Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
COMMENTS

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Yes No Maybe So (349)

Friday
Jun132014

Yes No Maybe So: Birdman

How did we end up here? In this dump. You were a movie star, remember?

Surely one of the year's most intriguing features in concept and casting alone, is Alejandro Gonzáles Iñárritu's Birdman. The director collaborating with the great cinematographer Emmanuel Lubezki (fresh off his Oscar win for Gravity) trains the movie camera on the best Batman (I'm with Seth Rogen's in Neighbors on this one) as he plays a has-been movie star famous for playing a character named "Birdman". Now he's on stage years later trying to rejuvenate his career.

Concept and casting alone were enough for a "maybe so" tilting yes. And then came advance word from test screenings that the film really delivers across the board in performance so "yes". And then came the teaser which begins with a 41 second continuous shot like its asking me to marry it. So now I'm at 'Yaaaaas! I will. I will. I do!"

Making the traditional Yes No Maybe So a more lopsided formality than is healthy after the jump...

Click to read more ...

Friday
May232014

Yes No Maybe So: "Magic in the Moonlight"

Another year, another Woody Allen. Same as it ever was. Coming off another professional high Blue Jasmine but a personal low, will people turn out? Woody films are always hard to predict, reception wise both critically and at the box office (I'm still so alarmed at how successful To Rome With Love was despite being so so terrible), from abject failures to Oscar nominees. But let's talk about Magic in the Moonlight ... or at least our futurist perception of it based on its new trailer. 

The Yes No Maybe So™ breakdown is after the jump...

Click to read more ...

Friday
May162014

Yes, No, Maybe So: Interstellar

Christopher Nolan's space-travel epic Interstellar finally reveals something of its plot (the Earth has depleted its natural resources. "time to die," a replicant might say but Michael Caine aint having it and suggests space travel instead.

In the first non-teaser trailer we get quick glimpses of the biggest names in the cast and spend lots of time with Matthew McConaughey, a former engineer with two kids, one named after Murphy's Law (but I don't quite remember Murphy's Law this way, do you?)

trailer breakdown after the jump

Click to read more ...

Monday
May122014

Four Stories Lukewarm from the Presses That I Didn't Write About At First Because Reasons

Submit to our longwinded too descriptive blogpost titles. Submit.

Brangelina II: The Sequel
FINALLY. The world's most famous movie couple Angelina Jolie & Brad Pitt will reunite onscreen 10 long years after Mr & Mrs Smith (2005). Jolie wrote the script which is rumored to be about a troubled couple on vacation attempting to save their marriage. She's obviously been working hard at becoming a force behind the camera (I'm guessing she's announcing retirement from acting by 2018 or so... a hunch) so it's possible she'll direct it, too. It's a complete mystery as to why it's taken this mega-star couple this long to co-star again when a) they're still highly bankable and b) by all sane non-gossipy accounts they're still enormously fond of each other ten long years after their affair on Mr & Mrs Smith caused such a ruckus in Hollywood.

We so rarely get viable recurring screen couples anymore outside of franchises with infinite parts and iron clad contractual obligations. Occasionally accidents will happen and we'll get 3ish pairings of a couple that really works together onscreen (Turner & Douglas in the 80s, Ryan & Hanks in the 90s) but for the most part, Hollywood doesn't even attempt to capitalize on the proven success of onscreen chemistry. That's tremendously weird if you think about it for more than 2 seconds since Hollywood attempts to capitalize on EVERYTHING ELSE that's proven successful in the past. 

Speaking Of...

Spring Breakers 2. But Why?
You've undoubtedly heard by now that the divisive Spring Breakers (which was loathed and loathed in equal measure)  is getting a sequel. That sequel is apparently without the original cast and the original director so it begs the question of "why". It's not like Spring Break, that boozy young ritual, is not a marketable topic in and of itself. People have been making movies about that since at least the 1960s. So why connect it to a film that wasn't loved by  general audiences. Sure it opened well but it plummeted soon thereafter and at least in my screening there were many walkouts from the crowd that was not suspecting a subversive auteurist movie with a major male actor fellating firearms but just, you know, tits and ass. I heard a few "that's the worst movie I've ever seen" as I exited the theater.

Jonas Åkerlund (mostly known for smash music videos like "Ray of Light," "Smack My Bitch Up," "Telephone," "Paparazzi" and more)  is on board as the director. Maybe they want to sell it like a mainstream franchise that's also a rotating auteurist franchise -- like, I don't know "Aliens"? In which case awesome/ good luck! 

Baz ♥ Elvis
The news floating around that Baz Luhrmann is considering an Elvis Presley biopic came so quickly on the heels of the news that he was considering a bigscreen adaptation of TV's Kung Fu (which we did write about) that I didn't have it in me to go into speculation again about what he might do next. Largely because I don't trust him to make anything until at least 2017. He's notoriously non-prolific after all despite the web's interest in suggesting that he's about to do something every few months. Which is why I've illustrated this paragraph with a graphic I made in 2011 instead of with a photo of The King. Word and Film has casting suggestions and especially likes the idea of Zac Efron in the role. 

