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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Wednesday
Aug052020

Doc Corner: 'A Thousand Cuts'

By Glenn Dunks

The first word that came out of my mouth at the conclusion of A Thousand Cuts was simply, ‘Phwoar!’ Which is surprising because I don’t think it’s a word I use on the regular. But this new film by renowned Filipino-American filmmaker Ramona S. Diaz had the dizzying, alarming sensation of being put through the wringer. It’s an ever shrinking and claustrophobic box of political corruption and democratic destruction that is so confident in itself that it leaves arguably it’s biggest and most damning moment to the end credits.

Diaz’s film predominantly follows Maria Ressa, a prominent journalist in the Philippines who in 2018 was co-named Time magazine’s Person of the Year and who has become a significent recipient of scorn from the nation’s bullish President, Rodrigo Duterte. Through her website Rappler, she has sought to uncover the violent criminality of his regime, but through public rallies, abusive televised press conferences and through packs of angry political surrogates and supporters, she has become Duterte’s public enemy number one. They have sought to silence her and leverage his power to have her arrested multiple times and spread fake, damaging information and threats to her and her outlet.

Sound familiar?

Click to read more ...

Wednesday
Aug052020

The Furniture: Visual Rhyming in Babyteeth

Daniel Walber's series on Production Design. Click on the images to see them in magnified detail.

This week we’re keeping it brief. Is it because I’m tired? Is it because this year isn’t the best so far in terms of production design? Is it because Hurricane Isaias is really dampening the mood? Who can say?

It’s also because Babyteeth is a movie with admirable graphic simplicity. Director Shannon Murphy and her design team (Sherree Philips, Bil Goodes, Ishtar Cavagnino and costume designer Amelia Gebler) use a limited color palette to express their themes, a concise visual language built upon the clashing personalities of their characters. It speaks for itself.

The frequent textual incursions, for example, might become grating in another film. Here, they fit in among the other accents. This one rhymes with Anna’s (Essie Davis) dress, which then underlines the fact that she sticks out like a sore thumb against Henry’s (Ben Mendelsohn) dull office - and his dull clothes.

Click to read more ...

Wednesday
Aug052020

Introducing the Smackdown Panelists for '05

The Supporting Actress Smackdown season is roaring along. Up next on August 20th, in two weeks time we'll talk 2005.  Let's meet the panelists!

PLEASE WELCOME (IN ALPHA ORDER)... 

Click to read more ...

Tuesday
Aug042020

Mulan for $29.99

by Nathaniel R

The Mouse House is tired of waiting for movie theaters to open. They've announced that Mulan will be going direct to Disney+ for Labor Day Weekend. It will also be in movie theaters that weekend in some regions. The catch is that it won't be free on the streaming service that you already pay for. It will cost $29.99 to watch (for an undisclosed length of time). This is bad news for those of us who love to go to movies and watch epic things on big screens in dark cavernous rooms with strangers and hate the motion smoothing on modern televisions. It's good news for parents (at least at this shut-in moment in history) who would likely spend more than $30 to take their kids out to this movie in a normal year. 

Given that Mulan cost hundreds of millions to make and Disney's "event" movies normally make $1 billion plus at the theatrical box office globally they'll need a lot of $29.99 purchases to reach that number. What do you make of this news? End times (as some exhibitors think) or just a minor shifting of the sands?

Tuesday
Aug042020

Almost There: Reader’s Choice Edition

by Cláudio Alves

Over the past few months, in the Almost There series, we’ve explored many performances that were at the threshold of an Oscar nomination but, for one reason or another, ended up without that golden hosanna. The choice of subject for each episode has been up to me. In an attempt to avoid negativity, I always went with performances I greatly admire. Why not try a more reproachful assessment or, even more difficult, an ambivalent review? So, the next two performances to be dissected in the series won’t be chosen by me. That’s where you come in…

First up, a selection of performances, new to streaming, making for a timely lineup of potential study objects. Which one do you choose? 

 

Secondly, we have another field of possibility, all from the year 2005, our theme this month as we approach another Smackdown. Which will it be?

 

You can vote on each poll once a day until Saturday, August 8thIf you like this initiative, we might repeat it in the future. As always, your feedback is appreciated.