Lincoln: The Teaser

Michael C. here.

The full trailer for Spielberg's Lincoln doesn't arrive until Thursday, but good news for those of you who can't wait that long without at least a few glimpses of Lincoln surveying the troops. I present you the teaser for the trailer.

Over the course of its 43 seconds it features everything from the back of Lincoln's head to the sound of a ticking clock to the word LINCOLN in big letters, all set to an excerpt of the Gettysburg Address...spoken by someone who isn't Daniel Day-Lewis. I don't take much else from this besides Lincoln's obviously top-notch production values and a somewhat muted, somber tone. How were those 43 seconds for you?

VIDEO ESSAY: There Will Be Blood and Symmetry

Hey everybody! It’s Matt.

Five years have passed since we last heard from Paul Thomas Anderson, but he returns on September 14^th with The Master, a movie that has been the object of considerable anticipation related to a few surprise screenings and its subject matter. Anderson’s phalanx of adoring fans has already started to speculate on The Master’s Oscar potential. While it is meaningless to start daydreaming about Anderson’s acceptance speech before we've seen the movie, there are several reasons to get excited about The Master.

Above all, it is crucial to recognize that Anderson has managed to improve with every project. He has progressed from the boisterous creative ecstasy of Boogie Nights, Hard Eight, and Magnolia to the tight formal elegance of Punch-Drunk Love and There Will Be Blood. There Will Be Blood, one of the many great films released in 2007, is especially notable for its visual and thematic maturity. Anderson used a careful system of symmetries and visual rhymes to hold together the sprawling, epic subject.

In this video essay, I demonstrate how Paul Thomas Anderson communicates his ideas. The video is graciously hosted by IndieWire’s Press Play. Be sure to head over and check out a brief introduction. Special thanks to Matt Zoller Seitz, someone I really look up to, for his assistance.

The Way We Link

Yahoo Movies President Obama is a fan of Anne Hathaway as Catwoman
NPR details about Marilyn Monroe as a very profitable posthumous industry. Who gets the money?
CHUD Joss Whedon signs for Avengers 2. But he'll have enough time to do other projects first.
Unreality Indiana Jones is teeny tiny in these amazing posters for the Raiders of the Lost Ark trilogy

Los Angeles Times The Great Gatsby is delayed, and The Master rises. A shifting Oscar race (yes, we'll talk about all this in a couple of days with updated charts!)
Movie|Line the Hitchcock Birds making-of movie The Girl previews for television critics
My New Plaid Pants Paul Verhoeven 'quote of the day' on the original Total Recall's three titties moment. I have to say that the remake's nod to this made no sense whatsoever given the change in planetary setting.
/Film Brave co-director Brenda Chapman leaves Pixar after what one assumes was a troubled relationship and lands at Lucasfilms
Monkey See on the responsibilities of being "the greatest film of all time". 

At the top, you have to be able to play two cultural roles at once: punching bag and celebrated ideal.

Good luck, Vertigo!

Yay, Daniel Day-Lewis as Lincoln. First official photo.

poll by twiigs.com

 

More goodbyes
Hollywood Elsewhere RIP film critic Judith Christ
New York Times brilliant composer, EGOT winner and Pulitzer Prize recipient Marvin Hamlisch of A Chorus Line fame died at 68. Hamlisch was a frequent Oscar presence with 12 nominations over the course of his career but his 3 wins all came during the ceremony in 1974 for adapted score The Sting (1973) and song and score for The Way We Were. (1973). His last film score for The Informant (2009) won him lots of fresh praise and one assumes very nearly a 13th Oscar nomination since it scored other awards season kudos.

April Foolish Predictions: Best Actor

Every year on the 1st of April we begin consulting our well used crystal ball. It's like "the Oscars, again? Don't you wanna know winning lottery numbers or something?" It's foolish to predict the Oscars before practically any of the contenders have screened but foolish can be fun.

This year the contest might be between two men playing beloved US presidents, Bill Murray as FDR in Hyde Park on Hudson and Daniel Day Lewis as Abraham Lincoln in Lincoln, and even if it isn't that angle will get media play. Streep's win a month ago reminded us that Oscar has always loved political performances (if not overtly political films) and they literally can't go one year without having one of the four acting winners playing a real life character. (Benjamin Walker is also playing Abraham Lincoln this year but he's playing him as a vampire hunter so he doesn't figure into the chart.) 

Ryan Gosling has a few leading roles again this year but after the past few years it's clear that Oscar just isn't that into him. So we look to people they love nearly without fail like Philip Seymour Hoffman in The Master. It's possible that he'll overplay the role of a charismatic cult leader but that might actually help with Oscar. They love Clint Eastwood more as a director than an actor but one last chance to honor him for The Trouble With the Curve, a father/daughter road trip drama might be too much to pass up.

At this point I'm most curious about Hugh Jackman's chances for Les Misérables -- I'm guessing they're very good but I'm also guessing that that opinion won't be shared by all -- and whether John Hawkes can fend off dozens of upcoming contenders and keep the heat from his Sundance success in The Surrogate as a man in an iron lung. 

Numerous leading men are coming but only five of them can win Oscar love. Other possibly interesting lead performances are on the way from Bradley Cooper, Brad Pitt, Oscar Isaac, and of course Jamie Foxx as Django Unchained.

Who will it be? Here's my new guesswork.

How would you shift it?
Whose work are you most curious to see? 

3 Days Until Handsome Bludgeoning...

Oscar is an octogenarian so you know he's heard everything. He's been reviled, exalted, and called all sorts of things other than "Oscar" over the years. My favorite name-calling recently was from Daniel Day-Lewis. At the 80th Oscars in February 2008, he called our shiny man the "the handsomest bludgeon in town".

Remember that?

That's the closest I'll ever come to getting a knighthood so thank you. My deepest thanks to the members of the Academy for whacking me with the handsomest bludgeon in town. I'm looking at this gorgeous thing you've given me and I'm  thinking back to the first devilish whisper of an idea that came to him and everything since.

Mad Beautiful-Headed P.T.It seems to me that this sprang like a golden sapling out of the mad beautiful head of Paul Thomas Anderson.

I wish my son and my partner H W Plainveiw were up here with me, the mighty Dylan Frazier. So many people to thank. One amongst them would be Mrs Plainview down there, the enchantingly optimistic, openminded and beautiful rebecca miller.

I hope that all of those to whom I owe and to whom feel the deepest gratitude will forgive me if I say just simply 'Thank you, Paul.'

I've been thinking a lot about fathers and sons in the course of this. I'd like to accept this in the memory of my grandfather Michael Balkan, my father Cecil Day Lewis and my three find boys Gabriel Ronan and Kashel. Thank you very much indeed, thank you.

This is not Dylan Frazier. HW Plainview had to put on a few years first.

Only an actor as great as Daniel Day-Lewis could make you forget that they're actually elegant and erudite and endearing in person. When he's onscreen in There Will Be Blood, glowering and strategizing his heart pumping out only oily greed it's impossible to imagine that they're the same person.

When do you think we'll see a performance that massive winning Best Actor again? Don't say "the next Paul Thomas Anderson picture!" because then I'll have to remember that it's Phillip Seymour Hoffman who's starring in it. When do you think we'll start seeing production stills from The Master? Even with PSH leading I want. Gimme.