Review: "Hamilton"

by Eric Blume

Disney+ made a shrewd and smart move by releasing the filmed-stage movie musical Hamilton over the July 4 weekend, at a time when the country really needs it.  The themes and ideas of this Pulitzer Prize-winning theater phenomenon from five years ago seem even more relevant and powerful than they did upon arrival, and the movie version, which debuted this weekend, is a stage capture of the principal original Broadway cast, edited together from three live performances filmed in June 2016.  

Filmed versions of staged material always have their limitations:  one can never capture the visceral pump of energy that’s happening in the Richard Rodgers Theater before and during a performance of this show in particular.  As such, the Hamilton movie ultimately succeeds best in preserving an unbeatable group of actors in the biggest show of this century, exactly as the original creators intended it to play...

Click to read more ...

Landmark gay adult film Passing Strangers (1974), restored

by Nathaniel R

If you use movies for time travel, as we often suggest people should given that they're cheaper than time machines, you could do worse than renting the restored 1974 porn Passing Strangers.  The site Pink Label.TV, which is queer owned and operated, and specializes in ethical and niche adult queer indie fare is currently hosting a restored print. It's the latest restoration for the work of the trailblazing filmmaker Arthur J Bressan Jr. Bressan also made the landmark gay drama Buddies (1981) and the documentary Gay USA  (1977) which Glenn recently raved about. His earlier porn, Passing Strangers, emerged during that brief heyday in the 1970s when mainstream media was taking porn seriously -- think Deep Throat and Behind the Green Door's blockbuster box office.

More, but definitely NSFW, after the jump...

Click to read more ...

Loving "Love, Victor"

by Nathaniel R

Is this what good fan-fiction is like? In the first awkward episode of Love, Victor... and, again in the eighth "very special" cringe-worthy episode, and, fiiine, in scattered bits inbetween in virtually all episodes, the new Hulu series perpetually draws attention to the fact that it's inspired by the motion picture Love, Simon (2018). That said it wisely positions itself as a sequel, rather than a remake.

Instead of writing to a mysterious gay schoolmate online as Simon did in the first mainstream wide release gay romcom, Victor writes to Simon himself, inspired by his story and perpetually sliding into his DMs asking for advice...

Click to read more ...

Watch "Miss Juneteenth"

Happy Juneteenth, everyone! You may recall that before the world shut down film festivals existed and at Sundance back in January the indie film Miss Juneteeth had its premiere. The mother daughter drama about a former beauty queen and an upcoming 'Miss Juneteenth' pageant has been a major critical success for first time feature filmmaker Channing Godfrey Peoples. 

Here's what Murtada had to say about its lead actress Nicole Beharie (Shame, Sleepy Hollow)...

Beharie commands the screen with a naturally quiet disposition and the film flows to her rhythm. Sometimes slowing down completely as Turquoise halts to take on another day and challenge and Beharie shows us that with small reticent gestures. It’s the kind of performance - and film - that you need to let seep into you, settle in and wash away leaving you nourished with palpable emotions. 

You can read Murtada's full Sundance review here. Miss Juneteenth is now available digitally and on demand and you can support your local indie theater while watching it.

Review: Da 5 Bloods

by Lynn Lee

Perfectly timed.  The right voice for this precise moment.  Spike Lee’s never been more necessary than he is now. 

If you’ve read one variation of the “timeliness” reaction to Spike Lee’s latest joint by way of Netflix, Da 5 Bloods, you’ve read them all.  It’s a truth so self-evident it practically amounts to a truism.  Except the fact is that Spike Lee never went anywhere – he’s been here the last 30 plus years, educating us on the ugly persistence of systemic racism in the U.S.  His movies have always been timely; it’s our fault if we’ve failed to heed their underlying admonitions or give them the sustained attention they deserve.  It makes little sense, then, to accord his newest release any extra expectations that it will “speak to the moment.”  Still, given that it's Spike Lee, it does speak to the moment, if less directly – or less crisply – than some of his previous films...

Click to read more ...