How Long Has It Been Since You've Seen "Close Encounters"?

Steven Spielberg's Close Encounters of the Third Kind turns 34 this month. On a whim recently we put in the 30th anniversary edition Blu-Ray* and gave it a spin. I hadn't seen the movie since I was a kid and my memory of it was hilariously incomplete and childlike.

a production sketch shown on the special edition DVD

I remembered, for example, the oft repeated five musical notes that always made me nostalgic for that old light-up Hasbro game "Simon Says" and I remembered all the glowing lights and alien children at the end. My third most vivid memory was Richard Dreyfuss's mashed potato replica of Devil's Tower in Wyoming (a shape to which all the characters are drawn). Strangely I had zero recall of the far more narratively pronounced massive sculpture he builds inside of his house of the exact same structure. Funny the things you remember. The mashed potatoes must have stuck in my child brain because little kids play with their food but they're fully aware that adults aren't supposed to.

To my great astonishment, given decades of familiarity with Spielberg films, the movie is miraculously open ended. It's also open sided and open fronted which is to say that there are dozens of emotional entry points and next to nothing in the way of force-feeding or exposition. You can feel whatever you want to feel about it all the way through without the director telling you how you should be feeling (aside from free-form "wonder" which he expects and earns) or explaining any of those feelings away. In short, were his filmography a bookshelf, this would a lonely inkblot nestled between dozens of how-to instructional textbooks. 

Oscar History and 70s Nostalgia after the jump

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The Linkers Grimm

MUBI James Benning is experimenting with John Cassavetes Faces (1968) for a "remake" installation.
Antenna has valid thoughtful concerns about both of the new fantasy series on TV, Grimm and Once Upon a Time. Many good points are raised but I can't take them completely seriously since Once Upon a Time is one of the single gawdiest and most ham-fisted things mine eyes have ever witnessed whereas Grimm was surprisingly rich in potential and beautifully made (yummy production design) and they imply that Once has more potential? Yikes.

"greens greens and nothing but greens..." Grimm's are alive. Once but dead props.

Towleroad cutest thing Zac Efron has ever done? He did Halloween as a Reno 911 officer
Go Fug Yourself Heidi Klum went as a cadaver! Heidi Klum is the most awesome Halloween party ever. Every single year she turns it out.

Dark Eye Socket this is really cool: 5 Scary Movie Masks in Non-Scary Movies
Ultra Culture the shortest review you will ever read of Tower Heist and also probably the best one; it's a Venn Diagram!
Movie|Line Naomi Watts to star in the most depressing movie indie ever. I guess she didn't read our Red Carpet Convo with Guy Lodge when we worried for the perpetual worry lines of her career.

‪Nathaniel: Naomi most certainly needs to shake off all the dour miserabilism. People have been filming her with grimy 'THIS IS DEPRESSING!' lighting for so long that I have no idea what she'd look like if she was having fun‬!
‪Guy: Well, at least Watts is coming up in J. Edgar. A Clint Eastwood movie is just the kind of fun frisky change of pace she needs.

Socialite Life Leonardo DiCaprio looking dapper on the set of The Great Gatsby. This will possibly be just what he needs after all the aging prosthetics of J. Edgar.
Hollywood Reporter interviews Michael Fassbender about his very sexual year with Cronenberg and McQueen
Cinema Blend Hilary Swank has fired most of her management team over the scandal that erupted when she attended (paid) that birthday party for the Chechnyan President.
South Asian Film Festival, about to kick off here in New York, will open with the  Oscar submission Abu, Son of Adam.
Broadway World Julie Andrews honored tonight in NYC
Threadless "one cookie to rule them all" [see pic below] LOL. I had to share since we were just talking about The Lord of the Rings here.

"cookie ringwraith" © rnlynam

Oscar in Brief
Today is the due date for all Animated Feature contenders to submit their paperwork for the Academy. So soon we'll know just how many nominees we'll get in this category which can range anywhere from 2 to 5 nominees depending on the number of submission. Meanwhile, The Wrap and In Contention both have new pieces up on the Academy's Best Foreign Language Film category. More from us here soon as we screen more entries ourselves.

Finally...  This commerical for The Immortals which I've never seen --and I've seen plenty of advertising for it -- it can't be real can it?

If so, hats off. Tellin' it like it is. I agree with everything Rich at FourFour says "Fucking Poetry"
 

October. It's a Wrap

With October gone -- our favorite month! *sniffle* -- gone, all that's left is holidays (are you prepared?) and Oscars (yes!) . If you were so foolish to miss even a single day here at The Film Experience (where were you?!) here are 11 highlights from the month that was!

Rosemary and Martha bonded over their cult-troubled past. Next thing you know...

I Stood Where Carey Mulligan Sang - Hitting an early movie party... awards season on its way
Happy Birthday Scorpios - put on that Drive jacket and imagine. What a difference casting makes, huh? 
Q&A Silents & Sequels - Definitely the most popular new column we've started in awhile. More to come soon soon from last week's questions
Shame on the Ratings System - The problem is not the NC-17...

Interiority vs. Exteriority - Hide or Show? Elizabeth (Martha Marcy May Marlene) vs. Keira (A Dangerous Method) for Oscar and Critical Acclaim  
Women in Hollywood - Red Carpet Convo with Guy 
Oscar Horrors - Team Film Experience had a ton of fun with this 17 episode series, looking at those rare Oscar nom'ed achievements from the horror film genre.
NYFF - Michael, Kurt and I hit the annual event and wrote up a ton of new movies including My Week With Marilyn, The Descendants, The Artist, and more...

