Friday, March 31, 2017 at 9:00PM Tweet of the Week
my friend texted me "why is no one talking about how rooney mara and tom hiddleston have the same face" & now i cant stop thinking about it pic.twitter.com/dBFMo6g2Ho
— maria yagoda (@mariayagoda) March 28, 2017
More after the jump including Justice League's insane rumored running time, "#Witherdern" and the Emmy Best Actress race, and more...
Monday, March 27, 2017 at 5:40PM 
Previously
1 "Pilot"
2 "The Other Woman"
3 "Mommie Dearest"
by Eric Blume
Episode 4, “More, Or Less” marks the halfway point for Feud: Bette and Joan, and this episode focuses on power and limitations, not only for its title characters, but for everyone surrounding them.
This episode sees both lead actresses confronted by a lack of offers after the completion of shooting Whatever Happed to Baby Jane?. Susan Sarandon’s reaction to meeting her new young agent is priceless, and Jessica Lange has a “fuck you fellas” scene that feels right out of Mommie Dearest.
Thursday, March 23, 2017 at 7:40PM Today's Must Read
BuzzFeed good piece by Allison Willmore on the maddening response to absolutely nothing moments proclaimed to be LGBT "firsts!" in movies. Two parts of the problems she doesn't mention though are 1) the internet demands for constant content incentivize journalists to blow everything out of proportion including super stupid things like "LeFou is gay!" and 2) too many pop culture journalists are operating from a place of zero knowledge about pop culture before they were, like, 12.
more links after the jump including insightful pieces on Feud and an investigation of Logan's family jewels...
Monday, March 20, 2017 at 6:15PM 
Previously
Ch. 1 "Pilot"
Ch. 2 "The Other Woman"
Feud's writing team is nothing if not devoted to playing to a single theme per episode. All but a couple of scenes in chapter 3 of Feud are devoted to the notion of mothering (though Victor Buono's more generous notion of "legacy" might have been a smarter move for retroactive potency). Or at least the show spends this hour playing with our pre-conceptions of the mothering skills of Bette Davis and Joan Crawford. That's evident in the way it pulls the episode title from the infamous Christina Crawford memoir that damned Joan forever in the public eye as a psychopath and child abuser. In one of the earliest scenes we even get a potent reminder of this memoir as Joan pretends she's not going to send Christina a card congratulating her on the opening of a play until she reads reviews, but then signs the card "Mommie Dearest," as soon as two of her other children are out of sight.
I know what you think of my mothering...
Tuesday, March 14, 2017 at 5:21PM On the second episode, Bette and Joan fight for the affections of Robert Aldrich, Hedda Hopper has a feud of her own, and Kiernan Shipka goes full Sally Draper. Here's Jorge Molina...
Your autograph please Ms Crawford
For both of his latest anthologies, Ryan Murphy has tried to focus every episode on a different aspect of the overall theme of the series in question. With People vs. OJ, we got racism and sexism-centric episodes. On Feud it seems we'll be exploring different sides of the destructive Hollywood machinery. This week that's how women in the industry are pitted against each other for monetary and publicity gain.
The second episode also gives us an excuse to call Stanley Tucci "Big Daddy." Not that we needed one...
