Capsules: 28 Hotel Rooms, Yossi, Caesar Must Die

In an effort to review every new film I see this year --  a task I have never accomplished but there's a first time for everything -- I will resort to capsules like these when I haven't reviewed properly. (I realize that my "Oscar" section of reviews implies that all films should be seen through this prism. This implication is not literal or an endorsement -- it's just something that's fun for me and some of you to think about.)

YOSSI
We're ten years on from Yossi & Jagger and Yossi is now a doctor, who buries himself in work to avoid living life or moving beyond that love cut short. When a chance encounter with Jagger's mother shakes him from his stupor, he ends up on holiday. Some of the notes are beautifully played -- the early tearful scene with Jagger's mother is super -- but Yossi is a maddeningly passive protagonist. The film happens to him rather than with hi, or even with his permission. He stubbornly refuses to participate in his own story which makes the redemptive new romance a really tough pill to swallow. Why would this vivacious younger man be interested in Yossi when Yossi himself isn't interested... in anything!? 

Yossi & Jagger & Tom

Grade: C (I would have loved to heartily endorse this movie because Yossi & Jagger was such a perfectly pitched mini-gem but it frustrated me despite a few really strong moments. So if you haven't seen Yossi & Jagger, please do rent it.)
Best in Show: Oz Zehavi almost sells you on the unfortunately lopsided romance as the young soldier Tom but I have to hand this one (emphatically) to Orly Silbersatz Banai as Varda, Jagger's mother who packs a surprising amount of drama into her two scenes. The rug is pulled out from under her but since she kept pretending the rug didn't even exist for ten-plus years...
Oscar Chances: Writer/director Eytan Fox has made 4 feature-length films prior to this one, and most of them have received international release, but he has yet to be selected for submission to represent Israel at the Oscars.

28 HOTEL ROOMS
A novelist (Chris Messina) and an accountant (Marin Ireland) have a fling in a hotel room on a business trip. She tells him it's one and done but they keep meeting on subsequent trips and a confusing, passionate relationship develops. It lasts for years. This is undoubtedly a 'one for the reel' project for both actors and sometimes plays like an acting exercize albeit a good one. Though it never quite transcends its gimmick (the title is the structure), it's affecting despite or maybe even because of the limitations of scope; their lives outside of these rooms begin to feel like fantasy or, in the inverse, like intrusions of reality on fantasy. (But honestly, for a drama that hinges on sexual compatability, it could've used a couple more sex scenes, or longer ones that developed the relationship. This is possible to do in sex scenes. See the great Israeli drama Late Marriage (2001) which is the film I always think of when I think of sex scenes that function as integral narrative and character development, like a great song in a musical or a perfect setpiece in an action film.

Grade: B
Best in Show: It's a complete duet so it'd be rude to pick one!
Oscar Chances?: This was from 2012 and got a teensy-teensy release. Now available on DVD.

CAESAR MUST DIE
This Berlinale winner from the Taviani brothers recreate an art therapy program of sorts in which inmates perform plays. By filming at a prison where they saw a play performed by inmates (a different play) with some real inmates and some actors, some play scenes and some scripted discussion of play scenes the movie effectively walks a line between documentary and drama. The line is no highwire though. The reality and fiction of the program and this particular production is blurred enough that the film never has the knife's edge of real danger that you'd think you'd feel watching real prisoners acting out murder plots, politics and betrayals. As we crosscut between auditions, production, and both formal and informal rehearsals we see the art begin to bleed into life for the inmates. The end result is intermittently moving as most productions of great work tend to be but it feels strangely abitrary; why wasn't it just a documentary?
Grade: B
Best in Show: Salvatore Striano as Brutus. There's a reason he became a professional actor after prison.
Oscar Chances?: Italy submitted this Cannes winner for Oscar consideration last season. It was one of the highest profile titles to not make the 9-wide finalist list.

Jodie is Single. And Singular.

Jodie Foster broke the internet. That’s what happens when you are globally famous, drunk, accompanied by a persona non grata (one Mel Gibson) and come out as a gay person… again… sort of. Jodie was being honored with the annual Cecil B Demille award, a lifetime achievement prize earned at the  young age of 50 (we’ve been celebrating her birthday lately right here) and her acceptance speech won the night’s most important intangible prize “Most Talked About”.

Why? Because it mattered.

Watching this storied actress battle with her past self and its direct conflict with The Way Things Are Now was amazing live television. We were watching deeply personal internal backstory play out as a public Living History right there on the television, intoxicated and intoxicating.

more after the jump

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Awards Leftovers: The Editors, The DPs, The Gays

The Editors
Do you have any thoughts you need to get off your chest about the ACE Eddies? They barely received any play coming as they did on the heels of the Oscar nominations but I wanted to mention them anyway since I love 'the invisible art' and it's what I think I would have done had I gone into filmmaking (if not casting). This year their drama nominees Argo, Life of Pi, Lincoln, Zero Dark Thirty, Skyfall, all received Oscar nominations but for the latter which was bumped to make way for Silver Linings Playbook, the only Comedy recipient to transfer with AMPAS. Also nominated in comedy or musical: Les Misérables, Best Exotic Marigold Hotel, Moonrise Kingdom, and Ted.

