Reveille

Maximillian Schell (1930-2014)

The most famous Austrian born actor prior to Schwarzenegger, and Oscar's favorite Austrian/Swiss actor ever, died overnight at 83. Maximilian Schell film debut came with the German anti-war film  Kinder, Mütter und ein General (Children, Mother, and the General) but it wasn't long before Hollywood came calling. 

He won a role supposedly through a misunderstanding/accident in the Brando/Clift vehicle Young Lions (1958). Global fame was just a few years away when he co-headlined the mega-star cast of the seminal Oscar Bait giant Judgement at Nuremberg (about Nazi war crime trials) with Hollywood legend Spencer Tracy and they were both were nominated for Best Actor - it's a oft-repeated fallacy of modern Oscar campaigning that people say that splits your vote and prevents you from winning; see also Amadeus. Schell also won the Golden Globe for that film. (As Rhett from Dial M for Movies pointed out on Twitter this morning, his death makes William Shatner (!!!) the sole surviving credited cast member from the courtroom classic)

Schell was quite gracious in his Oscar win and his acceptance speech is well worth watching. I'd argue he was fully aware of why he won ("honoring the movie"*) and I love that he doesn't do just the usual cheek kiss but actually a little bow/handkissing...as diva Joan Crawford warrants. 

Schell had a fine and long run as an actor with two more nominations following his win for The Man in the Glass Booth (1975) and Julia (1977 -- and yet another example of a double nomination in the same category. His co-star Jason Robards won that time). He won his second Golden Globe as recently as 1994 for a TV miniseries and a Lifetime Achievement Bambi in Germany just 5 years ago, which coincidentally was the same ceremony wherein Christoph Waltz, a clear modern equivalent of Austrian/Oscar love, won for Inglourious Basterds.

Schell's talents were many, though, and also behind the camera. He turned to filmmaking within a decade of winning Best Actor. His first two feature films First Love (1970) and The Pedestrian (1973) were both nominated in the Best Foreign Language Film category for Switzerland and West Germany respectively. And then his first documentary Marlene (1984) which was about his legendary Nuremberg co-star, was also nominated in its category. That's a lot of awards love and a long and full career worth remembering. 

*Judgement at Nuremberg couldn't really win much elsewhere. 1961 was the year of one of Oscar's true phenomenons. West Side Story made nearly a clean sweep of its nominations winning 10 of its 11 Oscar nominations! Nuremberg only bested it in the Adapted Screenplay category where musicals have historically had a very hard time winning. Only two have ever managed: Going My Way (1944) and Gigi (1958). 

We Can't Wait #3: Foxcatcher

[Editor's Note: We Can't Wait is a Team Experience series, in which we highlight our top 14 most anticipated films of 2014. Here's Glenn Dunks on "Foxcatcher"]

Mark and Dave Schutlz played by Ruffalo and Tatum respectively

Foxcatcher 
Based on the true story of Olympic gold medalist Mark Schultz (Channing Tatum), Foxcatcher tells the story of how John du Pont (Steve Carell), member of the millionaire du Pont family, murdered Schultz's brother, wrestling champion Dave (Mark Ruffalo). 

Talent
Director Bennett Miller, unlike the David O. Russells of the world, is switching his casts with each movie. Here he is working with a screenplay by Oscar-nominated Dan Futterman and Emmy-nominated E. Max Eyre. Steve Carell, Mark Ruffalo and Channing Tatum take the three major roles, but the peripheries are filled out with such names as Vanessa Redgrave, Sienna Miller, Anthony Michael Hall and prolific character actor Brett Rice.

Why We Can't Wait
Appearing, at least on first inspection, like a cross between the real life sport drama of Moneyball and the small town true crime drama of Capote - Foxcatcher looks like another winner from Bennett Miller who is three for three and that's before you even count his arguable best work (the bscure and bonkers documentary The Cruise). The eclectic cast should be interesting and it'll be exciting to see what Carell does with darker more challenging character material. The trailer that was released last year (and then pulled) looked disturbing and creepy and Carell appears to be on fire with the weight gain and voice weak like watered-down tea.

But We Do Have To Wait
Sony Pictures Classics will distribute later in 2014, which perhaps suggests that it's a smaller movie than many will expect with a cast such as this (and hoping for Oscar attention). It seems likely that it will premiere at one of the big festivals (Venice would suit).

Previously
Under the Skin, Inherent Vice, Into the Woods , Snowpiercer , Nymphomaniac , Boyhood , Big Eyes ,The Last 5 Years , Gone Girl, Can a Song Save Your Life, Veronica Mars and those that just missed the cut

Sundance: 'Calvary' is a Powerful Showcase for Brendan Gleeson

Our Sundance Film Festival coverage continues with Michael Cusumano on "Calvary".  

John Michael McDonagh’s Calvary gives the audience ample time to consider the screen presence of Brendan Gleeson. He is an invaluable actor; able to convey complete integrity side-by-side with a world-weariness that suggests nothing anyone says could possibly shock him. It’s a quality Calvary puts to good use. In its opening scene, Gleeson, playing small town Irish priest Father James, is taking confession when the man on the other side of the screen informs him that he spent years being abused by a Catholic priest and that he intends to murder Gleeson as symbolic punishment for the crimes of the Church. [more...]

Click to read more ...

Happy Birthday Amadeus!

Today is the 258th birthday of Wolfgang Amadeus Mozart. Of course he didn't live to see 258 (unless there's a vampire Mozart creeping around), dying an ignoble pauper's burial death at 35 despite a lifetime's worth of legendary brilliant compositions already behind him. Remember how great Amadeus (1984) was back when the biopic genre still produced huge quality epics? Remember when The Academy understood that movies could have two leads of the same gender? [More...]

Click to read more ...