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Entries in Best Original Screenplay (60)

Tuesday
Feb042025

Contender Reviews: "September 5"

by Cláudio Alves

Since many of this year's Oscar nominees haven't yet been reviewed here at The Film Experience, I'll be going over a bunch of them in the coming weeks. Think of it as an AMPAS-minded sibling to Nick Taylor's series of Spirit Awards analysis. To start things off, let's go over the season's one lone screenplay nominee – Tim Fehlbaum's September 5. Once considered a threat for the Best Picture trophy by some major publications, the historical drama failed to meet pundits' expectations – its biggest miss was probably Editing. Today, it premiered on VOD, so it seems like a fitting time to consider the film…

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Sunday
Jan052025

Team Experience Oscar Predictions: Pre-Globe Jitters

by Cláudio Alves

Wake up, Ani. The Team Experience sees lots of gold in your near future!Mere hours before the Golden Globes kickstart the televised part of the season and crown the first big precursor winners, let's unveil the Team Experience Oscar predictions. As in years past, various members of The Film Experience's writing team were asked to deliver their Academy Award predictions, contributing to some collective punditry. This season, you can count on my best guesses and those of Eric Blume, baby Clyde, Eurocheese, Abe Friedtanzer, Christopher James, Ben Miller, Nick Taylor, plus the one and only Nathaniel Rogers. For this first set of team predictions, we've focused on the so-called "above the line" categories, plus Animated and International Film for good measure. In other words, the races that tonight's ceremony might shake up…

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Thursday
Dec192024

Oscar Volley: Best Original Screenplay is the Battle of the Auteurs

In this Oscar Volley, Eric Blume and Cláudio Alves discuss the Best Original Screenplay race…

HARD TRUTHS, Mike Leigh

ERIC BLUME: Hi Cláudio, I put us together on this one because I love arguing with you.  Hope that's okay.  Plus, I am curious to get your takes on some of these films and scripts.

Best Original Screenplay has a lot of strong contenders this year.  What I find particularly interesting is that eight of these feature scripts written by their directors - Seed of the Sacred Fig, A Real Pain, The Substance, September 5, Anora, The Brutalist, All We Imagine as Light, and Hard Truths.  That has to be some kind of record? 

CLÁUDIO ALVES: With the growing connection between the big European film festivals and the awards season, auteur cinema is on the rise as an Oscar gold magnet. And many of those selections favor director-forward productions, often where the folks in the director's chair also penned the script. Indeed, from the octet you mention, only A Real Pain and Hard Truths premiered outside Cannes or Venice. And with Mike Leigh's latest, it wasn't for a lack of trying on his part…

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Monday
Nov182024

Adam's Rib @ 75: The Best Tracy/Hepburn vehicle

by Cláudio Alves


Spencer Tracy and Katharine Hepburn's love story is the stuff of Hollywood legend. Whether you believe their devotion or side-eye the whole affair, whether you're charmed by their commitment or support the lavender allegations of some, it's impossible to deny how each of the actors' mythos exists in conversation with the other. Part of it stems from the bleeding of off-screen liaisons into the screen proper, immortalizing their partnership at 24 frames per second. They starred in nine pictures together, starting with 1942's Woman of the Year and ending with 1968's Guess Who's Coming to Dinner, for which Hepburn won her second Best Actress Academy Award. 

Out of this silver screen ennead, Adam's Rib is probably their best, joining the couple with George Cukor's elegant touch and a fantastic Oscar-nominated script by Ruth Gordon and Garson Kanin. Today, the comedy celebrates its 75th anniversary…

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Monday
Oct282024

AFI Fest: Emotional Outbursts in “A Real Pain” and “Nightbitch”

by Eurocheese

Festering emotions were front-and-center in these two strong films at the festival, though they were expressed in very different ways. Both screenplays played with tone, though Nightbitch’s swings didn’t always land as successfully as A Real Pain's. In each film, one charismatic performance will be the top takeaway for most viewers..

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