Middleburg Highlights: "Minari" and 'Coffee & Contenders'

by Nathaniel R

I had the pleasure of serving once again on Middleburg Film Festival's Oscar-discussion panel this past Friday. Jazz Tangcay, Clayton Davis, and I chose the name "Coffee & Contenders" because when we launched  the event last year it was first thing in the morning in a cozy room designed specifically for group gatherings at the Salamander Resort and Spa in Middleburg Virginia. You grabbed your complimentary coffee and pastries on the way in. This year we were completely virtual and on Zoom but the title was still literal. Coffees in hand we discussed the race.

The race is a mess of possibility without much clarity. It's not that there aren't contenders or reason to celebrate film (see Juan Carlos' recent rant). It's that we're in uncharted territory given the pandemic and suddenly virtual nature of movies and campaigning; Publicists and awards strategists have their work cut out for them! 

But let's talk about the winning film...

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A Different Take on "The Trial of the Chicago 7"

by Eric Blume

We embrace respectful differences of opinion here at TFE, so with all due respect to my fellow staff writer Tony, who just gave Aaron Sorkin’s The Trial of the Chicago 7 a rave review, I offer a dissenting opinion.  Fortunately thanks to Tony’s great synopsis, I can cut right to the chase.  I love Aaron Sorkin as much as the next guy, thinking his scripts for both The Social Network and Steve Jobs are essentially masterpieces, and even thinking more favorably upon Molly’s Game than most:  it had its own mini-sweep of energy and he tapped into all the things that make Jessica Chastain special. 

But there’s not a frame of Sorkin’s new movie that felt authentic or assured to me...

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Monty @ 100: Oscar nominated again for "Judgment at Nuremberg"

by Baby Clyde

1961 Monty was a shadow of his former self. Long gone were days of matinee idol status and teeny boppers swooning over his dreamboat looks. As has already been expertly detailed by my colleagues Montgomery Clift’s career is one of two halves. By this point he was deep into the second half and the eventual outcome seemed inevitable, but that didn’t mean he was unable to still produce the goods...

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Monty @ 100: Stardom's Peak in "From Here To Eternity"

by Nathaniel R

Calling your picture From Here To Eternity, even if that's the name of the book its based on, is a major flex and a tempting of fate. How to live up to the title? 1950s and 1960s movies did this frequently, of course, in their battle against the looming threat of television. Screens got bigger and wider and the studio system was, if already mortally wounded, still working hard at making their movie stars iconic. Titles like Giant, The Greatest Story Ever Told, The Greatest Show on Earth, frequently dared to proclaim their epic-ness, and if the titles weren't size-conscious, why not add an exclamation point a la Oliver!, Hello, Dolly!, Viva Zapata! or I Want To Live!  In this lust for enormous movies, From Here To Eternity stands out, not just for living up to its promise and being eminently swoon-worthy but for its relative modesty -- capturing something grandiose merely by inhabiting the sealed world and social lives of soldiers and their women on the brink of cataclysmic change. It might have been mere soap opera without the skillful direction of Fred Zinneman and the simple fact that the stars themselves were monumental.

Chief among them was Montgomery Clift, scoring his third Best Actor nomination with his eighth film...

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How had I never seen... "Doctor Zhivago"?

Every once in a while we ask Team Experience members to finally get around to a famous film they've been meaning to watch forever. Here's Christopher James...

I hate to say it, but when does one put on a three hour epic? The time never quite seems right, especially in a pre-quarantine world. That’s why David Lean’s epic extravaganzas had long been blind spots in my filmography. Both The Bridge on the River Kwai and Lawrence of Arabia become instant personal favorites after finally watching them for the first time in the past five years. Yet, somehow Doctor Zhivago (1965) always seemed just a bridge, or perilous train ride, too far. When I would think of it, I would picture the sets and costumes from stills. But was it worth sitting through over three hours of a movie just for, in the words of Aretha Franklin, “gowns, beautiful gowns”? Luckily, the epic is way more than just its trappings. As Team Experience gushed a few years back, there are so many memorable scenes and subplots in this involving romantic quartet.

To compliment Doctor Zhivago appropriately, one must go down each Oscar craft category one by one. It’s a technically stunning achievement that is beautiful, towering and simultaneously warm and cold all in the same breath...

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