Link is the Longest Blog Post

Flavorwire 15 great female film critics you should be reading
IndieWire Before Midnight has a great opening night in an unfortunately tiny amount of theaters. If I ran the world this would make $100 million this weekend ;)
Funny or Die "the reviews are in for Behind the Candelabra" LOL
Grantland Wesley Morris on two Cannes entries Claire Denis' Bastards and Nicolas Winding Refn's booed Only God Forgives 
My New Plaid Pants Allegedly Ewan McGregor 
/Film interesting. Jon Stewart's directorial debut Rosewater will star Gael García Bernal and is about a man who was held in an Iranian prison

Twitter Bryan Singer announces Evan Peters as Quicksilver. I've always thought the X-Men franchise was marred by sloppy casting (especially the further you get away from the centerpiece roles) and this one strikes me as no exception. The actors chose beyond the Magneto/Professor X/Wolverine trinity always seem "off" for the roles. Am I just too connected to the comic books? It's worth noting that Scarlet Witch and Quicksilver (twin siblings in the comics and two of my personal favorite characters in all of the Marvel Universe), due to complicated legal situations, can be used by both Marvel Studios and Fox but cannot reference the other so we may see a different actor play Quicksilver if Joss Whedon decides to use him.
Variety ...which he has according to this interview
Coming Soon an extremely annoying motion poster for the new Carrie
Variety Blue is the Warmest Color wins Fipresci prize at Cannes
In Contention ..speaking of lesbian dramas. Todd Haynes finally has a new movie project. It's called Carol and it's based on Patricia Highsmith's novel "The Price of Salt". Cate Blanchett is Carol, a married woman, who has an affair with a shopgirl Therese (Mia Wasikowska)
i09 DC heroes invade George Seurat's famous sunday in the park painting 

anniversaries and goodbyes
The Film Doctor happy 5th anniversary to a film blog I quite enjoy! 
Drawn is closing its doors. sniffle. i love this tumblr which was always a great way to stay connected to illustrators on the web 
Awards Daily Sasha's last entry from Cannes - missing buzzy Blue ... and attending the Nebraska press conference. Although I'll admit the reveal of a 30 minute time frame to file a review filled me with abject horror. It takes me SO LONG to write reviews. Are other critics really done with them in 30 minutes? How! 

Random Thoughts on Upcoming "Best Supporting Actress" Race

Being a month late to my usual "April Fool's" predictions has caused me a lot of behind-the-scenes strife. Trying to stare into the open future through a crystal ball when things are actually happening in the present overseas (i.e. Cannes) is incredibly ineffective. Next year I must be more prompt and buy a plane ticket. I have made a few adjustments on the charts mostly in regards to more research on American Hustle and Saving Mr Banks but also in regards to Cannes hits like All is Lost and Philomena (I know, I know -- it didn't show but it still had a great week!).

Carey sings in "Inside Lleywn Davis". The last time she sang onscreen ("Shame") critics fell madly in love but mysteriously zero awards traction happened. 

Cannes buzz
A note of caution to everyone taking each word out of Cannes like its holy scrit. Cannes can be like a magician's misdirect in regards to the Oscar race because for every Jean Dujardin and The Artist there are ten films and performances that get people hot and bothered there under those very special circumstances that don't go anywhere in the real world or, for our purposes, don't excite the mainstream sensibility of Oscar. And quite a few films each decade see their critical fates changed once they leave the festival circuit with its foolishly instant pronouncements of grandeurs and foibles. Take it all with a grain of salt or at least a whiff of the ocean-scented air. Especially if a new Coen Bros' film takes the Palme D'Or. Cannes always loves them so it's like Michael Haneke or the Dardenne Brothers taking a prize. What else did you expect?

But on to this afternoon's topic... 

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Kidman in Cannes. Part 4.

Jose here. Late last night I found myself cursing at the heavens for not making Nicole as ubiquitous as Uma, Kate Beckinsale and Diane Kruger were during their own Cannes jury duties. Then she went and did this:
 

Who She Wore: Valentino. And not just Valentino, but the Valentino Anne Hathaway refused to wear to the Oscars (because Amanda Seyfried was wearing something similar...) ending up with the satin Nipplegate and that awkward PR thing the day after. Like they say, one person's garbage is another person's treasure and the truth is that Nicole could retire from red carpets forever and this look would still be talked about for decades to come. She even outdid Fan Bingbing!
Which Director She's Trying to Lure: I want to say Ang Lee, but that's only because he's there and I'm too distracted by the dress' prettiness to think harder.
What would Margot think of this: something about weddings? Really, the dress is impeding my ability to think. 

After the jump, more of Nicole in the dress and a look we forgot in Part 3...

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Kidman in Cannes. Part 3.

