Red Carpet: "The Help", Teen Choice Awards

NATHANIEL: For this episode of Red Carpet Convos, I'm joined by our resident fashion-obsessive Jose and Kurt. We begin with ... oh help me. It's THE HELP. I feel like I have done nothing but talk about that movie this week.
KURT: 'The Help Experience'.
NATHANIEL: Which would work as that movie's title... were it not for that pesky Emma Stone ;). It's totally overthrown Rise of the Planet of the Apes already in conversation.‬

Aibilene, Celia, Skeeter, Minnie and Hilly

poll by twiigs.com

JOSE: ‬ Confused by Ron Howard's kid and Jessica Chastain again, which one's which?‬

NATHANIEL: ‬ ‪The pregnant one is always Bryce Dallas Howard‬

KURT: ‬ ‪Is that to say she's perpetually pregnant?‬

NATHANIEL: ‬ ‪I feel like she's had four children already. But i think this is just her second.‬

JOSE: ‬ ‪She's still pregnant? She and Natalie Portman gestated like elephants. I thought she was just wearing a bad empire cut‬

KURT: ‬ ‪well since we seem to be working backwards, let's talk about Ms. Howard. Jose are you very familiar with her red carpet looks? cuz i'm not‬

JOSE: ‬ ‪actually no, though somehow I happen to be a big fan of her underrated-ness.

NATHANIEL: ‬ ‪She went very patriotic for this red carpet.‬  Perhaps to counterbalance how dastardly Ugly American her character Hilly is?

KURT: ‬ ‪she should have worn a confederate flag‬

JOSE: ‬ see what I can gather from her look is that color blocking is already hard for the skinny starlets, so pregnant ladies should stay away from it, this reminds me of Uma's yodeling costume from the Oscars a few years ago‬

NATHANIEL: ‬ ‪Ah, I think it's lovely or would be without the primary colors.‬

KURT: ‬ ‪agreed about the color blocking. reminds me someone a few seasons ago of Project Runway - can't remember her name.

NATHANIEL: ‬ ‪reality show contestants fade in memory practically instantly -- celebrity meat grinder that. I love Project Runway and I can never remember people's names after the next cast has replaced them.‬

JOSE: ‬ ‪oooh nice connection Kurt, since freaking Heidi Klum is always pregnant as well‬

‪KURT: ‬ ‪word‬. Bryce should have worn a variation of that floral thing that makes it into all the promo stills. i kind of love that look.

NATHANIEL: ‬ ‪Octavia Spencer. This is a lovely color I think but the clutch is cracking me up. It's so flat and shiny that what could you keep in there other than maybe all the movie contracts you're thinking of signing now that you've had your breakout role.‬

‪KURT: ‬ ‪yea its weird‬ like a trapper keeper

NATHANIEL: ‬ ‪ ‬ ‪Omg. maybe she's got homework or a slambook inside?‬

JOSE: ‬ ‪Love the cut and the cleavage, since bigger ladies usually go for huge priest-robe like dresses, the mid-length cut is absolutely perfect‬

‪KURT: ‬ ‪yes the dress is pretty. is the wrap too much?‬

NATHANIEL: ‬ ‪‬ ‪I like it. But then I like gossamer loveliness in general.‬

‪KURT:‬ ‪well at least it's not draped over her like a JLo doilie‬ and i wont say anything else about Jlo -- i promise!

"I ❤ _____", Viola Davis vs. Angela Bassett, and Teen Choice after the jump.

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Review: "The Help"

The first storyteller is Aibilene (Viola Davis), a black maid raising her 17th white baby in the Jim Crow south. She can't answer the question of what it feels like to raise another woman's baby when you've left yours behind at home. It's an overwhelming opening inquiry to be sure. Though it's immediately clear Aibilene is being interviewed, we don't know why and for what purpose as The Help begins. This type of prologue is common in movies as you get a peek at what's to come before stepping back to the beginning, but the introduction is important: Abilene is the first person we meet and the narrative voice of the movie. 

Viola Davis even listens with dramatic depth!

Though mainstream Hollywood has proven time and again that they're constitutionally incapable of telling black stories without a white frame --  in this case Emma Stone's frizzy haired provocateur "Skeeter" who is secretly writing a book about the experience of maids in Jackson, Mississippi -- The Help, however subtlely (and perhaps accidentally), suggests with its Davis-centric opening and closing passages that Abilene is capable of creating frames of her own, thank you very much. In fact, she'd rather write her own story than tell it to another writer.

So she does.

Mm-hmm. It's Octavia Spencer as Minny, a surefire Oscar nominee.If Tate Taylor's adaptation or Kathryn Stockett's bestseller were confident enough in Aibilene's voice to downplay Skeeter's this would be a much more revelatory movie, and surely a more painful one, but we're dealing with the movie we've got which is essentially both of theirs.

