Ranking the Oscar Clips

by Ben Miller

Of all the decisions the Academy Awards producers/directors must make, the Oscar clip decisions are surely the most covetous -- who among us wouldn't want to chose? They're fairly crucial, too.  I ranked all the clips last year, and Nathaniel was nice enough to let me do it again.  The clips preceding each of the categories ranged from brilliant to “what the hell was that?”  Let’s rank them 20-1…

Cringe-worthy

I sometimes wish I'd never been born at aaaaaaallllllll 🎵

20. Viggo Mortensen, Green Book
19. Rami Malek, Bohemian Rhapsody

Woo boy.  I would personally defend the work of both of these performances, but the snippets shown on Sunday did not lend any firepower to those arguments.  Viggo gets to wax on like an idiot about not knowing the difference between Russian and German before laying on some casual racism. Malek has plenty of good moments in the Queen biopic, but a simple shot of him lipsyncing reads like an Oscar producer’s opinion on the performance itself seeping through.

Not Doing Anyone Any Favors...

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On Glenn Close's Oscar Curse

by Nathaniel  R

At this point in her long and celebrated career, Glenn Close surely has reason to wonder. Consider it a reverse Sally Field: 'You don't like me? You really don't like me?'

There are many familiar time-tested ways to win an Oscar and Glenn Close has tried them all. She's tried the debut performance that makes everyone's jaw drop with 'who is THAT?' wonder (World According to Garp). She's tried being the actor who becomes a kind of symbolic representation of an entire film and cast (The Big Chill). She's tried having the necessary momentum, twice actually, with three consecutive supporting nominations ending in The Natural  early in her career, and then two consecutive lead nominations a few years later (ending with Dangerous Liaisons). She's tried having the kind of blockbuster zeitgeist hit that can carry you to win even when you aren't deserving though she certainly was (Fatal Attraction)...

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Great Acceptance Speeches: Halle Berry, "Monster's Ball"

We asked Team Experience to share their favourite Oscar acceptance speeches as we countdown to Hollywood's High Holy Night. Here's Chris Feil...

Would that all Best Actress years be as stacked and competitive as 2001. All major precursors had gone to a different performance (with Renée Zellweger’s Bridget Jones as a wildcard fifth nominee): BAFTA to Judi Dench, Globes for Nicole Kidman and Sissy Spacek, and SAG going to Halle Berry. But it would be the latter that would yield our ultimate momentous winner for her work in Monster’s Ball. It already felt like a showdown before her name was called, and this win would be the real event.

Berry was the first woman of color to win for a leading performance, and infuriatingly remains the only one. But you can see the passion in the room to overturn that embarrassingly legacy, the audience leaping to their feet as a stunned Berry initially collapsed into her seat. Denzel Washington would also win on a night that also saw a lifetime achievement prize given to Sidney Poitier - it’s a ceremony whose impact the Academy should consider chasing rather than pat itself on the back for...

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Great Acceptance Speeches: Julianne Moore, "Still Alice"

We asked Team Experience to share their favourite Oscar acceptance speeches as we countdown to Hollywood's High Holy Night. Here's new contributor Eurocheese...

If you were a Julianne Moore fan in the 2000s and the 2010s, you had learned to live with disappointment. After four nominations years, ending on a double nomination for the one-two punch of her performances in Far from Heaven and The Hours (2002), her momentum suddenly stalled. Her Golden Globe nomination for A Single Man (2009) didn’t translate to an Oscar nod, and when Best Picture nominee The Kids Are All Right (2010) began to break out, it was clear co-stars Annette Bening and Mark Ruffalo would be getting the lion's share of accolades. So why was an actress who had received so much acclaim coming up short?

There was was an inkling that she could still have a shot at major trophies when she received an Emmy for Game Change in 2012. Of course, as it often is with the Academy, it proved to be all about timing...

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25th Anniversary: "Reality Bites"

by Mark Brinkerhoff

Sandwiched between (and oft-overshadowed by) the so-called Baby Boomers and Millennials, Generation X, those born between 1965-1980, seems to get little attention from Hollywood — or from anyone, really. In fact, just last month CBS infamously omitted Gen X in an otherwise comprehensive chart, “Generation Guidelines Defined by Birth Year.” For Gen Xers (of which I am one), this was generally considered as simply par for the course. Of course, of course, of course! 

But 25 years ago this week, we got our cinematic Valentine in the form of Reality Bites, the seminal film of a “forgotten” generation...

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