Almost There: Faye Dunaway in "Barfly"

by Cláudio Alves

I confess myself surprised by the reader's choice in this last round of voting for the Almost There series. When it came time for you to select what 1987 performance should be explored this week, your votes decidedly indicate a preference for Faye Dunaway's post-Mommie Dearest Oscar bid, Barfly. This under-discussed Barbet Schroeder flick was made from a semiautobiographical script by the bonafide poet of the gutter, Charles Bukowski. It competed in Cannes but it didn't cause much fanfare, mainly valued as an acting showcase for its cast, led by Mickey Rourke as a tic-ridden sing-songy facsimile of Bukowski himself.

As for Faye Dunaway, she takes around 22 minutes to enter this picture about alcoholism and the addicts who scuttle from the light like bugs. Haggard-looking and sitting lonesome at the end of a bar, she's quite distant from the image of a glamourous diva many might associate with the actress' screen persona…

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Almost There: It's time to vote!

by Cláudio Alves

Every week since December 30th, 2019, we've had a new Almost There episode to enjoy, Apologies, dear readers, but the series' taking a break this week. However, this mini interruption is a good opportunity to, once again, have you chose what you want to read about via these reader polls. While two Almost There slots have already been decided for November, there are still two vacant spots in need of filling. That's where you come in.

For next week, the 1987 theme shall persist in anticipation of the Supporting Actress Smackdown. With that in mind, here are ten performances which vied for nominations at the 60th Academy Awards, but ended up empty-handed.

bike trail guide

After those '87 related matters, it's time to focus on some new to streaming titles. Looking at the varied selection from the main platforms, I've come up with this list of potential contenders:

online survey

If you choose wisely (or unwisely), we might even have the first negative Almost There piece ever. As much as it's fun to write endless praise, it can also be a challenge to do a vitriolic pan. In any case, the choice is yours.

You have until next Saturday, November 7th, to make your choice. You can vote once a day, if so inclined.

Almost There: Joan Crawford in "What Ever Happened to Baby Jane?"

by Cláudio Alves

It's October, a season for spookiness and horror movies, for nightmares and ghouls. It seems only appropriate that the Almost There series takes a look at a performance in the horror genre, though it's hard to find examples that fit the criteria. AMPAS is famously allergic to most horror and few actors have been recognized or come close for that genre. 

Inspired by the month and the Criterion Channel's new Joan Crawford collection, I decided to take a look at one of the actress' most contentious and controversial achievements. One speaks of that terrifying occasion when Joan and Bette met onscreen, the clashing of two titans and two acting styles, the epitome of Grande Dame Guignol. That's right, it's time to explore What Ever Happened to Baby Jane?...

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Almost There: Michael Fassbender in "Shame"

by Cláudio Alves

With the films of Steve McQueen's anthology, Small Axe, earning critical raves as they traverse through the festival circuit, it's a good time to remember some of his previous projects. While 12 Years a Slave was a great success that conquered acclaim and many awards, the rest of the director's filmography has been more polarizing and arguably underrated. It feels wrong, for instance, that his recurring muse, Michael Fassbender, got the first of two Oscar nominations for his least impressive contribution to McQueen's oeuvre. He was much more deserving two years before that best Picture winner, in 2011's Shame...

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Almost There: Andrew Garfield in "The Social Network"

by Cláudio Alves

Aaron Sorkin and David Fincher are back on Oscar's radar. Sorkin's sophomore directorial effort, Trial of the Chicago 7, is set to premiere on Netflix later this week while Fincher's movie about the making of Citizen Kane, Mank, is scheduled for a December release, also on Netflix. Looking back at the last time both these men were in the awards conversation brings us to 2010 when The Social Network was the critics' favorite going into Oscar night. The drama about the creation of Facebook was the David that fought against the Goliath of Weinstein's The Kings Speech. Unlike the biblical tale, however, the giant won this battle.

The signs of trouble and pending defeat were obvious for most pundits. After all, despite the film getting eight nominations, one of its stand-out performers and expected honorees failed to make the cut. Andrew Garfield had earned great support from the precursors and reviews to match, making his absence from the Best Supporting Actor lineup a shocking snub…

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