The story, or, more accurately, stories of The Help are passed like batons throughout the movie. Deep breath now: Skeeter who wants to be writer has a starter job as a cleaning advice columnist which leads her to conversations with (baton pass); Aibilene who is dealing with personal grief and a weak-willed bad-mommy employer; Elizabeth (Ahna O'Reilly) who is continually pushed towards racist actions by local queen bee; Hilly (Bryce Dallas Howard) who loves lording her power over her mother, local girls, maids and the town outcast; Celia (Jessica Chastain) who is loud and 'trashy' but really loves her maid; Minny (Octavia Spencer), the best cook in town and Aibilene's BFF, who has a sharp tongue and is at war with Hilly.

Though it's easy to take potshots at The Help  -- we might discuss those soon -- it's also somewhat ungenerous since The Help is well meaning and entertaining and best of all affords us the rare opportunity of seeing several watchable actresses chewing on a meaty multi-course feast together. Sometimes they mistake the scenery for another course (Bryce Dallas Howard and Jessica Chastain may both provoke heated arguments about the line betweena "type" and a caricature) but this was bound to happen. Chief among the delights in the acting arena is watching the dependable Viola Davis (Doubt, Far From Heaven) take the reins of a movie for once instead of stealing the whole thing in one scene or two.

The interplay between the characters makes up the bulk of the entertainment value, since with its sometimes candy color glossiness and very brief detached asides to actual history (usually on television sets), it's obviously not going for a deep historical rendering of the violent racist south. The movie would have done well to jettison much of Skeeter's story, both for pacing (it's far too long) and thematic strength, but Stone is such an engaging actress that it feels strange to object to having more of her around. Her storyline does eventually return, movingly, to the subject at the heart of The Help.

In the end where The Help wins over its audience, provided that they're okay with a surface take on a deep troubling subject, is with its trio of central performances. The intertwining still relevant topics of civil rights struggles, labor and racism are so large and overwhelming that it can be hard to breathe in their vicinity. What potency The Help does achieve it gets from its entertaining actresses sharing the thick pressure cooker air: Davis inhales, Stone fumes, Spencer erupts.

One final exasperated exhale from Aibilene is just the right cathartic move to end with. The audience breathes with her. And isn't this her story after all?

Related:
Oscar Discussion With Katey 
Review Index 

Will Oscar Hire "The Help"?

Here's a quickie conversation with Katey Rich and I about Tate Taylor's The Help and its Oscarable cast. We accidentally ran into each other outside the theater (hitting different screenings on the same day) so we decided we should have a brief chat.

How might the ladies campaign? Who really owns the film? Is this an Oscar vehicle for Viola and Emma or something more like momentum for a future Oscar?

Viola Davis and Octavia Spencer are the title characters but we also discuss the work of Emma Stone, Sissy Spacek, Bryce Dallas Howard, and an unrecognizable Jessica Chastain if The Tree of Life is all you have to go on. And that was all I had to go on going in.

The movie opens tomorrow in theaters. Have a listen.

Katey and Nathaniel on "The Help"

Red Carpet: Crazy Stupid Pockets, Friends With Penis Dresses

‪Nathaniel: For this episode of Red Carpet Convos, I'm joined by our resident fashion-obsessive Jose and Guy Lodge of In Contention. We begin with a Lineup, culled from the premieres of Friends With Benefits, Horrible Bosses, and Captain America, respectively. This triple feature is now available at your local multiplex.‬

Emma Stone, Jennifer Aniston, Captain & Love Interest, Somebody

Guy: Oh, I see why you got me for this one
Jose: hehe I see Jen again
Nathaniel: Guy, I should admit right up front that I think Jen looks hot here and I mean that both ways.
 Jose: ‬ ‪is that thing made out of leather?‬
Nathaniel: ‬ ‪Right? IN THE SUMMER.‬
 Guy: ‬ ‪Ha! I like that, in playing her first real vamp character, she's committed to the cause off-camera‬
It's like something Angie would have worn back when she was still fun.
 Nathaniel: ‬ ‪Spoken like a totally biased member of Team Aniston. Grrrr! I'm sorry but the news told me that it's over 100˚ outside -- I'm pretending outside doesn't exist (curtains drawn, air conditioning at full blast) -- so i can't even deal looking at this.‬
 ‪Guy: ‬ ‪But it's short! At least her legs are breathing.‬
 ‪
Jose: ‬ ‪speaking of which, both Jen & Angie tend to do the same over and over when it comes to clothes, so I'm actually thrilled that this time Jen gave her standard look (black and mini) a slight twist‬
 ‪Guy: ‬ ‪That's a very good point -- and the hair looks a little choppier and more summery. (Sorry, this is getting stalker-y on my part)‬
 ‪Jose: ‬ ‪I still never will get dress pockets though, especially in such a tiny dress, does she have her whips and feathered handcuffs in there?‬
Nathaniel: ‬ ‪Or mash notes from Guy.‬ And a restraining order.

