could just as easily be Jeanette McDonald or Joan Bennett. Considering who Katharine Hepburn was and who she became, one would expect her to come striding into the room like a Greek goddess. Katharine Hepburn would make many more striking and characteristic entrances later, so for now we'll settle for this beautiful-if-ephemeral debut of the ingénue, and proceed with my own introduction.
My name is Anne Marie, and Katharine Hepburn is my idol. The first movie I ever saw her in was The Philadelphia Story. Kate was powerful and witty. She wore pants and still looked glamorous. To an awkward tomboy in middle school, she was everything. This idolatry only intensified as I grew. But recently, while perusing IMDb, I discovered two shocking things:
This presents me with an exciting opportunity: "A Year with Kate"...
Wednesday, January 1, 2014 at 11:06AM
[Michael surveyed the year in dance in cinema for 2012. For 2013, Dancin' Dan takes over the listing of key dance moments in the cinematic year. - Editor]
I started dancing as a kid because of Gene Kelly and Donald O'Connor in Singin' In The Rain, and haven't looked back since. I'm continually fascinated by the ways in which dance is filmed and what dance on film might say about the state of the state of both arts.
What do the films of 2013 have to say about dance? Not much but definitely that we dance to have fun, especially at parties! Dancing gifs and best moments after the jump
Tuesday, December 31, 2013 at 8:50PM HAPPY NEW YEAR!
I've found in years past that it doesn't do much good to fuss over resolutions or plans for a new year... especially a long list of them. Which is not to say that self-improvement projects or, by extension in my case The Film Experience improvement projects, should not be on the agenda. The trick is to really focus so I'm only choosing three even though my nature yearns to do it differently. I have to fight the impulse to draft up a list of 2,014 life goals which would then make me miserable when I failed to accomplish them and guilty when I forgot what they were. I've already been working at upping my game behind-the-scenes since I didn't want to wait until a special date arose ("January 1st" is so arbitrary, really, and why should we be bound to Aloysius Lilius's 1582 business, you now?) to act on recent positive impulses, particularly because negative impulses are so more familiar and abundant. So in October this year I started saying "yes" to things I would normally hedge on or pass up altogether from worries of various sorts (time, money, fear). That was the entire goal, say "yes"! I did it in the hopes of breaking out of my "comfort zones" (which can also be pronounced as "ruts"). Maybe it's too soon to tell but I think it's working!
I'm not ready to share the three goals yet but for fun I thought I'd choose three spirit guides from the movies, to lean on for inspiration and spiritual support this year. And here they are...

Maria in The Sound of Music (1965)
Her image needs to be rehabilitated anyway. When I'm feeling ill equipped for whatever comes my way in 2014, I'm going to sing "I Have Confidence," the ultimate self pep-talk song. I'll do this while swinging my personal baggage around like it weighs nothing (I will do all of this internally and silently so as not to harm innocent bystanders)
Captain America
Talk about freeing yourself from ruts: Is there a harder mold to bust out of than a 60 year old block of ice? He emerged with heroic spirit, super fitness (I so need to get back to the gym) and take charge instincts. He also knows from Classic Hollywood Movies since he saw them in first run!
Poppy in Happy-Go-Lucky (2008)
Because she doesn't take herself too seriously and she'll try anything and throw herself into it. She's our best cinematic illustration that happiness is a conscious choice. Life doesn't always cooperate.

You should totally play along at home - strength in numbers. Choose three cinematic spirit guides and join me in making 2014 your best year yet.