Crazy Ex-Girlfriend (S1. E1-2)

You know what's crazier than leaving a half a million salary in NYC to move to West Covina, California (2 hours from the beach! - 4 in traffic) on the off chance your ex boyfriend from teen summer camp might be interested in reviving your fling as an adult? Not much. But it is crazy that The Film Experience didn't adopt Crazy Ex Girlfriend in the way it adopted Smash since musicals are kind of our thing (well, one of our things). Over the past two weeks I accidentally ended up rewatching the first five episodes again with friends who hadn't seen them so they're fresh in mind. So with Season 1 now on Netflix, let's catch up before Season 2 arrives in October.

S1:E1 "Josh Just Happens to Live Here!"

In which Rebecca randomly spots her first love in the street and takes it as a sign that she should follow him to West Covina, California, leaving her entire successful New York City life behind.  Let's rank the crazy... 

Greg: Yes, like a date because you're pretty and you're smart and you're ignoring me so you're obviously my type.
Rebecca: I'm sorry what were you saying?
Greg: Perfect.  

Relatably Foolish (Or as Norman likes to say 'We all go a little mad sometimes')
Greg, a bartender, falls hard for Rachel at first sight when she barely looks at him, and talks incessantly about his friend Josh...

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Review: Mike and Dave Need Wedding Dates

This review was originally published in Nathaniel's Towleroad column...

Mike and Dave Need Wedding Dates starts out giddy with a bouncy firecracker of a credits sequence. Please take that literally as the credits involve a trampoline, fireworks, and two gleeful stars Mike (Adam Devine) and Dave (Zac Efron) in mid air. Their joyful abandon is short-lived. A scene or two later we're at an intervention with their parents (Stephen Root & Stephanie Faracy) in which we see these same high-flying images again from a less zhushed-up perspective in home wedding videos their parents play them. The inseparable brothers, always each other's bachelor dates at these gatherings, egg each other on until disaster strikes. Property destruction and ambulance calls follow them... 

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Posterized: Zac Efron

Given that it's only July and this weekend brings us the third Zac Efron movie of the year (Mike and Dave Need Wedding Dates), perhaps it's time for a Posterized for America's favorite twinkly-eyed twentysomething heartthrob?

Though people are touchy lately about acknowledgement of star beauty, some stars more than obviously lean into it. Efron clearly understands where his plentiful bread has been buttered, regularly getting his shirt off sometimes even as setpiece plot points (Neighbors 2: Sorority Rising). And he's increasingly becoming a living example of unrealistic body expectations. If women can feel bad about their bodies via supermodel objectification, so can men via superheroes...or actors with superhero bodies! Low self-esteem for everyone, hooray!

Happily though, Efron is also talented. He's proved to be a deft comic performer and there's still the possibility of more musicals in his future (he's been offered a role in Hugh Jackman's P.T. Barnum musical) so the immediate future looks bright.

How many of his 18 films have you seen? The posters after the jump...

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Visual Index: Working Girl's Best Shot(s)

Hit Me With Your Best Shot
Working Girl (1988)
Director: Mike Nichols
Cinematography: Michael Ballhaus

I wasn't fair to Working Girl in 1988. When it won the reader poll easily for coverage here on Best Shot, the old grudge flared up again. 'Why do people love this movie so much?' I thought. You see the Oscar race is often distorting. In 1988 Working Girl was a last minute disrupter with its Christmas bow, and I never forgave it for costing Bull Durham, Running on Empty, or Who Framed Roger Rabbit major nominations and prizes. There's no proof of course that it did -- but I believed it wholeheartedly.

But watching the film again, away from that distorting horse race, I could enjoy it fully without name-checking those films I held more dear. There's so much to enjoy all told. "It plays," as they say. It plays beautifully. Now don't get me wrong. I still wouldn't have nominated it for six Oscars. Six! But let's not return to the grudge and let's enjoy this mainstream bullseye and the cinematography by Michael Ballhaus, one of the cinema's greatest DPs. He's 80 now and still doesn't have an Oscar. He should be near the very top of Oscar's list for an Honorary.

See Nathaniel's 3 favorite shots and other Best Shot choices 'round the web after the jump...

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Emmy Ballots Due: Which old fav would you sacrifice for a newbie?

Emmy nomination balloting ends today for the 68th annual Emmy Awards. Cross your fingers that we actually get a few shakeups this year. Yes, cross your fingers even if you love all 10 of the shows that are normally swimming in nominations. Why? Well, the Emmys really should reflect how competitive television is and not suggest that there have only been 10ish good shows on the air for the past half decade plus.

Comment Party! On that note please do tell us in the comments which 3 of your old favorites that you still love you'd be willing to sacrifice for 3 who have not been recognized. Make your Sophie's Choice in the comments and let us all pray that Emmy voters do the same. Nobody deserves 5+ nominations for the same thing when that means someone else can't even get ONE for something arguably just as good! The catch is that you can't ditch someone you don't love or think is unworthy who is always nominated. I'll go first as truly painful as this is:

I'd be willing to trade Michelle Dockery on Downton Abbey (who I totally think is the MVP of that entire series (if you blend all seasons together - otherwise there are different MVPs each year as there are for most quality shows) for Shiri Appleby's deep-digging as ambitious self-destructive Rachel on UnReal; Hell, I'd even be willing to trade Taraji P Henson (my preferred winner last year for Empire) if it meant I could have Eva Green's genre genius in Penny Dreadful in the mix (my winner this year). I'd even be willing to trade my beloved Titus Burggess on Unbreakable Kimmy Schmidt (who I thought should have easily stormed to the win last year) if we could give a chance to another delusional show-stealer like Jamie Cavill in Jane the Virgin (who should have been Titus' main competition last year) or another outspoken gay like Noah Galvin from The Real O'Neals both because he's brilliant on his show and to stick it to ABC for even threatening to cancel that gem. (Yes, I know they think Noah is entitled and 'difficult' and yadda yadda yadda but they would never think of threatening and publicly humiliating a straight actor who was the MVP of a similarly acclaimed show.)

I expect zero nominations for THE REAL O'NEALS but I legit think it deserves multiple nods

The point is that many previously nominated shows and people are still deserving but it makes so much more sense to spread the wealth each year. If you don't spread the wealth it sends two messages ... 1) That you're not paying attention to what's eligible or even what happened on your favorite show that year and merely voting based on loyalty to your "favorites" and...  2) That TV's 'golden age' is really just a clever PR campaign for 10 shows and history won't mark it as anything particularly special. 

ICYMI Our Emmy Balloting Pieces
SHOWS: Emmy Drama Ballots |  Emmy Comedy Ballots | Girls | The People vs OJ Simpson; PERFORMANCES: Amy Landecker in "Transparent" | Donna Lynn Champlin "Crazy Ex-Girlfriend" | Eva Green & Helen McRory in "Penny Dreadful" |  Constance Zimmer "UnREAL" | Boyd Holbrook "Narcos" | Noah Galvin "The Real O'Neals" | Gillian Jacobs "Love" | Riley Keough "The Girlfriend Experience" | Jeremy Allen White "Shameless" ; MISCELLANIA: "Mr Robot" leads TCA Nominations | Ten Nominees? | More TV MVPs (earlier in the season)