SXSW: Uncanny sibling chemistry in "Our Father"

by Jason Adams

As a person without any close siblings (I have a half-sister who I wasn't raised with) the tricky alchemy of sibling-hood often escapes me. I watch my friends who do have close relations with their brothers or sisters with some fascination. It's not quite a foreign Twin Language every time but it might as well be, to me, the weird ways you people relate and the fiery push-pulls of it; the way you can be meaner to a person you were raised beside than anybody else on earth and then turn and snap fangs at anybody trying to do the same at that person. 

But, like too many things in life, I've learned the most about those relationships from watching them in the movies...

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SXSW: The dystopian visions of Executive Order & Witch Hunt

By Abe Friedtanzer

 

It’s sadly not all that difficult to imagine our society slipping into dystopian territory, and while that might have seemed impossible here in America, recent events have suggested we’re not that far away from authoritarian misery. Cinema has long explored such inevitabilities, and it’s those “very near future” concepts that don’t look so different from what we know today that can be especially terrifying. They can also be insightful, strong pieces of filmmaking, and SXSW has two this year that are indeed frightening and thought-provoking...

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Streaming Review: Boss Level

by Ben Miller

 

Groundhog Day is becoming its own genre of film.  Groundhog Day as a horror film -> Happy Death Day.  Groundhog Day as a sci-fi war film -> Edge of Tomorrow.  Groundhog Day as an existential romantic comedy -> Palm Springs.  Joe Carnahan's Boss Level continues this new tradition as the violent action film edition. It does this while maintaining a fun tone and never crossing over into offensiveness.

Frank Grillo stars as Roy Pulver, a former special forces soldier who wakes up every morning with people trying to kill him...

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Actors Turned Producers @ the Oscars

by Cláudio Alves

We've already posted about many records broken with this year's Oscar nominations, but one particular achievement remained unmentioned. With her double nominations for Nomadland – for Best Picture and Best Actress – Frances McDormand became the first woman to earn an acting and a Best Picture nomination for the same project. This comes after a decade when this feat became incredibly common for male performers. Historically, ever since the 1950s, when AMPAs started to list producers with Best Picture nods, instead of merely the studios' name, actors have been producing their movies and earning added honors for those efforts. Still, it was only in the late 60s that someone scored the elusive double citation by the Academy…

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SXSW: Hysterical, Potato Dreams of America, Introducing Selma Blair, and Broadcast Signal Intrusion

by Christopher James

There’s a lot that the pandemic has made harder. The one thing it has made easier has been attending film festivals from all around the country. Pre-pandemic, covering SXSW would’ve required a flight to Austin, Texas, inflated lodging costs and lots of pre-planning. Now, the only lines festival goers have to battle are online. Food is just an arms reach away in the kitchen (no more popcorn dinners). 

Last year, SXSW was one of the first things cancelled as COVID-19 spread across the country. The festival is very different this year, but the quality of content is still great. The Film Experience will be covering the fest through the weekend.  Here are a four takes from Day One. One comedy doc, an intimate celebrity piece, a noir, and a Russian comedy... 

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