Doc Corner: '76 Days' and 'CoroNation' go inside Wuhan

By Glenn Dunks

Alex Gibney isn’t the only one who can crush a deadline and produce a documentary about COVID-19 in time for the new year. While Gibney’s Totally Under Control, made alongside (but appropriately socially distanced, of course) Ophelia Harutyunyan and Suzanne Hillinger, came out in October in an attempt to radicalise the American voters with tales of the then Trump-led American government’s inept response to the coronavirus outbreak. In doing so it already looks out of date.

Two other features, however, hone in more precisely on the pandemic’s beginnings in the city of Wuhan of the Hubei Province in the heart of China. Hao Wu and Weixu Chen’s 76 Days (made in collaboration with ‘Anonymous’) and Ai Weiwei’s CoroNation take different tacts with this setting, showing a city in chaos and alarming stillness at once.

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The Emperor's New Link(s)

Heads up! At Movie City News the first "Gurus of Gold" charts are up with yours truly along with several other pundits - apparently I'm the only one nervous about Riz Ahmed's Oscar prospects and the one who is most certain about One Night in Miami's prospects. Extremely grossed out that Aaron Sorkin makes the top five in Best Director. Yes, he's a talented writer but come on now... that's a different skill set.

• Vulture an oral history of the making of The Emperor's New Groove
• Variety 'Actors on Actors' gets Steven Yeun and Riz Ahmed talking
• Digital Spy on WandaVision's use of tv tropes to give away its secrets 

Amazing cast for HBO miniseries, new Kelly Reichardt, and terrifying Pee Wee after the jump...

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Japanese Academy Nominations

by Nathaniel R

Two of the nominees this year, a journalism mystery and a trans drama

Anyone have any theories as to why American theaters (pretend there's not a pandemic) so rarely get Japanese movies? Chinese, Indian, and South Korean movies hit the US quite regularly (on the coasts at least) but otherwise Asian movies don't seem to get much play in the US. Streaming sites appear to have the same preferences for Asian cinema (though you can add in Thai cinema to the mix there). We try to cover the Golden Horse Awards each year -- which honors Chinese language cinema -- but we realize we've never covered the Japanese Academy (now in their 44th year). That's surely because we've rarely heard of the movies or the stars. With Chinese cinema the titles and stars are often familiar to cinephiles. Theories?

Anyway, here are the nominees this year for the forthcoming March 19th ceremony in Tokyo. Three names -- two of which have been up for Oscars -- are familiar...

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Showbiz History: Streisand makes history and Elijah Wood turns 40

6 random things that happened on this day, January 28th, in showbiz history...

1973 The 30th Golden Globes with The Godfather and Cabaret both winning Best Picture setting up their nail-biting historic Oscar night. Also on this night Diana Ross won the "New Star of the Year" award for playing Billie Holliday in Lady Sings the Blues for which she'd also be Oscar-nominated. Will Andra Day be as awards-lucky in the forthcoming United States vs. Billie Holliday?

1978 The 35th Golden Globes with The Turning Point and The Goodbye Girl winning the Best Picture prizes...

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The Best of Cloris Leachman (1926-2021)

by Nathaniel R

We've lost one of the true greats. The one and only Cloris Leachman has died at 94 years of age of natural causes. The showbiz bug hit early, as it often does with plays as a teenager and by the time she was 20 in 1946 she was a Miss America contestant. Her career developed slowly as many truly enduring careers do, with numerous small roles in film and television (and some large ones onstage) before the big breakthrough. That breakthrough was a double whammy, as befits hard-working but late-breaking fame. In short succession she made a huge impression as Phyllis the landlady on The Mary Tyler Moore Show in the 1970/1971 first season and in October 1971 she was also on the big screen, flexing very different acting chops, in the soon to be Oscar-winning classic, The Last Picture Show (1971).  

Though she is best remembered today for television sitcoms which she did on and off throughout her career, she was an actress of verve and versatility...

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