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Entries in comedy (464)

Monday
Jun062016

Beauty vs Beast: The Sun Also Sets

Jason from MNPP here with this week's edition of "Beauty vs Beast" - I think I must have had fever of the brain (to the lay-person that's called Kopfgeschlagen) last week because somehow I didn't take advantage of the 25th anniversary of one of my most favorite comedies of ever, Michael Hoffmann's Soapdish, the fizzy slapstick tale of backstage shenanigans at a daytime soap opera full of narcissistic psychopaths. Somewhere in the late 90s I wore out my VHS I watched this movie so many times - Soapdish is one you could stand me in front of a crowd, tell me to go, and I could perform the entire thing from start to finish, from crawdad butts to Tawny the Tweety-Bird Couturie.

The cast is to a tee in top form - even semi-cameos like Carrie Fisher's classic bitch Betsy Faye Sharon leave impressions so sharp I can summon up their character-names on command. But it's the poisonous rivalry between show queen Celeste Talbert (Sally Field) and "Nurse Nan" Montana Moorehead (Cathy Moriarty) that gives this Soap its eternal dishiness...

PREVIOUSLY With what could turn out to be her final X-Men movie we took the opportunity to say goodbye to Jennifer Lawrence's two blockbuster turns, and Katniss carried the day to the tune of about 80% of your vote - said Tom:

"I thought she was quite good in First Class (and looked great in that mod costuming). But it seems that her heart was always more focused on Katniss than Mystique. She openly expressed that she doesn't really wish to return to the role. She never seemed bored as Katniss, a complaint often lodged at her in regards to her X-Men performance."

Friday
Jun032016

Links: Julie Andrews, Paul & Daniel, franchise "tone" templates

Variety Whoa. Daniel Day Lewis is going back to work. And with Paul Thomas Anderson again no less. They're making a 50s fashion drama
/Film shares concept art from Sam Raimi's Spider-Man 4... which obviously never went before cameras

Salon Actor Jake Choi on the odds against Asian actors especially the "de-sexualized" men
LA Times 100 people who could help fix Oscar's diversity problem. I'd be surprised though if at least a few of these people weren't already in the Academy since they've been nominated or close to it. The ultra strange thing is they don't list Bradford Young, one of the very best working DPs, under cinematography and I didn't think he was a member yet. Is it just a terrible oversight or did his invitation skip my notice?
AV Club a new Melissa McCarthy produced series Nobodies will be very meta. It stars her non famous comic actor friends playing themselves with a famous movie star friend (no word on who will play the Melissa McCarthy surrogate)
Towleroad Colton Haynes is working on a photo book with Tyler Shields. He promises it will be "shocking". So... the unauthorized sequel to Madonna's "Sex" book, maybe? 
The Guardian a good piece on reshoots for upcoming movies and the danger of "dark" or "light" templates for franchises 

Off Screen
Adequate Man "Please do not lick your kitty" 

Emmy Season is Upon Us...
Awards Daily is wondering if Scandal can make an Emmy comeback
Decider comedies the Emmys need to consider 

...and for the following year's Emmys we even have a Children's Programming contender worth getting excited about: JULIE ANDREWS IS BACK IN 2017!

 

Wednesday
May252016

Lukewarm Off the Presses: Beyond Ragnarok & Huppert Fever

Reheating some news we never got around to! But perhaps it's news to you...

Cate Blanchett will be playing Thor's next big bad "Hela". We assume she's the antlered one in this concept art so we cautiously look forward to that costume. But confession: I don't trust Blanchett in villainous mode (*dodges tomatoes*) since she overdid it in both Kingdom of the Crystal Skull and Hanna and nearly so in Cinderella and I don't mean overdid it in a fun comic-book kind of way but just too much overall. Plus the Thor movies are easily the worst part of Marvel Studio's work to date. Other new players in Thor: Ragnarok will be Jeff Goldblum, Karl Urban, and Tessa Thompson as Valkyrie (a character I loved as a kid so yay, Tessa). And of course Mark Ruffalo as the not jolly green giant and Chris Hemsworth as the guy with the hammer. For some reason they are forcing Sir Anthony Hopkins' Odin back on us (I thought he died in the ssecond movie?) and Tom Hiddleston is back under Loki's horns which is a pity because he deserves to use his time on other things, now, come on. They've wrung that character dry, they've leaned on him so much. 

