Review: "Albert Nobbs"

This review was previously published in my column at Towleroad.

Albert Nobbs is story of a woman living as a man in Ireland in the early 20th century. Albert (Oscar nominated Glenn Close) serves as a waiter at a little upscale hotel. His world is so small that he barely leaves the hotel and hardly ever utters full sentences to anyone but himself. Those private conversations generally involve the counting of shillings. Nobbs' inner life isn't quite as small. The waiter dreams of saving up enough to buy a small tobacco shop and run his own little business. When he meets a painter by the name of Mr. Hubert Page (Oscar nominated Janet McTeer) whose situation is not dissimilar but whose emotional life is obviously richer, his eyes are suddenly opened to new possibilities, including romance... or at least cohabitation.  But dreams aren't easy when a flea in your undergarments can give you away, when your career could be finished with one misstep around a wealthy patron, when a stroke of bad luck could put your employer out of business, or when the woman you set your sights on for companionship (Mia Wasikowska) might not have the purest of motives in returning your affection.

You know what's just as a hard as opening a tobacco shop when you're a woman living as a man in early 20th century Ireland? Getting your dream movie made when you're an actress of a certain age in the early 21st century... [More]

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DGA to Oscar? Hazanavicius Nears Finish Line

This weekend everyone is a winner! So many awards. And SAG continues the trend tonight (we'll be live blogging right here). Can clapping for 30 days straight give you carpal tunnel?

Let's start with the biggie, the DGA Awards. Last year's winner Tom Hooper (The King's Speech) passed the baton, in the shape of that golden eagle plaque, to this year's winner Michel Hazanavicius (The Artist). Tom Hooper got ambitious post awards flurry as is busy on Les Miserable. Hazanavicius will chase The Artist with another film inspired by Old Hollywood. He's going to remake The Search (1948) which The Film Experience readers will know as Montgomery Clift's debut. (All we can say is good luck finding another Monty. That's an irreplaceable star in Hollywood's firmament.) Given that The Search is a post World War II drama about an American soldier and a child who survived Auschwitz, maybe Hazanavicius won't be a one hit wonder with AMPAS. Time will tell.

One of the best things about the more specific awards night like the DGA is that there is time to honor the nomineees as well, so even if you don't win, the night is still about you. Each director takes the stage to receive their plaque. Kathy Bates accepted in person for Woody Allen who never shows up at this sort of thing although he did speak via satellite this time. 

Michelle Williams with James Marsh's prizeDGA PRIZES

• Director, Feature Film: Michel Hazanavicius, The Artist
• Director, Documentary: James Marsh, Project Nim (which was recently shut out of the Oscar nominations in its category)
• Director, MiniSeries: John Cassar, The Kennedys
• Director, Drama Series: Patty Jenkins, The Killing "Pilot"
• Director, Comedy Series: Robert B Weide, Curb Your Enthusiasm "Palestinian Chicken" (wow. people are still excited about this show? Who knew?)
• Director, Variety: Glenn Weiss, the 64th Annual Tony Awards
• Director, Reality Show: Neil P Degroot, Biggest Loser
• Director, Commercial: Noam Murro (Biscuit Filmworks)
• Director, Daytime Television: William Luel, General Hospital "Intervention"
• Director, Children's Television:  Amy Schatz, A Child's Garden of Poetry

Does this mean Hazanavicius has the Oscar sewn up?
Not necessarily...  More after the jump including stats and photos. 

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SAG Predix: Will They Really Give "The Help" 3 Prizes?

Only two more awards shows to go before we reach Oscar night. One of them is tonight. SAG sometimes surprises (remember 2002 and 2003?) and sometimes goes total consensus. Let's take a stab at this... which is easier to do with statues with sharp corners. LIVE BLOGGING HAS BEGUN!

Best Actress
Nominees: Close, Davis, Williams, Streep, Swinton
Will Win: Viola Davis because the most voters have seen her film and because she's great in it.
Will Win: Meryl Streep because she's Meryl Streep and it's a biopic and actors are crazy about those and because it's a virtuosic impersonation.
Will Win: Michelle Williams because she's the new "Best of Her Generation" actress everyone is excited about and because it's a biopic and...

Okay. Yikes. I suspect it's a tight three woman race. I'd like to believe that Viola's box office and general narrative will differentiate her just barely enough. On the other hand actors rightfully worship Streep and she might win this with ease and she's definitely the most likely winner for voters who haven't seen all their screeners. I mean if I was voting blindly I'd always vote Streep (not that I'd vote blindly). On the other otherhand (we've grown a third arm) perhaps the vast voting body of the guild will have a heatwave for Michelle Williams as Marilyn Monroe.

