Snow Queens who have gone before us

It’s Tim, with a little bit of animation history for y’all. Not that you’d be able to tell from the details dribbled out so far (estranged sisters, talking snowmen, reindeer acting like dogs), but the impending Disney film Frozen began its development as a dramatic musical adaptation of Hans Christian Andersen’s “The Snow Queen”, a story first published in 1845. By this point, Frozen has drifted far enough from Andersen’s fairy tale that it’s probably more of an honorary adaptation than anything else, but that’s not all that unusual for Disney animated features. In the meanwhile, anyone looking to get their fix with a more authentic, faithful version of the story can look to a lengthy tradition of Snow Queen animated films, stretching back more than half a century.

From Russia to London with Sigourney-Love after the jump...

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Bibbidi Bonhamy Boo ♫

I seriously don't know why casting directors exist anymore because there are apparently only 3 actors for every type of role since famous actors are always cast in exactly the same ways. Need an eccentric older British actress to play someone magical? GET HELENA BONHAM CARTER! 

You've probably already heard that everyone's favorite former Victorian china doll turned black arts ghoul turned Burton Queen will play the Fairy Godmother in the new live action Cinderella. (Thankfully this is NOT a musical. I love Helena but I beg her to stop doing musicals!) Somewhere Johnny Depp is grinning like a cheshire cat as they made a blood pact in the early Aughts to never play anything but cartoon characters again! 

Regardless, she'll be great fun in the role and there is a mild twist to this casting actually. For many years now, The King's Speech aside, Helena has been automatically associated with Demented Wickedness. Unless they rethink the whole story this time she's crossed over to the light!

We haven't discussed this film much beyond the casting of Cate Blanchett as Wicked Stepmother which was something of a surprise (if only because it's been a few years since Cate Blanchett was one of the 4 people who were cast in everything without fail) but I'm curious.

Lily James (Downton Abbey) as Cinderella. Richard Madden (Game of Thrones) as the Prince. Sophie McShera (Downton Abbey) as Drizella

Kenneth Branagh and his casting director have clearly been watching their tellys since they've pulled from Downton Abbey (twice...and yay on McShera as Drizella!!!) and Game of Thrones (Madden gets a happy ending this time!). Branagh is hit and miss as a director but he started off so strong (Henry V, Much Ado About Nothing and Dead Again are all just spirited joys to watch, aren't they?) that I'm always hoping he'll recapture that. But am I the only one who found Lily James almost unbearbably irritating on Downton Abbey? Let's hope that was just her flighty petulant character confusing me!

How long do you suppose Hollywood's recent fascination with fairy tales is going to last?
And if the expiration date is near, which fairy tale do you hope they rethink / revive / regurgitate soon. 

Early Bird Oscar Predix: The Toons

Last year's Animated Oscar race is going to be a tough act to follow. In what was arguably the most competitive race of all 12 years of Oscar's newest category, there was precious little agreement about who might win and even less about who deserved to; Brave, Frankenweenie, ParaNorman and Wreck-It Ralph all had their loyal camps (Pirates! A Band of Misfits was the only "just happy to be nominated" contestant.) At the very last minute, buzz-wise, it appeared to boil down to Disney vs. Disney/Pixar. Big-fisted Ralph fought big-haired Merida and the Scottish lass won.

But what does 2013 have in store for us? It's looking like a much leaner year, and a least at first glance, a far less animated (heh) one. Monsters University might just be emblematic of what's going on. The prequel to the inaugural loser of this very category (Monsters Inc) is, like all the rest, part of a franchise or would-be-franchise and also a noisy colorful 3D CGI fest for very young children. That's about all there seems to be from The Croods on through Free Birds in which two turkeys (voiced by Owen Wilson & Woody Harrelson) travel back in time to stop the first Thanksgiving. There's less variety both in types of audiences sought and in types of animated styles.

For different styles and tones of animation we'll have to look to foreign films. Pray and pray hard that Hayao Miyazaki's latest The Wind Rises crosses the Ocean in time. I don't know if it's finished since news has been sparse but Ana Y Bruno is a Mexican film about a little girl who meets a goblin (or some such) in the psych ward of her mother's hospitable (?). But even with foreign films they're often just trying to be Hollywood blockbusters. I haven't seen more than a still from South Africa's Khumba! about a half-striped zebra but it looks very much like a Madagascar-spinoff. And one of it's characters is "Bradley, a self-obsessed, flamboyant ostrich." Uhoh. Should we alert GLAAD?