"I know this will sound batshit crazy but your editing is just not as good as the editing in Silver Linings Playbook! which is also better than Skyfall"

This is not meant as a knock on Playbook since I know its fans are sensitive about my generally "meh" reaction to it (and distaste when pushed) but I actually have no problem with its nomination here in comedy. But that it should be the one chosen over the impeccably odd combo of razor sharp pathos and cool comic timing of Moonrise? And then bump out the action stylings of Skyfall? Me no understand.

Seamus McGarvey photo courtesy of the IECThe DPs
Likewise I forgot to mention the American Society of Cinematographers who chose Seamus McGarvey from Ireland  for Anna Karenina, Danny Cohen from Britain for Les Misérables, Claudio Miranda from Chile for Life of Pi, Janusz Kaminski from Poland for Lincoln, and Roger Deakins from Britain for Skyfall. All of these men went on to Oscar nominations but for Cohen who was replaced by Robert Richardson of Massachusetts for Django Unchained.

The Gays
Another group that waited to announce their nominees until Oscar time was The Gay and Lesbian Entertainment Critics Association or "GALECA" who hand out the Dorian Awards. Full disclaimer: I became a member this year. I'm happy to be a part of it but, as with my BFCA membership, I don't always want to be associated with the results ;) That said, I joined this group because I like the presence of groups who, by their very nature, are forced to step outside the Oscar pool. You can't exactly nominate Argo and Lincoln for your LGBT FILM OF THE YEAR prize you know? Well... maybe 'Argo Fuck Yourself' and Lincoln. (haha. i'm here all week) But of course they also have a FILM OF THE YEAR prize which finds room for the titles you'll be totally sick of by Oscar night.

LGBT FILM OF THE YEAR 

• Any Day Now (interview!)
• Cloud Atlas (I can't escape this movie. Argh. That's the true true)
• Gayby (interview!)
• Keep the Lights On (capsule)
• The Perks of Being a Wallflower (interview)

I assume Keep the Lights On can't lose since it's the only LGBT film that's also nominated for Film of the Year but I'm personally trying to decide between Gayby and Perks for my vote. Both are so adorable I just want to cuddle with them. 

Complete Gayness after the jump...

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Year in Review: The Best LGBT Characters

Over at my weekly (okay, bi-weekly) column at Towleroad, I put up my annual review of the best queer characters of the film year. The year's most acclaimed gay narrative feature was obviously Keep the Lights On but since I didn't personally respond to that one I had to look elsewhere for my favorite gay characters. Likewise, many will wish for more love for that dandy Cloud Atlas couple of Sixsmith and Forbrisher.

But I made room for films as diverse as On the Road, ParaNorman, and The Best Exotic Marigold Hotel. The most controversial bit of the top ten will probably be the section I like to call "The 'Are They Or Aren't They?' Box Set" which begins like so..

With the ever increasing number of gay-identified characters it's less of a parlor game to imagine the characters who might well be queer than it used to be but it's still fun: Tomboy does not always equal lesbian but regardless of her orientation  "Princess Merida" in Brave really shakes up the heteronormative Disney fairytale world merely by being utterly uninterested and even opposed to that Someday When Her Prince Might Come; The chorus of townsfolk who continually sound off on "Bernie" in Bernie argue about whether he's cruising for men on the sly or sleeping with rich widow Shirley Maclaine but both sound pretty gay to me...

...READ THE REST @ TOWLEROAD

Previously on 'Year in Review' 
James Bond Mania -Bond Girl Reader Ranking. (+ Silva)
The Year in of Snow White the apple muching fairest of them all was everywhere
Overrated Amy Adams, superheroes, film critics, and more
Worst of 2012 Cloud Atlas, The Amazing Spider-Man, and more
Summer Crushes Pt. 1 and Summer Crushes Pt. 2

Best of the Blog from...
January, February, March, April, May, June, July, August, September, October and November

Who Were The Most Beautiful Men Ever To Hit the Screen?

If you're tired of all the bickering and partisanship from this very young Oscar season (We've got 8 more weeks of people fighting about Les Miz and whether or not Zero Dark endorses torture. Have...uh... fun!) why not choose sides on a much different less weighty topic? 

Boy Culture has launched a very extensive opinion piece on the History's 100 Hottest Movie Actors. It might be the perfect antidote right about now if you honestly can't take one more "Argo F*** Yourself" joke, Ode to Lincoln, or "Jennifer or Jessica?" blog post.

Only half of Matthew's list is currently up but there's already an impressive range of eras (a list which stretches from Rudolph Valentino through Colin Farrell is okay by me, clock-wise), nationalities, talent levels (from none to cup overflowing) and fame curve in the 50 men selected. If Takeshi Kaneshiro and Jude Law aren't top ten'ers I will pay for Matthew's next optometrist visit.

Who would you put in a top ten list?