Cara Seymour on Playing Sister Harriet in "The Knick"

Cara Seymour (Adaptation, American Psycho, The Savages) is Guest Blogging all day today! - Editor
 

-by Cara Seymour

Getting to work on "The Knick" has been one of the greatest experiences of my career. I screamed with joy when I got the part and I'm not a big screamer of joy.  Amazing director, talented and really fun cast and all round impeccable team of super talented people in every department.  I'm madly appreciative of this.

Michael Begler, Jack Amiel and Steve Katz wrote this extraordinary character of Sister Harriet - she leapt off the page. But I wanted to know more about nuns in 1900 when The Knick takes place, so I ordered nun books.

"Through the Narrow Gate,"  by Karen Armstrong was an unflinching account of her life as a nun in a convent pre Vatican II -- read every word of that!

Didn't read them all from cover to cover. Not quite that crazy!

(more on The Knick after the jump)

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Q&A Pt. 1: The Queens (by which we mean RuPaul, Helen Mirren, Best Actresses)

Ask Nathaniel column time. You ask. I answer. Herewith seven recent reader questions. Since last night was the finale of RuPaul's Drag Race, we'll end with two similar questions about that show but first, more typical actor questions. You're always asking them. Not a complaint. Just a fact.

PAUL OUTLAW: Which directors would you most like to see work ASAP with these performers (it can be someone new or a former collaborator): Tilda Swinton, Gugu Mbatha-Raw, Michael Fassbender & Tom Hardy?

Tilda: Anyone. I'd even watch her in a Michael Bay movie though I'd prefer her in an Olivier Assayas. Oh wait, that's my answer.

Gugu: Anyone. She's new enough that we don't know what we have yet other than GREAT POTENTIAL.

Fassbender: We know he can do intense heightened drama and various masculine genres with the best of them, but I'm wondering if he has something more low-key naturalistic in him or how he'd fare in more typically feminine genres. One of my favorite performances of his is Inglourious Basterds which I know is neither of those things but I like how arch and cerebral he seemed as opposed to physical. It was a different mode for him. So a little more of that. I'd be curious to see him in an Alexander Payne style dramedy or Joe Wright in swoony romance mode.

Tom Hardy: It's time for something really erotic. Filmmakers keep covering up his beautiful face and this must stop. We know from Bronson that he's completey unafraid of gratuitous nudity so I wanna say Jane Campion and/or another A lister who is ready to dabble in an erotic drama, their own Ang Lee Lust, Caution type detour if you will.

TYLER: There are four women who are winners of the Cannes Best Actress prize twice over: Barbara Hershey (USA), Isabelle Huppert (France), Helen Mirren (UK), and Vanessa Redgrave (UK). What do you think of this group? Your favorite performance from each?

To  help readers catch up if they didn't know this statistic, those women won for the following films

Vanessa Redgrave - Morgan! in 1966 and Isadora in 1969
Isabelle Huppert - Violette Noziere in 1978 and The Piano Teacher in 2001
Helen Mirren - Cal in 1984 and The Madness of King George in 1995
Barbara Hershey - Shy People in 1987 and A World Apart (shared with co-stars) in 1988

More Questions after the jump...

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Tilda, The Ancient One

Tilda Swinton has said that had she not met the avant-garde filmmaker Derek Jarman in the 1980s she might never have become an actress. He was unorthodox enough to understand her unusual path...

brilliant news after the jump

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Review: Far From The Madding Crowd

In Far From the Madding Crowd, a new film adaptation of Thomas Hardy’s novel, every eligible man wants Carey Mulligan’s winsome Bathsheba. But she cannot be tamed! (Funny how commitment phobia reads as strength in a female protagonist and weakness in a male protagonist). Or at least she won’t “settle” for less than what she’s already planned for herself. Nevertheless the wanting continues and the camera, observes her, often at a distance as with a memorable shot of Bathsheba laying back from her saddle, as if enjoying the tactile and visual sensations of the powerful creature beneath her and the vibrant foliage and sky above her.

(This review contains a general trajectory ending spoiler but it is based on a 151 year-old classic novel.)

Three bachelors and Bathsheba's issues after the jump... 

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Portman's Career is Revving Up

Manuel here to talk about everyone's favorite black swan and share some casting news. Oh, it’s also Bike to Work Week and so here’s Natalie Portman on a bike to get your Monday started.

She’ll probably need it as she’s clearly gearing (see what I did there?) for a busy 2015. Not only is her directorial debut A Tale of Love and Darkness premiering at Cannes (albeit as a special screening selection) but her much-delayed film Jane Got a Gun will finally be released this coming September, but she’s also in Malick’s Knight of Cups (and presumably in Weightless) though it’s unclear when either of those films will be in front of us regular moviegoers.

And if these latest casting news pan out, she’ll be a busy gal soon (those of us who worries the Marvel Cinematic Universe and/or motherhood would keep Natalie away from us for too long had nothing to worry):

First up, she’s apparently signed on to play Supreme Court Justice Ruth Bader Ginsburg in On the Basis of Sex, which Marielle Heller is in talks to direct. Those of us who haven’t yet seen Diary of a Teenage Girl (read Michael's review from Sundance) are dying to see it and we’re happy Heller and Portman are in talks to work together. Also, it’s about time RBG gets the big-screen treatment, no?

Portman is also in talks to star in Annihilation, a film adaptation of Jeff VanderMeer’s twisty sci-fi novel which centers on four female explorers in an unknown place known as Area X. And, true to her career so far, Portman is probably drawn to this film given who’s behind the camera: Ex-Machina’s Alex Garland (which I've yet to see but I am dying to if only so I can listen to the latest TFE podcast!)

Two promising projects with two promising directorial upstarts alongside many directorial and producing gigs. Are you ready for a Portmanful 2015? Have you read Annihilation and do you have any thoughts on who should join the all-female cast in its film adaptation?