Guy: ‬ ‪I'm all for dress pockets. Why should guys get all the comfort?‬
 ‪Jose: ‬ ‪because we don't get to have fabulous bags * sad face *‬
 ‪Guy: ‬ ‪I like stars who go a little bit casual (but still chic) for premieres -- save the real glamour for awards season, otherwise we'll never know when it ends.‬
Nathaniel:‬ ‪Point: Guy. But I don't approve of pockets on anything unless they're holding treats inside for pets... or hungry fans.‬
 ‪Guy: ‬ ‪ ‪Anyway, at leat Jen's pockets aren't on the OUTSIDE of her dress. What's going on with Emma Stone?‬
 ‪Jose: ‬ ‪don't mess with Lanvin, Guy!‬
Nathaniel: ‬ ‪Her pockets are big enough to fit other starlets inside. If those are indeed pockets. I feel compelled to tell you that this is my least favorite color combination that has yet been invented.
 

‪Jose: ‬ ‪her dress makes me sad for two reasons‬.‬ ‪it's obviously from the collection where Juli got hers for January and i think they would've been MUCH better if they had switched them, apparently pale redheads dig crazy pink Lanvin? ‪I do think it's a fantastic, bold look though, a bit too old for Emma maybe, but I loooooove it‬

 ‪Guy: ‬ ‪I actually like the red-pink clashing and the mini-Alexis Carrington shoulders... but it'd look so nice and trim without the sewn-on clutch bags. (I realise she's going to see Horrible Bosses, but how many flasks does she need to carry with her?)‬
Nathaniel: ‬ ‪Actually she was at Friends With Benefits so back off. Flasks fully justified.
Guy: ‬ ‪I'm glad she's a redhead again, though, even though she's a natural blonde, and even though I  usually criticise starlets for doing the reverse... it's all very confusing.‬
Nathaniel: ‬ ‪Yes.‬

Nathaniel: Moving on. Every time I try to think about what to say about Captain America and his love interest (Chris Evans and Hayley Atwell) I fall asleep.
 ‪Jose: ‬ ‪LOL‬. I resent that this Chris Evans person is trying to pretend he's all geeky and stuff now, every time I see him all Benjamin Button-ized in the trailer I want to kick his ass

 ‪Guy: ‬ ‪Is that Chris Evans? I didn't recognise him behind his cunning "look, I'm smart" disguise. And without his abs.‬
Nathaniel: Is he going for a Clark Kent thing here or is he ready to let himself go since he's said that those grueling two hour workouts to look like a super soldier made him want to vomit daily?
Jose: ‬ He's just being a drama queen. If I had those abs I would not bother with clothes EVER‬.

THERE'S MORE: Chris Evan abs (in motion), Ryan Gosling's perfection, Vanessa's unfortunate frock, Hayley Atwell's identity crisis and the über sexy cast of Crazy Stupid Love at their premiere AFTER THE JUMP.

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Links: Frankenstein, Hughes, Zombies, Swampthings

FriiiiiiiiieeeeeeeendAntagony & Ecstasy by way of Green Lantern, Timothy looks back at another ill advised green-hued DC adaptation, Swamp Thing
the Wrap John Landis's son hired to write the reboot of Frankenstein. I was wondering when that stitched man monster would try to lumber through the current supernatural crowds again. Hey, Craig was just talking about the original Frankenstein in the Take Three series.
i09 considers True Blood characters who still haven't had sex with each other yet. Who should? 
IndieWire looks at five female directors on the verge 
Movie|Line says the offer is out for Emma Stone to headline Pride & Prejudice & Zombies. Natalie Portman was previously rumored but I think Emma is a much better idea for this kind of tonally specific project. Portman is too uneven with the fanciful stuff. Superb in Black Swan but less so other times that f/x surrealness have been involved. But will Emma really say yes given that she's already done Zombieland?

Howard HughesMeanwhile I was asking on Twitter why anyone would want a Chris Nolan Howard Hughes bio (he previously expressed intent) now that the news is out that that's the Warren Beatty project that is in the works. So many blogs were all "but what about Nolan's movie???" Excuse me but has no one seen Reds (1981)? If all biopics were as resonant, well acted and potent as that one it'd be a different film world altogether and Oscars love of the same would be fully and thoroughly justified and not just THIS again?(Nolan is excellent at certain things but I wonder why people think he'd be the man for a biopic when depth of characterization isn't exactly his forte.) Warren will play Hughes (who Leonardo DiCaprio already played as a younger man of course in The Aviator) in his later years and it'll focus on a romance with a younger woman. Rumored to be involved or interested in being involved are: Andrew Garfield, Alec Baldwin, Annette Bening, Shia La Beouf, Rooney Mara and Evan Rachel Wood. Oh and Jack Nicholson who gave one of his all time best and least characteristic performances in Reds. No word yet on who will be playing who but the important news is already out in the cosmos: Warren Beatty is getting back to work. Fi-nal-ly.