Best Actress has the odd and slightly unpleasant distinction of being filled with performances that are mostly significantly better than the film housing them (though this is not to say that all of the films are terrible). Given that rather specific sandbox, I'd argue that Davis does the most successful job of working against her film's limitations. As technically great as Meryl Streep's work is, it just can't vault the hurdle of "why was this film even made other than to win Best Actress awards?" None of the other films, not even My Week With Marilyn leave quite the same "why does this exist?" aftertaste. But then again, films made solely to win awards no matter how shamelessly obvious about that they are,  have never been exactly shunned by awards bodies so that might not matter at all. Plus after taste is hard to notice while you're still eating which is why some distributors wait till the last possible second for voters to see movies they want votes for.

Okay, okay: Streep.

Best Actor
Nominees: Bichir, Clooney, DiCaprio, Dujardin, Pitt 
Will Win: George Clooney for his movie star charisma. He seems to be just sailing through this awards season with ease as if his performance towers over the competition. Strange.
Should Win: Brad Pitt for his movie star charisma and how it completely suits his character and his film and for the simple matter that he gave two incredible performances in the same year, one of which is this one right here. It's always a pity when career peaks happen and awards bodies are only vaguely paying attention, temporarily blinded by other flashy objects in the same room. 

Best Supporting Actor
Nominees: Branagh, Hammer, Hill, Nolte, Plummer
Will / Should Win: Christopher Plummer. Like Clooney he has no competition for the win in his category. The main difference being that his performance easily reveals why that is.

Best Supporting Actress & Best Ensemble
Nominees: Bejo, Chastain, McCarthy, McTeer and Spencer 
Nominees: The Artist, Bridesmaids, The Descendants, The Help, Midnight in Paris 

Octavia Spencer and Melissa McCarthy are, like Brad & George, friends and competitors both. But more importantly they're also both in awesome female ensembles. Voters have shown in the past that they don't mind giving acting prizes AND the ensemble to the same film but won't they want to throw Bridesmaids something instead of possibly giving The Help three of their five prizes?

I'd love to predict a Bridesmaids win in ensemble and I don't think it's out of the realm of possibility especially if voters do the old "vote for the film you'd most like to have been in" (in which case this is Help vs. Bridesmaids vs. The Artist) but as SAG has settled into its [ahem] 'precursor duties' they've strayed further and further from thinking about ensemble and moved right into thinking about Oscar so a win for a movie that's not up for Best Picture might be beyond their imagination now (in which case this is The Help vs. Descendants vs. Midnight vs. The Artist)
Will Win: Melissa McCarthy (repeating the Emmy surprise?) and The Help... though maybe i have it in reverse and wouldn't that be fun.
Should Win: These categories are killers, so many good performances. But If I was voting I'd throw Ensemble to Bridesmaids and Supporting to... god, who knows. This is why I still haven't finalized my own awards.

ON TO THE SAG LIVE BLOGGING

Eiko Ishioka (1939-2012)

Deneuve with Ishioka on Oscar night 1993The cinema lost one of its few truly unique visionaries this week. We've paid homage before and multiple times. 73 year old costume giant Eiko Ishioka, who didn't work in the cinema frequently enough for our tastes succumbed to cancer on Thursday.

We first fell in love with her work via Bram Stoker's Dracula (1992) and it was hardly an idiosyncratic crush. Millions were instant converts and she won the Oscar for her spectacular creations, from inside out red musculature armor to dazzling perverse lizard-like bridal wear for vampire brides. Just stunning stuff.

I'd be very disappointed/surprised if some goth girl somewhere hasn't tried to copy Sadie Frost's indelible vampire bride look for her wedding night.

Sadie Frost in Bram Stoker's Dracula (1992)

Best single costume of the 1990s? Maybe.

In the past decade Ishioka wowed again through Tarsem Singh's filmography (The Cell, The Fall, and Immortals)

Bjork, Grace and a few more film pics after the jump...

Kellan Lutz filming a scene from Immortals (2011)

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What's Going On At Sundance?

Parker Posey in "Price Check"If you're anything like me, you have trouble paying attention to Sundance unless you're actually there. It's not that it isn't a great festival. It's that it arrives during the explosion that is the Oscar Nominations. But nevertheless, a few crumbs about what's going on there, before they hand out their awards (the festival ends tomorrow). These are a few bits I found interesting from the vast amount of information that's pouring out of Park City. 

