A Room With a View Pt 2: Sacred puddles and stuffy engagements

Previously in our deep dive retrospective into A Room With a View (1986), Cláudio considered Lucy Honeychurch's Florentine summer and the sharp storytelling instincts of one James Ivory in the director's chair.  Sensual Italy was viewed with both wonder and suspicion as proper English decorum played constant defence against passion. And, as Mr Emerson might add, played offense with its other sworn enemy "common sense". We also met the classic film's remarkable cast of characters (though there are three key introductions left).

A ROOM WITH A VIEW
(a three part miniseries)
part 2 by Nathaniel R

39:13 After Lucy and George's very decorum-breaking makeout sesh in the countryside, the parties involved have all high-tailed it back to their pensione to retire for the night. Their heads are still spinning from the events of the day. Particularly (poor) Charlotte's. "What is to be done? How do you propose to silence him?" is her four alarm question to Lucy. Lucy, for a delicious beat too long in the shot above, doesn't appear to be listening; we know exactly where her head is at.

Please note that this shot of Lucy comes brilliantly on the heels of a pan up from George running, elated, in the rain into stormy clouds. Cut to this beautiful frame of Helena Bonham Carter, her head still in that passionate storm, her glorious mane as wild as nature itself. Charlotte is brushing it so violently it's like she's trying to tame it...

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Oscar Chart Updates: Picture, Director, Screenplay, and more...

Jane Campion's new film Power of the Dog has been named the Centerpiece for the New York Film Festival. Perhaps it's wishful thinking (we've loved Campion forever) but we're betting big on it for the Oscar race. The film is set in 1920s rural Montana and stars Benedict Cumberbatch and Jesse Plemons as brothers who are at odds. The rift between them grows wider once the younger brother brings a new wife (Kirsten Dunst) home. The novel by Thomas Savage has been compared to works like East of Eden and Brokeback Mountain and if the film can live up to either of those classics' screen adaptations it will be something special.

We've been working hard on the first Oscar charts of the year.  The four acting categories and international film have yet to be posted, but the rest of the charts are now up...

• PICTURE - Will streamers like Netflix or Amazon prevail or will more traditional distributors like MGM/UA, Searchlight, Focus, A24, and SPC rise up? So many films sound exciting but we won't know which deliver on their promise until later in the year.  
• DIRECTOR - Jane Campion could become the first woman ever nominated twice in Best Director
• SCREENPLAYS  - Numerous brilliant writers have new films coming but however will they choose between Asghar Farhadi, Joel Coen, Tony Kushner, Pedro Almodóvar, Mike Mills, and Paul Thomas Anderson?
• VISUAL CATEGORIES - There's (presumably) eye candy aplenty in Dune, Last Night in Soho, House of Gucci, and Nightmare Alley
• SOUND CATEGORIES - Can it finally be Nicholas Britell's year or will he split his support with three movies (Carmen, Don't Look Up, Cruella)?
• ANIMATED FEATURE - Will Disney's musical Encanto be the frontrunner? Will Flee and Belle be the more adventurous citations?
• PREDICTION INDEX - the overview snapshot

Little Gold Men on 1934's "It Happened One Night"

by Nathaniel R

The year of guesting on podcasts continues (after no invites forever I'm suddenly mouthing off everywhere!) with Vanity Fair's "Little Gold Men" podcast. I join Katey and Joanna to talk about the early Best Picture winner It Happened One Night. The story of Clark Gable's bare chest sending undershirt sales plummeting is old school famous, of course, but Joanna's additional research nuggets kind of blew my mind. I'd seriously never heard the bit about Bugs Bunny before (whaaa?!). We also talk briefly about the 2021 Academy invitees previously discussed right here. 

Have a listen and even a watch (the movie is streaming free on Crackle with ads). What a great film.

And the Best Presenter Oscar goes to... Rita Moreno (with a peak at West Side Story)

Nathaniel R

In the matter of one of the "smaller awards" (haha) like Best Picture, the Oscars chose to go very big and noteworthy indeed. Screen star and EGOT legend Rita Moreno (whose classics include The King and I, Singin' in the Rain, West Side Story, and Carnal Knowledge... though Hollywood obviously never did right by her denying her the lead roles she clearly would have aced) did the honors. She was a perfect choice both for her all-generations appeal, and her estimable comic gift. In introducing the Best Picture category she memorably joked that the most important award was "Best Supporting Actress" and her winning role came in a movie that won some other 'smaller awards,' too. She remains a reliable energetic funny delight at 89. Sadly, this great great moment didn't come at the end of the broadcast (argh!) but a couple of prizes too early. To understand how big a deal it is that Rita Moreno presented you have to also understand the history a bit...  

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93rd Academy Awards: Best Picture

by Lynn Lee

The weirdest aspect of this year’s Best Picture race may be its lack of weirdness.  For an Oscars season that the COVID-19 pandemic first threatened to derail and then expanded, in which the vast majority of voters saw none of the contenders in theaters and almost no traditional Oscar campaigning, the path to the Academy’s biggest prize has been, on the whole, remarkably smooth.  With few real curveballs either in the nominations or in the precursor awards, some might even call it a little dull (especially when compared to how bonkers some of the other categories have been).  On the bright side, the final lineup of BP nominees is pretty solid, even if I’d rate First Cow above them all and would happily swap out The Trial of the Chicago 7 for at least a half dozen other films.  Here’s my take on each of the nominated movies, in ascending order of personal preference.

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