When do you see movies? When do you like to read about them?

An open question for all readers. We've often expressed disdain for the internet model (prevalent on most well-read movie sites, even the good ones) in which the bulk of conversation about a movie happens BEFORE its release. But what to do about it? We try our best here to talk about movies mostly after they open (with the exception of the YNMS series, Oscar predictions and short news bits) which has surely cost us readers in the anticipatory-madness of current online culture. However one thing we're not good about is knowing when to discuss films. WHEN DO YOU SEE NEW MOVIES? Are you at the movie theater every week? Do you VOD? Do you rent DVDs? Do you just bit torrent everything (naughty-naughty)? Or are you totally beholden to when Netflix decides to stream something if, in fact, they ever get around to streaming it at all? (Netflix, once a godsend for cinephiles, has become something of a curse.)

It used to be so much simpler when there was just one release date but now viewing is so staggered between so many types of services, subscription and pay-per-view models, and so many exclusivity windows that it's hard to even have a DVD column that's anything close to relevant. (It's the chief reason, I believe, why piracy has grown so large and rampant: there are just too many obstacles to audience seeing a movie they want to see when they want to see it). I ask these question because so many movies we've discussed in the past but perhaps in not as much detail as we should have are released each week on DVD. Recent newbies that I've wondered if we should discuss again or in more detail (links go to previous coverage) include: The Last Five Years, Miss Julie, Mr Turner, Selma, Fifty Shades of Grey, Paddington, Mommy, The Boy Next Door, Inherent Vice. And each week brings new titles fitting that same criteria. In the coming weeks Beloved Sisters, Blackhat, Still Alice, American Sniper, and Leviathan among others arrive. 

Any thoughts on the problem of staggered viewing and how to unite us all?

Revisiting Rebecca (Pt 4) the Original Gone Girl

Previously on Revisiting Rebecca -  Nathaniel introduced us to our nameless heroine whose youthful, clumsy charm lands her the brooding Maxim de Winter. Abstew attended their nuptials and the first of the second Mrs. de Winter's trials at Manderley. Then Anne Marie ventured into Rebecca's room to see how deep Mrs. Danvers obsession goes. Will our mousy leading lady ever find the peace and love she desires at Manderley or will the ghost of Rebecca prove too great an obstacle?

Part 4 by Angelica Jade Bastién

We begin where Anne Marie left off, with #2 (aka The Second and Less Fabulous Mrs. de Winter) getting her wish for a costume ball. After failing to come up with a costume to her liking Mrs. Danvers offers to help. But, #2 soon learns that Mrs. Danvers version of help is quite dangerous. 

1:16:06 Costume balls, much like Halloween, allow people to become what they deeply want to be even if it’s just for an evening. For #2 this is especially true as she takes Mrs. Danvers advice and dresses up as Lady Caroline de Winter based on one of the many family portraits that punctuate the walls of Manderley. Lady Caroline represents everything #2 is not: poised, beautiful, disarming. 

While some of our team hasn't warmed to Joan Fontaine in this nameless role, I agree with Anne Marie's estimations. Fontaine perfectly embodies her. When we first see #2 in her costume she is nervous with desire, unsure of her decision. She carries herself with a sort of clumsiness I remember from my high school years; trying to have some sort of grace but instead bristling against the confines of early womanhood. Which makes me wonder how old is #2 supposed to be exactly? [More...]

Click to read more ...

Revisiting Rebecca (Pt 3): Don't Go Into Rebecca's Room

Previously on Revisiting Rebecca - Nathaniel introduced us to a mousy girl with no name and no money, whose awkward charms land her Maxim de Winter. Abstew guided us through their nuptials and the introduction of Manderley, Maxim’s humble family castle. Turns out it’s filled with Maxim’s dead wife’s things, including a creepy servant named Mrs. Danvers. Just how much sway does Rebecca still hold over Manderley?

Part 3 by Anne Marie

We begin where abstew left off, with #2 (aka Mrs. de Winter the Second, aka Mrs. de W2 - with about as much personality as a tax form) asking Crawley to describe Rebecca’s character. Crawley answers back with a vague, glowing physical description that makes #2 twitch and me roll my eyes. Yes, yes. Rebecca was beautiful. Maybe the moral of this movie is not to judge a woman's moral character solely by her good looks.