Parker Posey is baaaaack. She's starring in the dark comedy Price Check as an ambitious marketing head of a grocery store chain.  IndieWire talks to her about her various Sundance journeys which just gives me one more excuse to tell you that my fondest memory of Sundance ever was the time she danced with me on the dance floor at a party. That really happened. I sometimes think I dreamed it. She was as fun in person as she is onscreen.

Marc Webber's The End of Love is getting a lot of press by way of casting. The director -- who you'll know as an actor from Scott Pilgrim vs. The World -- cast his own two year old son Isaac as his co-star in this film about a widower and his son. Though it's based somewhat on his own life, Webber's is not a widower, he's a divorcee. Apparently people are l-o-v-i-n-g the toddler. Consider this tweet from Josh Dickey at Variety:

Awards season 2013 prediction: a viral supporting-actor campaign for 2-year old Isaac Love."

I could see that working in an Uggie for Best Supporting Actor kind of way. At the very least it's publicity.

One of TFE's favorite character actresses Melanie Lynskey (who recently shared her memories of Heavenly Creatures with TFE readers) has a lead role for once in Hello I Must Be Going. The film has been well reviewed, especially when it comes to her performance as a 30something divorcee who falls for a younger man. We'll see it the first chance we get. Go Melanie!

One comedy getting plentiful laughs and attention is the debut film Bachelorette which is a mean girls comedy starring Kirsten Dunst, Lizzy Caplan, James Marsden and Isla Fisher. I don't only bring this up because the cast sounds perfect/delicious.

I bring this up because the writer/director, first timer Lesley Headland is an old frienquaintance from here in NYC. She invited me to a workshop of one of her first plays here in NYC five years ago and I gave her one of her first quotes.

Hilarious. Forceful. Insightful. As a character (Leslye writes and acts the part) "Arden" has an infectiously raucous energy with that fascinating sexy and/or terrifying aura of a young Sandra Bernhard."

The play later opened in LA and then returned to New York. She even guest blogged for The Film Experience! And now she's directed a movie starring Kiki Dunst and I am still blogging. Oh christ. What have I done with my life?

The Surrogate is the film that's garnering the most Oscar buzz thus far but it's always hard to know with Sundance hits if they'll transfer once they're in lower altitudes. The film stars Winter's Bone Oscar nominee John Hawkes as a man with no movement below his neck (Oscar loves a disability) who loses his virginity to a sex therapist played by Helen Hunt. Fox Searchlight will distribute the film but since it's an Oscar hopeful, it might be 11 months until it's in theaters. (Sigh)

Helen Hunt and John Hawkes in "The Surrogate"

A Sample of The Deals from the Wintry Slopes of Park City
The Weinstein Co, usually a buyer, is mysteriously absent. But they have a ton of big name films already planned for 2012 including the latest from Tarantino so perhaps their schedule was already locked up. 

•Robot and Frank, "a sci-fi crowdpleaser" according to EW, stars Frank Langella as a man who develops an odd relationship with the robot his children gift him with. Sony Pictures and Samuel Goldwyn will partner on the release.
• How to Survive a Plague, an AIDS doc, purchased by Sundance Selects 
•For a Good Time Call... went to Focus Features.
•Beasts of the Southern Wild, a debut from Benh Zeitlin, purchased by Fox Searchlight
•Red Lights, a psychological thriller, will be distributed by Millenium Entertainment.
•Celeste and Jesse Forever was bought by SPC. It's a romantic comedy starring Rashida Jones and Andy Samberg.
• Liberal Arts is from writer/director/star Josh Radnor following up his happythankyoumoreplease with a romantic comedy costarring Elizabeth Olsen. I'm beginning to think she'll be the Jessica Chastain of 2012 or 2013. So so so so so so so many films.
•Arbitage, a financial drama starring Richard Gere that's been likened to Margin Call, jointly purchased by Roadside and Lionsgate
•Wish You Were Here, an Australian thriller starring Joel Edgerton, purchased by Entertainment One
•Simon Killer, from the collective that brought you After School and Martha Marcy purchased by IFC . Brady Corbet moves up to leading position after supporting roles in their other films.
•The Words starring Bradley Cooper, Dennis Quaid, Jeremy Irons, Olivia Wilde and Zoe Saldana is about a writer and a genius manuscript he finds. It went to CBS Films