Top Ten Quickie - Best Horror Performances?

Eeek! We have planned absolutely nothing for Halloween on the blog just yet so in case we don't here is an impromptu list (mostly off the top of my head) for discussion fun. Since horror is not my preferred genre, it was actually quite hard to come up with the male actors list but the female list was easy but for the difficulty of narrowing it down. Can you believe I had to leave the Exorcist women off the list? 

10 Best Lead Actresses in a Horror Film

Click to read more ...

Carey Mulligan Shines in 'Wildlife'

by Murtada Elfadl

Carey Mulligan always impresses. She gave the best performance I’ve seen on stage in Skylight in 2015. Earlier this year I was again astounded by her stage presence in the one woman show, Girls and Boys. It was an emotionally devastating theater experience, thanks to her command of the stage and of the language inflections. But despite being biased for her, I wasn’t ready for how blazing she comes out in Paul Dano’s Wildlife.

This is her shining moment. It’s her Blanche Dubois moment.

Click to read more ...

All Four Oscar Acting Charts Updated

Heads up. We've begun the mid October overhaul of the charts. All four acting charts are updated with the biggest shakeups coming to Best Actor with Christian Bale and Clint Eastwood suddenly both roaring buzz-wise. Please take a look and comment. BEST ACTOR (Christian Bale & Clint Eastwood on the rise) | BEST ACTRESS (Davis and Aparicio on the rise) | SUPPORTING ACTOR (Robert Forster and Sam Elliott on the rise) | SUPPORTING ACTRESS (with Colman gone it's anyone's game)

Thoughts? Do share. 

AND THIS JUST IN 10/15: Olivia Colman will be campaigning as lead for The Favourite with Emma Stone and Rachel Weisz officially "supporting" for the tragicomic triangular relationship. The charts have been updated to reflect the switch in presumed campaigns. Mostly this means Supporting Actress has no frontrunner... which is exciting. 

Months of Meryl: Julie & Julia (2009)

The Filmography: Across 52 films, Meryl Streep taught America how to act, and how to accept awards. It’s been 41 years since Ms. Streep’s first film. Today we might think we live in the world Jennifer Lawrence, Brie Larson, and Alicia Vikander made, but beneath it all is Meryl, 69 if she’s a day, and no one can touch her.

The Contenders: Too young to recall The Hours press tour, and much too young for any pre-Devil Wears Prada context, really, Matthew and John  were looking for a challenge. And from Still of the Night to Dark Matter, they found it. Risking their sanity, their jobs, and Ingmar Bergman centennial retrospectives, they have signed on for a deranged assignment.

365 days. 52 films. A dozen-plus accents. Three Oscars. Two boys. One refurbished Blu-Ray player. How far will it go? We can only wait. And wait. And wait...

The Months of Meryl Project. Wrapping up soon on a blog you’re already reading.

#41 — Julia Child, beloved chef and unanticipated television star of singular personality.

MATTHEW: In surveying all 21 of the films that constitute Meryl Streep’s history-making haul of Academy Award nominations, Nora Ephron’s Julie & Julia, to my mind, represents an acting challenge that only this stupendous performer could have possibly played and been rewarded for playing...

Click to read more ...

"The Savages", Also Revisited

Chris Feil continues his look at the films of Tamara Jenkins...

The Savages came nearly a decade after Tamara Jenkins arrived in 1998 with Slums of Beverly Hills, and the wait found the writer/director’s onscreen family dynamics develop to something tougher. Turns out time brings a whole host of concerns both harder to reconcile and compromise with, both in fiction and real life. Though it deals with timeless issues like family and aging, The Savages is also quite of its time, though in subtle ways it has maybe taken over another decade to see. What’s always been clear is that the film is miraculous.

Laura Linney and Philip Seymour Hoffman star as adult siblings and unfulfilled creatives Wendy and Jon Savage, forced to care for their estranged and formerly abusive father as he succumbs to dementia. Jenkins again is fascinated with our unfortunate bodies and social pretenses, this time with the film’s humor taking a more refined, unflinching swing at our very human shortcomings.

Click to read more ...