Most Eyeballs: Top Ten Actress Centerfolds [NSFW] from Marilyn to Drew in "honor" of Lindsay Lohan's upcoming Playboy pictorial. What? It's not always a bad career move AND on a less prurient note, Golden Globe Predictions Musical/Comedy anyone?

Most Discussed: Double Oscar Wins - Denzel's Training Day (2001) and other double dippers

COMING IN NOVEMBER: 
Melancholia and The Five Obstructions, Superheroics, Costume Design Special, David Cronenberg interview, Thanksgiving blessings, Alfonso Cuaron, The Artist, Animated Oscar contenders, Meg Ryan, Clint Eastwood's J. Edgar, Transgendered Characters, My Week With Marilyn and more.

Oscar Horrors: Nosy Neighbor Finale

Editor's Note: This is the final entry in our Oscar Horrors miniseries. We really hope you enjoyed all 17 entries -- full index at the bottom of this post. Should we do it again next year? (Yes, there are more nominations afforded to the creepy-crawly films. The Oscars have been around for 84 years after all...) -Nathaniel

HERE LIES... Ruth Gordon's Oscar-winning turn in Rosemary's Baby who drugged her competition and dragged them to hell in 1968.

Robert here, with a look back at one of Oscar's best Best Supporting Actress decisions. You probably already know that Ruth Gordon was a real Hollywood veteran when she won her Oscar for Rosemary's Baby, having been in the showbiz business ever since appearing as a picture baby in 1915 and taking a stage role as one of Peter Pan's lost boys. Even if you didn't know that, it's the sort of thing that seems right. Or you may have deduced it after seeing footage of Ruth winning her Oscar and declaring "I can't tell ya' how encouraging a thing like this is" followed by a big audience laugh. It's a good laugh line and a silly thing to say after over fifty years in the business. But the laugh was on the audience because Ruth was right. At the time of her win, Ruth's career was going fine. She'd already been a nominee for Inside Daisy Clover a few years earlier. So it would be wrong to say that the Oscar raised her career from the dead... but it sure created a monster.
 
In the first 53 years of Ruth Gordon's career, the pre-Oscar years, Miss Ruth assembled 13 screen credits to her name. Not an insane amount. Not the hundreds you probably assumed from such an enduring actress. But hey, showbusiness is showbusiness. You take what you can get to put food on the table. In the final 19 years of her career, the post-Oscar years, Madam Ruth showed up on screen 28 times. If you take out TV roles the number still almost doubles post-Oscar. so between the ages of 72 and her passing at 88, Ruth Gordon worked twice as much onscreen as in the first 70 years of her life. You'd think she'd made a deal with the devil.

How'd she do that? Well, Ruth Gordon knew what she was doing. Her performance in Rosemary's Baby is the most memorable in the film. But it's not written that way. Consider the descriptive names given to all the characters in the film: the plain but still very pretty Rosemary, the generically masculine Guy, the ancient and powerful Roman, and Ruth Gordon plays Minnie. She's a tiny little thing. Okay, she's got some sass, but she doesn't have any big emotional stand-out Oscar scenes, except of course that she makes every scene she's in stand out.
 
She's a villain. She's evil. Really evil. Frustratingly, annoyingly evil. She's your grandmother's pestering friend, but evil. And the Oscars don't like their supporting actresses to be that evil. Even when they're villainous, like Tilda Swinton or Mo'Nique, they're multi-layered evil. They have human moments. Oscar like's his supporting ladies complex but his supporting men sociopathic. Ruth's Minnie Castevet is dangerous and remorseless. She has more in common with the Hannibal Lecters, Anton Chigurhs and Jokers of the world then her fellow supporting actresses. Then she followed it all up with Harold & Maude. Chances are, if you don't know Ruth as Minnie, you know her as Maude. From the malevolent to the benevolent. It was the one-two punch of her career and it proved that she could do anything. And that, is truly scary.

OSCAR HORRORS
The Swarm - Best Costume Design
Whatever Happened to Baby Jane -Best Actress in a Leading Role
The Fly -Best Makeup
Death Becomes Her -Best Effects, Visual Effects
The Exorcist -Best Actress in a Supporting Role 
The Birds - Best Effects, Special Visual Effects

The Birds - Best Effects, Special Visual Effects
Rosemary's Baby - Best Writing, Screenplay Based on Material from Another Medium
Beetlejuice - Best Makeup
Carrie - Best Actress in a Leading Role
Bram Stoker's Dracula - Best Costume Design
Dr Jekyll and Mr Hyde - Best Actor in a Leading Role
King of the Zombies - Best Music, Scoring of a Dramatic Picture

Poltergeist - Best Effects, Visual Effects
Hellboy II: The Golden Army -Achievement in Makeup
The Silence of the Lambs -Best Director
The Tell-Tale Heart -Best Short Subject, Cartoons

Curio: Cinema Carvings

Alexa here.  Every Halloween I hope to carve a cool pop culture pumpkin, but inertia usually takes over (although this year I was pretty happy with my Jack-o'-Louis C.K.). Here are some of my favorite cinematic jack-o'-lanterns that have inspired me over the last few years. I'm still waiting for someone to step up and create a great Black Swan or Rosemary Woodhouse, though.

Jack-o'-Lecter!
Pan's Labyrinth pumpkins, seen here and here.

A strong Spielbergian carving, seen here.

Click for more, including Miyazaki, Hitchock and Anton Chigurh...

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