European Film Awards honor Antonio Banderas, Juliette Binoche, and The Favourite

True giants of cinema gathered in Berlin today for the annual European Film Awards. It was honestly a bit overwhelming to see Wim Wenders, Juliette Binoche, Claire Denis, and Pedro Almodóvar all sitting side by side in the front row. How to even imagine the cinema without them? 

In a surreal sort of way, what was happening on stage was even more overwhelming... but for its inexplicable surreality (more on that in a bit) and its time travelling nature.Regarding the latter due to the indifferent nature of release dates across borders the overall champ was The Favourite which had its American awards run a full year ago. 

The winners and more commentary follows.

Costuming goddess Sandy Powell and the producers of The Favourite

FILM The Favourite
COMEDY The Favourite...

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Golden Globe Predictions - Let's do it!

It's that time of year. The Golden Globe nominations arrive on Monday morning so it's time to throw caution to the wind and try and predict the ever unpredictable HFPA whims. I'm opting for double nods for both Scarlett Johannson (duh) and Shia Labeouf (whaaa?)

PICTURE DRAMA	PICTURE COMEDY/ MUSICAL
• 1917 • Ford V Ferrari • The Irishman • Little Women • Marriage Story Potential Spoilers: Decided to predict Ford V Ferrari because the Globes usually surprise somewhere but in actuality The Two Popes or Joker OR BOTH are safer bets.	• Cats • Jojo Rabbit • Knives Out • Once Upon a Time in Hollywood • Rocketman Potential Spoilers: Booksmart, Dolemite is My Name, Hustlers

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Animated Feature Contenders: "I Lost My Body"

by Tim

I Lost My Body, the first animated film to win the top prize at the Cannes International Critics's Week, is nothing if not distinctive. The "I" of the title is a sapient severed hand, which spends the length of the feature skittering around on its fingers, looking for the human to whom it used to be attached; this is a journey that is by turns bittersweet, sentimental, and horrifying. Director Jérémy Clapin, making his feature debut (he was also responsible for the celebrated 2008 short Skhizein), spent years sheperding this project into existence, and it has the unmistakable feeling of a passion project, one whose odd shifts in tone and moody emotional appeals are wonderfully earnest. While it is probably not the best animated feature of 2019, it's surely the most uncompromised and confident.

The film, adapted by Clapin and Guillaume Laurant from Laurant's novel Happy Hand (his other film credits include Amélie, and the echoes of that story ring very loudly here), divides itself into two strands. One is about that hand, deftly making its way through the all the dangers that reside six inches above the ground in Paris. The other is a quasi-romantic drama about a lost soul, twentysomething sad sack Naoufel (Hakim Faris)...

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Best International Feature: France, Denmark & Russia's contenders

by Cláudio Alves

In less than two weeks, December 16th to be exact, we'll know the Best International Feature shortlist. In previous years, there were only nine finalists but, due to recent rule changes, the list has been expanded to ten titles. As usual, expect to see a lot of European productions since this category loves to reward the cinema of the Old Continent. Thinking of those preferences, I've decided to purview the submissions of three European champions of the past. 

Specifically, they are France, with nine competitive wins and three honorary awards uner their belt; Denmark, with three victories; and Russia, which won once or four times if you count USSR's wins. We'll start with the most-nominated country in the category's History…

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Cahiers du Cinéma chooses ‘Twin Peaks: The Return’ as Best of the Decade

by Murtada Elfadl

Cahiers du Cinéma, the prestigious French film magazine, has selected David Lynch’s Twin Peaks: The Return as the best film of the decade. By doing so it reignites the twin debate of what is cinema / what is TV. Those lines have been blurring with the advent of streaming. Obviously Lynch is one of cinema’s most respected auteurs and while Twin Peaks: The Return was shown on TV, it also debuted at the Cannes Film Festival.That is similar to The Irishman or Marriage Story from this season which also debuted at prestigous film festivals but their ultimate home is Netflix...

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