Target Audience: Victor / Victoria (1982)

by Nathaniel R

VICTOR / VICTORIA

Last month I had the pleasure of rewatching Blake Edwards 7-time Oscar-nominated musical comedy Victor/Victoria (1982). The occasion was to prep for a conversation with our friend Ben Miller for his podcast "Target Audience" in which Ben invites a guest to discuss a movie that they feel was made for them for all kinds of differing reasons, beauty being in the eye of the beholder...

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Category Confusion '24: LEAD or SUPPORTING – Part One

by Cláudio Alves

With the first batch of awards season honors coming in hot, questions of category fraud are bound to come up. And this year will be a doozy in that regard, with various leading actors campaigning as supporting for convenience's sake. It's a tried and true strategy that tends to block actual supporting and character actors from getting their flowers, forever living in the shadow of big stars in the wrong category. Well, if you're a regular at The Film Experience, you probably have read all this before, so let's not belabor the point. Instead, let's have some fun with polls like we did last year. This is just part one, of course, since many contenders still haven't been released beyond the festival circuit...

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Mother-Daughter Duos at the Oscars

by Cláudio Alves

Fernanda Montenegro in Walter Salles' I'M STILL HERE.

This past week, Fernanda Montenegro celebrated her 95th birthday. A living legend of Brazilian culture in various mediums, she is our oldest living Best Actress nominee. Montenegro is back on the awards trail with Walter Salles' I'm Still Here. While her late-film cameo won't excite many voters, Brazil's Best International Film submission is raking in Audience Awards at festivals worldwide and sterling reviews to match. Perhaps Sony Pictures Classics can even look away from Saoirse Ronan and Almodóvar's leading ladies for a moment, and mount a Best Actress campaign for Fernanda Torres. Her performance as Eunice Paiva is nothing short of magnificent. 

Though a longshot, Torres' nomination would be amply deserved, making her and Montenegro one of the few mother-daughter duos to score acting Oscar nominations. It's a very exclusive club that includes…

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Goodbye, Maggie Smith (1934-2024)

by Cláudio Alves

DOWNTON ABBEY: A NEW ERA (2022) was one of Maggie Smith's last screen appearances.

We always knew the day would come, but it's still difficult to imagine life without the great Maggie Smith among us. Born to a secretary and a pathologist in the interim years between the Great World Wars, she became a respected star of the stage before a jump to cinema in the 1960s expanded her horizons. From temptress to bitter old lady, from romantic heroin to comic relief, dipsomaniac tragedienne, whodunit queen and deranged diva – she could do it all, despite what some might have said about her late-career range or lack thereof. To me, Dame Maggie Smith was a titan, one of my favorite screen presences, and a reliable workhorse who could elevate every project she was involved in, even those that didn't deserve her talents. The British star will be sorely missed and the arts are poorer without her. Nay, the world.

Over the years, multiple writers at The Film Experience have explored the career of the late great two-time Oscar winner. So, let's revisit those pieces and bask in the love for an actress of incomparable wit and unimpeachable craft…

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Almost There: Lois Smith in "Five Easy Pieces"

by Cláudio Alves

No matter how respected or prolific a thespian may be, the glow of Oscar gold isn't guaranteed. Just ask Lois Smith, a titan of the contemporary American stage with nearly 150 screen credits to her name. The closest she ever came to the Academy's good graces was at the start of the 70s and the New Hollywood craze, when playing Jack Nicholson's pianist sister in Five Easy Pieces. Bob Rafelson's film is something of a classic for those interested in this era of American cinema, but its legend tends to circle around the leading man and, maybe, Karen Black. Still, Smith delivers a performance worth considering and, as the title of this post suggests, she was almost there…

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