Julia Louis-Dreyfus and Will Ferrell go "Downhill"

Abe Fried-Tanzer reporting from Sundance

Any time a foreign film is truly successful, there seems to be almost instantaneous talks of either a remake or a TV series coming soon for American audiences. Parasite is considering the latter and last year at Sundance, After the Wedding was a hot ticket, adapted from the 2006 Danish film. There was some skepticism when it was announced that the uncomfortable Swedish comedy Force Majeure, nominated for a Golden Globe and well loved here at The Film Experience, was getting an American treatment, but surprise: this remake is worth the price of admission...

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"The Assistant" is complicit and so are we

Here's Ren Jender on a Sundance movie that moved straight into theaters this weekend...

Writer-director Kitty Green's The Assistant (now open in NYC and LA) is a Jeanne Dielman-like examination of a woman who is the newest assistant in Harvey Weinstein's office (though he's never named) in the time before the revelations of his rape and harassment of women came to light. The film delves into how serial sexual harassment makes the entire office (and of course the industry) complicit, even when individuals try to do the right thing. 

The title character Jane (Julia Garner) is not clueless and she doesn't lack a conscience...

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Film Bitch Awards: Screenplays, Score, and Sound

We started a week ago with a few appetizers but now the 20th (gulp) annual Film Bitch Awards are finally in full swing. Here are the new categories that are up

BEST ORIGINAL & ADAPTED SCREENPLAY
Wouldn't it be neat if Marriage Story or Parasite could snag a surprise win from Once Upon a Time in Hollywood at the Oscars in Original Screnplay. All three are also nominated for the Film Bitch Award but we don't think Tarantino needs a third Oscar and for the first time since Kill Bill his visuals feel even more noteworthy than his writing anyway. Not that it's not a grand script. But the raw wound comedy and drama of Baumbach's reflection and Parasite's ingenious construction are right there for the honoring so we hope the Academy thinks it through.  We're happier about the other impending Oscar win for Adapted because Greta Gerwig takes Little Women apart and puts it back together again in such a personal and fresh 'life-of-an-artist' way. 

BOTH SCORE & SOUND CATEGORIES
Music and sound preferences are so hard to articulate so forgive the very short notes.

As a reminder, if you haven't voted on the "should wins" for those categories at the actual Oscars, do that on the charts please. 

Imelda Staunton to take on 'The Crown'

by Murtada Elfadl

There’s a new queen in town. Following Claire Foy and Olivia Colman, Imelda Staunton becomes the latest British actress to take on the role of Elizabeth II in The Crown. She has even released a statement.

Netflix has announced that Staunton will take on the role in the 5th season of its royal drama. It also announced that the show will end with that season, one season shorter than the six-season plan creator Peter Morgan had originally envisioned for the show...

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Echoes from Oscars Past

by Cláudio Alves

The past always returns, one way or the other. It haunts the present and prophesizes our uncertain futures. That's why History is a cycle of recurring nightmares and dreams, one overtaking the other in ruthless combat.

Anyway, we're here to talk about the Academy Awards. The ghosts of Oscars past always come to haunt the current races, helping shape narratives, setting records to be broken and announcing patterns of cyclical discontent. Regarding the Best Picture nominees of 2019, here are some of the Oscar champions of the past that haunt them… 

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