Hayao Miyazaki's "The Wind Rises" is bowing this summer in Japan

The film that I'm most excited about Song of the Sea, a follow up from the team who made the jaw-droppingly gorgeous The Secret of Kells, will not be ready for this year's race. Big sigh. Which is not to say that this year's race will be lacking in previous Oscar players. One interesting possible development, depending on which films achieve eligiblity is the presence of former Best Foreign Film nominees as directors of new animated features. The Argentinian director of Oscar winner The Secret in Their Eyes, Juan José Campanella, has made a toon called Metegol (aka Foosball) about a foosball team come to life and the Mexican director Carlos Carrera whose drama The Crime of Father Amaro was Oscar nominated is behind the aforementioned Ana. 

We hope that GKids, the new off-the-beaten path animated distributor, brings us something interesting again but for now my crystal ball says it's Disney vs. Disney/Pixar again this year (Round Two). I'm predicting that the final battle will come down to Frozen (based on Hans Christian Andersen's fairy tale 'The Snow Queen') vs. Monsters University. Only this time maybe Disney will beat Pixar... forcing Mike and Sulley to remain Oscarless. Oscar voters will continue to live with their greatest shame: preferring Shrek to Monsters, Inc.

In the absence of a Pixar original (I'll stop weeping that they've joined the rest of Hollywood in franchise laziness and just live with it though I reserve the right to spit at Toy Story 4 whenever that rolls around given that its existence would forever tarnish the finality . What other choice do I have?) the film I'm most eager to see is definitely Frozen. I loved Tangled (which went unnominated in a narrower field of three) and I'm hoping that their latest musical fairytale -- this one has Kristen Bell and Broadway musical alumni Idina Menzel, Josh Gad, and Jonathan Groff doing the voicework -- is a worthy follow up.

RELATED: New Animated Feature Oscar Chart

Posterized: The Land of Oz

With Oz: The Great and Powerful hitting movie theaters today and having just remembered one of the all time greats The Wizard of Oz with the season premiere of "Hit Me With Your Best Shot" I thought we'd honor the land of Oz, the now 113 year old creation of L Frank Baum with this week's edition of Posterized.

The Wizard of Oz (1939), Journey Back to Oz (1974), The Wiz (1978)

Under the Rainbow (1981), Return to Oz (1985), Wild at Heart (1990)

Wicked (stage musical, 2004), The Muppets Wizard of Oz (2005), Tin Man (miniseries, 2011)

I'm sure I'm missing some titles that spin heavily from the Oz myth but I came up with nine entertainments, preceding Oz: The Great and Powerful so let's discuss. (If you can think of more like Wild at Heart or Under the Rainbow that trade heavily on Oz imagery or history, without being 'Land of Oz' films, do share.) 

How many have you seen?

 I can't say that I've seen that many of these as I tend to avoid anything I fear might shamelessly rip off one of the greatest films of all time and thereby tarnish its memory. There will most certainly be more grave robbers coming now that Oz has beenin the public domain for awhile. But, my reservations about all new Oz product aside, I'm still dying to see a film version of "Wicked. I couldn't stop thinking of it all through the new picture. (It was like when they made that Les Miz movie in the 90s and it wasn't the musical. Why?)

'Jack & The Beanstalk... on Steroids'

I can only imagine the pitch meetings for Jack the Giant Slayer...

The Royal Family, Their Trusted Ewan, and Jack the Farmboy

It's like 'Jack and the Beanstalk' on steroids. not one giant but hundreds, not a farm to save but an entire kingdom, not just treasure but a princess's heart to win. Oh, and minus the golden harp since harps are for sissies!"

Okay, yes, the harp does make a cameo appearance but the story has been greatly altered in an attempt to reach today's kids boys. Which is fine. Fairy tales are always morphing with the times and in this case why the hell not? There's a reason that Jack & The Beanstalk is a second tier fairy tale. [more...]

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