Emmy Live Blog 2012: Golden, Winged, Deadly

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6:25 I thought about calling this Emmy Live Blog: Now With Less Pneumonia! (I think I'm on the mend) or Pneumatic Emmy Live Blog! but they both sound too contagious. 

6:30 I love the Emmy statue but I don't think any golden statues should have deadly points. There's already enough drama without weaponizing the things. 

6: 32 "It involves sex, sharp objects"... actual quote from Lena Dunham just as I was typing that thing about Emmy Statues. I'm not making this up.

6:39 Charlize "J'Adore Dior" commercial. I secretly wish she would introduce all her red carpets outfits that way. A golden aggressive strut to each camera with a breathy whisper ... "Gucci".... "Dior Haute Couture" ... "Valentino"

6:42 Max Greenfield's date would like everyone to know SHE'S WITH MAX GREENFIELD. Clingy! 

I want an Emmys night full of redheads! @_juliannemoore and Christina Hendricks #FTW
-awesome TFE reader @Luiserghio

YES. Ginger looks good holding gold. Speaking of...

The stars of the new "Nashville" Connie Britton & Hayden Panetierre

poll by twiigs.com

I watched the pilot of "Nashville" (Not Related to the Altman Classic!) and I dunno. MORE EMMY TALK...

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Trouble With The House at the End of Watched Curved Street

It was a photo finish this weekend with Clint Eastwood, Jennifer Lawrence, and Jake Gyllenhaal all struggling to land in first place. We won't really know who did until tomorrow. If you ask me that's a poor showing for Jennifer (given that horror is an easy cash grab on opening weekends) and Clint and a redemptive showing for Jakey who pundits always like to claim is over as a bankable leading man if he ever was. But maybe that's my bias spinning it since I have yet to seek treatment for the Gyllenhaalism. (Next up Maggie G in Won't Back Down!)

Box Office Fifteen
[TIE] 01 END OF WATCH  $13 *NEW*
[TIE] 01 HOUSE AT THE END OF THE STREET $13 *NEW*  
03 TROUBLE WITH THE CURVE $12.7 *NEW* 
04 FINDING NEMO 3-D $9.4 (cum $29.9 this time 'round)
05 RESIDENT EVIL: RETRIBUTION $6.7 (cum $33.4)
06 DREDD $6.3 *NEW* 
07 THE MASTER $5 (cum. $6.0)
08 POSSESSION $2.6 (cum. $45.6)
09 LAWLESS $2.3 (cum. $34.5) REVIEW
10 PARANORMAN $2.2 (cum. $52.5) 
11 THE BOURNE LEGACY $1.6 (cum. $110.4) 
12 THE ODD LIFE OF TIMOTHY GREEN $1.5 (cum. $48.6) REVIEW
13 THE EXPENDABLES 2 $1.4 (cum. $82.9) Let's cast a female version
14 ARBITRAGE $1.2 (cum. $3.9) 
15 THE DARK KNIGHT RISES $1.2 (cum. $443.1) REVIEW

The Master had the healthiest per screen average among the wide openings (though it's only just barely "wide" now) but P.T. Anderson movies have never made as much by the end of their run as The Odd Life of Timothy Green already has (approaching $50 million) which is totally why we can't have nice things. Adults with taste continue to destroy Hollywood by staying at home and watching their premium channels instead of supporting films made for them at the theaters.  In limited release Perks of Being a Wallflower led the arthouse with a very healthy per screen average and a quarter million gross in its first weekend.

What did you see this weekend? And who is still going to Batman? He hung up his cowl, people!

In more timely news, are you watching the Emmys with us tonight? If so "see" you in the comments section.

Thoughts I had while watching that "STOKER" tease

As you may now Park Chang-wook of Thirst fame has trained his keen cruel eye on something a little less supernatural and subtitled for his next film Stoker. We got the first taste of it on Entertainment Tonight days ago but... you know... (how long do you think I can milk this "but I have pneumonia!!!" excuse?). So herewith some unedited thoughts I had while watching it...