55:55 There’s a quick montage of a fashion magazine and crossfade to #2 dressed uncomfortably in a black dress with pearls. Eagle eyed observers may remember that this is the same outfit she promised Maxim she’d never wear.  [More]

Click to read more ...

Revisiting Rebecca (Pt 1) Off to Manderley

A 75th Anniversary Special
Alfred Hitchcock's Best Picture winner Rebecca (1940), based on the novel by Daphne Du Maurier, is 75 years old this month. To celebrate, Team Experience is experimenting with something entirely new: a baton pass viewing of sorts. We don't even know how it will turn out so we hope you'll stick with it and enjoy. Five of us will be watching Rebecca in shifts. So we each get about 26 minutes of it to write about. As your host, Nathaniel, it's my duty to start running when the gun goes off. In this case perhaps lighting an Olympic flame and starting to jog is a more fitting analogy?

Flames... Breathing.... on the side of Mrs Danvers face...

Part 1. By Nathaniel 

00:01 How I do love the MGM Lion roar. First some loud David O. Selznick fanfare in the form of a title card and then a Selznick pictures tag and later another Selznick credit. Guess who's paying the bills? And then a silhouette of trees, which hey, Isn't that how GWTW's title cards begin, too? Bragging much, Selznick?

Opening credits in old movies are always over so quickly. This one names only 35 people, and 5 of them are the writers. Can you imagine?

35 names wouldn't even cover the visual effects department credits on a remake of Rebecca from the fire sequence alone (this sentence was not intended to give Hollywood any ideas). Once Pandora's Box of Credits was unlocked, credits got longer and longer.

02:00 We begin on wrought-iron gates with one of the most famous of opening movie lines. 

Last night I dreamt I went to Manderley again. 

(Something no one ever said about Lars von Trier's Manderlay.)

In her dream state opening monologue our protagonist (Joan Fontaine's Mrs de Winter) mentions the supernatural. She drifts like a spirit through those gates, winding through fog and trees until she conjures up a silhouette of Manderley, "secretive and silent," which is just as well because the lies begin immediately thereafter. She tells us that "Time could not mar the perfect symmetry of those walls" but that's the end of any notion of immortality. More...

Click to read more ...

White-Tailed Link

The Guardian features a new short story from Rupert Everett, writing about his altar ego movie star Keiran O'Nightley
Playbill reviews special features on the Blu-ray for Into the Woods
/Film Batman getting another animated film, this time in style of the 60s TVshow
Instagram Hugh Jackman is still threatening to quit Wolverine. I'll believe that when I see it. I'm not as gullible as the rest of the internet. It's the man who cried wolfverine.

Variety YouTube gets slammed for placing age restrictions on The Fosters' sweet gay kiss between high school friends Connor & Jude (actors Gavin Macintosh and Hayden Byerly who are 16 and 14 respectively) in an historic storyline
Playbill talks to Richard LaGravenese about Barbra Streisand's Gypsy project and the (gulp) Lady Gaga rumors
Boy Culture Madonna performs "Ghosttown" her best single in ages with... Taylor Swift?
Empire Broadway legend Audra McDonald will play the wardrobe in Beauty & The Beast extending its all star singing cast. But the wardrobe doesn't have any solos. Grrrrr
The Matinee why don't contemporary films produce iconic film cars any more 
Variety NBC will next mount The Wiz for a live music event. That actually might be an inspired choice. We'll see.
Coming Soon I could've sworn this was old news but maybe it only feels like old news since everything is being remade / recycled but Disney's Mulan will get a live-action redo
/Film talks to Elizabeth Olsen about The Scarlet Witch 
Salon fills you in on 'everything you need to know about' Trevor Noah, the young comic who is taking over The Daily Show when Jon Stewart leaves
AV Club Jon Hamm could have starred in Gone Girl? Huh.

TODAY'S WATCH
Dwayne 'The Rock' Johnson IS Bambi... in this well deserved SNL spoof of Disney's live action remake obsession of their animated canon

The Rock also starred in a...uh... 'suck the poison out of me' sketch. Haha.