Apparently the villain in Star Trek Beyond looks like this. It's actually Idris Elba underneath all that makeup. LOUD SIGH. First Oscar Isaac gets buried in ugly latex for Apocalypse and now Idris? Idris Elba is, and I think the internet will back me up on this assertion, one of the most attractive people on the planet. So why won't Hollywood show us his face? It is really pissing me off. This year he's onscreen as a tiger (Jungle Book) a buffalo (Zootopia), a sea lion (Finding Dory), and this alien but not as a human man you can actually look at. As a pasty white boy I am fully aware that there are people who think I shouldn't talk about race... but as a human person stuff like this is really getting to me. I am not one to jump on every perceived racial slight and proclaim racism (As I said much to the internet's displeasure this past season, I think #OscarsSoWhite was oft-misguided because the actor's branch is not the correct target for such things given both Hollywood and Oscar history) but I can't look at Idris Elba's career, and Zoe Saldana's career (note how she's always blue or green in her movies... until she was a black woman doing blackface -yikes!) and Lupita Nyong'o's career post Oscar (a CGI alien and a CGI wolf so far, but not an actress you can gaze at despite her considerable beauty) and not KNOW that Hollywood's race problem is dire and also, I'd wager, subconcious.

This is not complicated, really, if casting directors, directors, agents, executives, managers, and maybe even the actors on occasion would just think decisions through a little more, especially in regards to the optics. FACT: People like to look at beautiful actors. They always have. Stop hiding them from us! 

Isabelle Huppert is having a good year. I missed a lot of articles on Elle and Isabelle Huppert's time in front of the press at Cannes. In a new interview at the Guardian about Elle and her latest stage performance in Phaedra there's a lot of fascinating tidbits including her repetitive unwillingness to talk about other famous actors but her chatterbox response to questions about directors. She also wants to do more comedies...

Viewers do tend to think of her on-screen persona as a full-on neurotic, steeped in psychosexual anguish.

“Yes, but you can be a comic neurotic too.” So does she feel underrated doing comedy? “I certainly do feel…” she hesitates a moment; I take that as a yes. “That’s why I’d love to work with Woody Allen or Noah Baumbach – to do comedy in that New York vein.” But her serious roles, she insists, often contain more humour than is apparent. “Even The Piano Teacher – although I wouldn’t try to persuade anyone that was an out and out comedy…”

Whew. I was worried for a second. That film is not a knee slapper. As for Huppert in comedy. Can you handle that? I liked her in I Heart Huckabees and especially in 8 Women but in both she was working with or riffing on that dramatic neurotic performance so her comedy was stemming from perceptions of her as an actor, just as much if not more than her actual performances.

 

Monday
May232016

Review: The Nice Guys

It’s Eric, with thoughts on the new Gosling/Crowe comedy, The Nice Guys.   

I’ll bet this project looked amazing on paper.   Bring writer/director Shane Black back to the comic buddy picture world where he started with 1987’s Lethal Weapon.  Set the film in the disco-cool world of 1977 Los Angeles.  Hire two accomplished dramatic actors, Ryan Gosling and Russell Crowe, to play the leads, two low-life losers on the fringe of detective work unexpectedly uniting to hunt for a girl involved in a series of murders in the porn industry.  Throw in a cute daughter for Gosling’s character for some sweetness.  

Click to read more ...

Friday
May202016

Posterized: Writer/Director Shane Black

Shane Black with Ryan Gosling at the Cannes premiere of Nice Guys this weekSince we've already done "Posterized" episodes on both Russell Crowe and Ryan Gosling, who co-star together in this weekend's new comedy Nice Guys, let's look at the man behind their bantering bros curtain, Shane Black. The 54 year-old director hit the big time with his very first produced screenplay 29 years ago, the smash hit buddy action flick Lethal Weapon (1987).

He's stuck to the high-concept action/comedy genre like glue thereafter making obscene amounts of cash during the heyday of that genre (the early 90s). If he's not interested in stretching, at least he does them better than most. Eleven years ago he finally moved into the director's chair for the underseen critical darling Kiss Kiss Bang Bang (2005). Strangely for a successful creator in a lucrative genre that isn't exactly relegated to the arthouse, he's not been that prolific in his 29 year career. (If you're curious about how it all shook out this old piece at Grantland is a must read)

Boy movies, least of all buddy comedies, aren't a thing TFE is known for so it's a little bit of a curveball today in Posterized but we're curious:  How many of his 8 films have you seen? 

Screenplays: Lethal Weapon (1987), The Monster Squad (1987), The Last Boy Scout (1991), The Last Action Hero (1993), The Long Kiss Goodnight (1996); Screenplay & Directing: Kiss Kiss Bang Bang (2005), Iron Man 3 (2013), and Nice Guys (2016).

And which is your favorite?