YNMS: Dawn of the Planet of the Apes
Sometimes the Yes No or Maybe So series is defeated/delayed by sheer Yesness. Such is the case with Dawn of the Planet of the Apes. I was a fan of Rise of the Planet of the Apes (2011). It's not that it gave reboots a good name (in the end nothing can do that since they're still, at their core, cash grabbing regurgitation) but it did show that if you're going to riff on franchises with plentiful cultural history that doesn't need to be replaced in the first place, you can do it with contemporary thought, artistic conviction and something like passion instead of doing it absent-mindedly or ineffectually while cashing your checks (*cough* The Amazing Hobbit-Man of Steel Pt. 2).

But the new trailer but for argument's sake...

 

Yes - Jason Clarke (so excellent in Zero Dark Thirty) replacing James Franco as the human lead? Upgrade! It still looks classy and artfully mounted despite the rich cheese potential and dated B-movie pull of the premise.
No - Some CGI fakery with those baby apes. That halting voice talking might get old when stretched to 120 minutes and beyond.
Maybe So - Environmental and sociopolitical themes can be tough to deliver with anythink like subtlety or grace so we'll see. Will it be too grim/heavy-handed? And might it fare better in the long run with a little humor or cheese?

If you have thoughts on these stories you've kept bottled up, now is the time to spew them!

Saturday
Apr192014

YNMS²: Foxcatcher & Gone Girl

Unless you count the LEGO Movie's probable Best Animated Feature bid and the Sundance bow of Love is Strange (I'm still hopeful - it's playing Tribeca right now) 2014 hasn't seen much in the way of Oscar contenders just yet. Recent trailers are changing the collective shrug to raised eyebrows - between The Homesman (previously discussed), Jersey Boys (if you're feeling very generous), the Cannes lineup announcement and these two trailers from past nominated directors Bennett Miller (Foxcatcher) and David Fincher (Gone Girl) the body is ready for the first wave of Oscar predictions. We'll manage them before April wraps.

Both of these trailers have been around for a bit and both blissfully play more like teasers despite their length; the job of a trailer is to sell a future ticket, not to make you feel like you've already seen it so you don't need one.  Foxcatcher's traiser was actually released last year and then swiftly pulled before we could get to it but it recently resurfaced and Gone Girl has been kicking around for a week but I've heard your plea to discuss so a couple of quick notes follow

GONE GIRL

Yes. What's not to love really? Remarkable use of music and uncomfortable juxtapositions in the montage. Plus, Rosamund Pike's gorgeousity turning to the camera just in time for the vocals of "She" is just a marvelous 'we're-making-a-star here' relief given that her career, though healthy, deserves more fame and a richer choice of scripts. That final shot of her in the water is so disturbing. (Yikes). And though they aren't prominently featured in this trailer the supporting cast is really good with a lot of underused faces like Sela Ward and Missi Pyle. 

No. I got nothing though I guess I hope Fincher takes a break from crime thrillers soon and that greenish color palette which was fun for a couple of films but three in a row. It's approaching Eastwood's inky black and Soderbergh's yellow as a default rather than an artistic choice.

Maybe So. Casting Ben Affleck as your leading man has to be considered kind of risky, right? Aristically speaking. He's not the terrible actor some say he is but neither has he ever proven himself a great one. 

FOX CATCHER

Yes. Another minimalist peak at a crime drama, this one being a horrible and super weird true story. It has a very good chance of being riveting given the cast, the story and the writer/director (Bennett Miller of Capote and Moneyball fame). The "A coach is..." speech here is beautifully judged as a teaser framing device, especially with that pathetic shuffle into the gym with the pistol out. Steve Carell, Mark Ruffalo and Channing Tatum seem like a pretty great trio to hang a movie on. And did I just spot Vanessa Redgrave?!? ( "Yes, please" times so so so many.)

Also Yes. Channing Tatum in a singlet

No. I dread any potential "sweepers" in any of the acting categories -- just on principle because there are ALWAYS more than four great performances in a film year -- so though I've long thought Steve Carell was an Oscar calibre actor (I nominated him right here for Little Miss Sunshine) I don't relish seeing him win everything because he went the prosthetic and vocal affectation route. He looks good in the trailer, don't get me wrong. I just know that no matter how brilliant he is, he'll be wildly overpraised merely because of this and the meat of the role. 

Maybe So. I suppose the ultra specific details of this tale might not help it with accessibility for the masses, or even to feel potent thematically. But we'll worry about that later if it happens.

 

Are you a Yes, No or Maybe So ?
And does the strength of your answer coincide with your faith in their Oscar play?