Jose here. I succumbed to what felt like a Satine-sque bout of consumption over the weekend and to show her sympathy Nicole Kidman stopped showing up at Cannes events. What do you mean she doesn't know who I am? She made two appearances on Sunday bringing the one accessory she'd been hiding so far, her husband Keith Urban.

Who She Wore: her face designer L'Wrenn Scott
Which Director She's Trying to Lure: this dreamlike blue, red and black leaf pattern was obviously made to grab the attention of the mysterious Apichatpong Weerasethakul who's known for his exotic settings and even weirder plots. (Nicole calls him "Joe" like the rest of the world but knows how to pronounce his name.) If this dress doesn't scream Uncle Boonmee then I don't know what does...
What "Charlotte Bless" would think of this: "Mmhmm"

More Kidman and the big Keith reveal pics after the jump...

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Rite of Link

straight outta Cannes
Guardian wonders why Sofia Coppola is so obsessed with pole dancing. The pole is back for Bling Ring
MCN David Poland has several capsule thoughts on Cannes films. This is my favorite type of festival review since I find that festival environments are not good for full length reviews and yet people persist in lengthy split second reactions anyway. Let the movies marinate. But he hates the explicit gay sex drama Stranger by the Lake and thinks it wouldn't be in the festival it it were hetero explicit 
In Contention gives the same film fuller consideration
Apple Daily Tony Leung Chiu Wai -at Cannes for his wife's new film -- meets Ang Lee for dinner. Chinese press follows but the Lust, Caution pair are not reuniting any time soon (shame). Tony tells the reporters that he's seen Zhang Ziyi already, too.  
Ultra Culture lists ten selfless acts committed by the protagonist of Fruitvale Station. Just in the first hour! I was kind of worried about a lack of nuance in this buzzy tragic drama and if the character is a complete angel, I wonder if the movie will experience a huge critical backlash when it opens. Most interesting characters are not 100% anything. 

speaking of Michael B Jordan
...who is the lead in Fruitvale. You may not know this since I don't talk about TV much but I'm most definitely a fan. He's already done really sensitive affecting work in both Friday Night Lights and Parenthood. /Film  is revisiting the rumor that they want him for the Fantastic Four reboot as Human Torch. I'm usually all for color blind casting since it should be about who is the best actor for the job, you know? But there are some cases where it doesn't seem like a great idea and this, to me, is one of them. In fact, I'd pick The Fantastic Four dead last, along with like The Black Panther and Storm, as Marvel Universe roles that should be color-blind casted. One of the peculiarities of FF is its kind of dated nuclear family WASPy feel (I think director Peyton Reed's original concept ten years back about doing it as an early 60s retro-stylized thing would have been so interesting and right for the material). Since they went with Allison Williams as Sue Storm (I like her just fine but she seems as weird of a fit for Sue Storm as Jessica Alba was!) I have no understanding of what they're new concept is. Other than just "reboot and make money!"

Miscellania
Sundance Now revisits Disney's weird sorta wonderful Hunchback of Notre Dame (1996) - those mid90s post Lion King/Aladdin movies are as underrated as that duo is overrated if you ask me
Guardian Antonio Banderas will headline the flick about the Chilean miners rescue. His career seems to be back on the upswing. Can we blame the reunion with Almodóvar?
CHUD is doing a series of 15 great actors who haven't starred in a comic book film and they started with Philip Seymour Hoffman. (Although really shouldn't that Mission: Impossible 3 movie kinda count?)  
Filmmaker Kurt talks with Julianne Moore, "cinema's modest chameleon"
New York Times congratulations to my friend Tom, who composes for musical theater (more on him right here
at TFE soon if...well, I'm not allowed to say just yet), who is now married. His engagment is commemorated with this cute NYT Video!  
/Film thinks a limited Christmas opening with a platform rollout in January for the Jason Reitman Kate Winslet Labor Day picture shows faith in the movie for the Oscars. Hmmm. to me the shy December openings with January rollouts are more hedging your bets than total confidence. If there's so much faith you go wide (see Django & Les Miz last year) to get the holiday money. 

Oh and don't forget...
Tomorrow night (and the following Wednesday night) are the last episodes of Hit Me With Your Best Shot before a hiatus in June. So if you've been meaning to join us, now's the time. Tomorrow night is Disney's experimental FANTASIA (1940) which were doing as sort of an offhand centennial tribute to Igor Stravinsky's "Rite of Spring" which turns 100 years old this month. So pick one image from the Rite of Spring section and your favorite from the movie as a whole. (Or one for each of its six musical sections if you're feeling into it). Next Wednesday is the brilliant Paul Newman as HUD (1963) which I want everyone to see it because it's one of the best movies of that decade. Even if you're not doing a "best shot" rent it so you can experience it in full before reading the articles.