Personally speaking I can't wait to see life tear you apart."

• Love La Kidman lashing out. These opening eye daggers reminded me more than a little of The Golden Compass and I mean that as a compliment. That book trilogy was beyond and Nicole Kidman really got that character (Mrs Coulter) so it's such a pity that the movie didn't really get the book and the ending didn't even get the ending and no other movies will be gotten to get it all retroactively like! I have pneumonia.

• I'm tickled that this isn't a biopic on Bram Stoker! 

video and more thoughts after the jump...

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I Vant To Link Your Blog

Empire Parker Posey (who has been teaching an awesome course in Emmy acceptance speeches ---teehee) joins the cast of Grace of Monaco as Nicole Kidman's frenemy lady-in-waiting
Monkey See shares notes on Quartet's gala premiere at TIFF
Stale Popcorn discovers The Perfect American Psycho Billboard
CHUD I didn't know this: Director Rian Johnson's (Brick, Looper) brother Nathan paints posters for each of his movies 

TMZ crew member on The Lone Ranger dies 
Wax Word the new Keanu Reeves action epic 47 Ronin is having a nightmarishly expensive post-production phase
Hollywood.com Helen Mirren to reprise her Oscar winning role as The Queen on the stage in a new play
Advocate Scarlett Johansson will scratch at limp Benjamin Walker in Broadway's millionth revival of Cat on a Hot Tin Roof. Ciarin Hinds, so ubiquitous right now, will play Big Daddy. Oh the mendacity of it all!
Movie|Line those hoping for a quick stage-to-film transfer of Nina Arianda's star-making Broadway outing in Venus in Fur might be disappointed to learn that the film adaptation is indeed underway... but in French directed by Roman Polanski and starring his wife Emmanuelle Segnier.  

Finally... the trailer for Amy Heckerling's Vamps starring her Clueless muse Alicia Silverstone and Krysten Ritter has arrived.

Distribution is getting so confusing as of late. Get this: Vamps hits various on demand digital thingies on October 19th, theaters on November 12th and DVD/Bluray the next day on November 13th. What-the-whanow? That's more confusing than seeing Dan Stevens all shirtless and not in the arms of Lady Mary... which is plenty confusing enough!

NYFF: "Hyde Park On Hudson" Historical Oscar Fluff

Michael C here with my first dispatch from the 50th New York Film Festival. First up is one of the Fall's two big president-starring prestige pictures.

Roger Michell’s Hyde Park on Hudson is a perfect example of that particular type of high-end, finely crafted period piece that hits theaters every autumn on its way to an Oscar nomination for Costume Design. These titles exist to provide awards voters with two hours of comfort food nostalgia wrapped in a thin packaging of historical significance. In recent years this subgenre has provided us with films like Finding Neverland, Mrs. Henderson Presents, and My Week With Marilyn. This year it’s Hyde Park on the Hudson, a film on the low end of this particular style. To call it a dud would be too harsh - kinder to say that it’s a missed opportunity.

The story is narrated by Daisy (Laura Linney), FDR’s devoted mistress as well as his fifth or sixth cousin, depending on how you count. Their courtship leads to the presidential handjob scene that America was undoubtedly clamoring for, (ball’s in your court Lincoln) presented in a montage that verges on the unintentionally hilarious in the extent to which it goes to remain tastefully inoffensive. Think close-ups of wild flowers while the sound of FDR’s limo a-rockin’ is heard off-screen.

The set up: With the threat of World War II looming, King George VI and Queen Elizabeth (Samuel West and Olivia Colman) have embarked on the first ever journey to America by British royalty in the hopes a meeting with Franklin Roosevelt (Bill Murray) at his upstate New York getaway can persuade the Americans to intervene. Other major players in the story include FDR’s busybody mother (Elizabeth Wilson), his stalwart assistant (Elizabeth Marvel) and the brash and outspoken Eleanor Roosevelt (Olivia Williams) who has little patience for the pomp and etiquette of royalty. All her bows are unmistakably sarcastic.

Of course, the main attraction here is Murray...

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